𝑻𝒂𝒏𝒔𝒊𝒐 𝑴𝒊𝒓𝒂𝒊 10𝒕𝒉 𝑨𝒏𝒏𝒊𝒗𝒆𝒓𝒔𝒂𝒓𝒚 𝑬𝒅𝒊𝒕𝒊𝒐𝒏: 𝑿 𝒎𝒂𝒓𝒌𝒔 𝒕𝒉𝒆 𝒔𝒑𝒐𝒕

|| 𝗜𝗻𝘁𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 ||

Tansio Mirai is one of the more boutique brands that had been in operation for quite a while now but was typically not in the mainstream spotlight. They offer a wide range of items from cables and IEMs from $39 all the way up to $2999. I will be referring to the 10th Anniversary edition as ‘ TSMR X ‘ for convenience sake.



They are now celebrating their 10th anniversary with a limited edition 10th anniversary set for the price of $399, making it settle in the midrange category of the hobby. Tansio Mirai packed the TSMR X 2DD + 4BA + 1 Custom Film Retarding Driver.

Their custom driver is removable and seems to be adjustable, which I find unique for an IEM in itself. Not only that, they opted to have the TSMR X made with tuning switches to future tweak the sound for one’s liking.


|| 𝗗𝗶𝘀𝗰𝗹𝗮𝗶𝗺𝗲𝗿𝘀 ||

I am in no way, shape, or form affiliated with the brands I review and do not give out preview privileges.

This set is sent in exchange for an honest review. There is no material or financial incentive for me to do this review and I guarantee no exchange has been done by both parties to influence or sway our opinions on this product.

My thoughts and opinions are of my own. My experience will entirely differ from everybody else. The contents of this review should not be considered factual as this hobby heavily leans on subjectivity. YMMV.

I don’t do rankings or tier lists as they can get outdated immediately as a reviewer can change their thoughts of a product to a certain extent. If you do want a recommendation then feel free to reach out so I can help out

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𝗜 𝗮𝗺 𝗻𝗼𝘁 𝗮𝗳𝗳𝗶𝗹𝗶𝗮𝘁𝗲𝗱 𝘁𝗼 Tansio Mirai 𝗻𝗼𝗿 𝗿𝗲𝗰𝗲𝗶𝘃𝗲 𝗺𝗼𝗻𝗲𝘁𝗮𝗿𝘆 𝗶𝗻𝗰𝗲𝗻𝘁𝗶𝘃𝗲𝘀 𝗮𝗻𝗱 𝗳𝗶𝗻𝗮𝗻𝗰𝗶𝗮𝗹 𝗴𝗮𝗶𝗻𝘀 𝗮𝘀 𝘁𝗵𝗲𝘆 𝗽𝗿𝗼𝘃𝗶𝗱𝗲 𝗺𝗲 𝗮 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁 𝗳𝗼𝗿 𝗮𝗻 𝗲𝘅𝗰𝗵𝗮𝗻𝗴𝗲 𝗼𝗳 𝗳𝗮𝗰𝘁𝘂𝗮𝗹 𝗮𝗻𝗱 𝘀𝗶𝗻𝗰𝗲𝗿𝗲 𝗳𝗲𝗲𝗱𝗯𝗮𝗰𝗸 𝗳𝗿𝗼𝗺 𝘆𝗼𝘂𝗿𝘀 𝘁𝗿𝘂𝗹𝘆.
𝗢𝗻𝗰𝗲 𝗮𝗴𝗮𝗶𝗻, 𝗜 𝘄𝗼𝘂𝗹𝗱 𝗹𝗶𝗸𝗲 𝘁𝗼 𝘀𝗲𝗻𝗱 𝗺𝘆 𝗴𝗿𝗮𝘁𝗶𝘁𝘂𝗱𝗲 𝘁𝗼 𝗔𝘂𝗱𝗶𝗼 𝗚𝗲𝗲𝗸, 𝗕𝗿𝗼𝘁𝗵𝗲𝗿𝗵𝗼𝗼𝗱 𝗼𝗳 𝗔𝘂𝗱𝗶𝗼𝗽𝗵𝗶𝗹𝗲𝘀 𝗴𝗿𝗼𝘂𝗽 𝗲𝘀𝗽𝗲𝗰𝗶𝗮𝗹𝗹𝘆 𝘁𝗼 𝗠𝗿. 𝗦𝗮𝗻𝗱𝗲𝗲𝗽 𝗔𝗴𝗮𝗿𝘄𝗮𝗹 𝗳𝗼𝗿 𝗽𝗿𝗼𝘃𝗶𝗱𝗶𝗻𝗴 𝘁𝗵𝗶𝘀 𝗼𝗽𝗽𝘂𝗿𝘁𝘂𝗻𝗶𝘁𝘆. 𝗜 𝘁𝗿𝘂𝗹𝘆 𝗮𝗽𝗽𝗿𝗲𝗰𝗶𝗮𝘁𝗲 𝘁𝗵𝗲𝗶𝗿 𝗴𝗲𝗻𝗲𝗿𝗼𝘀𝗶𝘁𝘆 𝗮𝗻𝗱 𝘁𝗿𝘂𝘀𝘁 𝘁𝗼𝘄𝗮𝗿𝗱𝘀 𝗺𝗲 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗿𝗲𝘃𝗶𝗲𝘄𝗲𝗿𝘀.
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| 𝗣𝗮𝗰𝗸𝗮𝗴𝗶𝗻𝗴, 𝗨𝗻𝗯𝗼𝘅𝗶𝗻𝗴 & 𝗔𝗰𝗰𝗲𝘀𝘀𝗼𝗿𝗶𝗲𝘀 |

It comes in a small hard box with a unique coloring. It has your typical text and branding on the front and manufacturer’s details on the back. It has a straightforward unboxing experience, sliding off the initial cover and removing the top cardboard lid will reveal the IEMs themselves encased in dense foam. In the same layer is the provided case and underneath where the IEMs sit is the stock ear tips.




𝗜𝘁𝗲𝗺 𝗕𝗿𝗲𝗮𝗸𝗱𝗼𝘄𝗻:
Paperwork
TSMR X drivers
2-core 2-pin SPC OCC cable(4.4mm BAL)
3-pairs of white translucent eartips(S/M/L)
3-pairs of black translucent eartips(S/M/L)
Off-white faux-leather zipper hard case
Cleaning brush tool
Tuning switch pick tool
Custom driver pick tool

The set of inclusions is good. It is nice to see they included a brush for cleaning the IEMs along with the appropriate tools for tweaking the driver and the switches. The included eartips are your normal stock tips, and I can’t say much about them as they are not that exciting.



The quality of the cable is also amazing, it may not be as braided as others but I actually prefer sleeker cables like this. It doesn’t weigh you down, not stiff and not thick. The gold finish on the fittings also adds a little bit of pop onto the cable. One problem though is the lack of left and right indicators to be able to easily have the correct polarity.



The included case feels nice and high-quality. The look of it definitely gave it a “boutique” feeling but I wish the size would be a tad bit bigger to be able to hold IEMs without much cramming.



Overall, the inclusions are more than enough to get you started. Tansio Mirai definitely prioritizes the accessories that matter to the actual use of the IEMs.


| 𝗕𝘂𝗶𝗹𝗱 & 𝗗𝗿𝗶𝘃𝗲𝗿 𝗖𝗼𝗻𝗳𝗶𝗴𝘂𝗿𝗮𝘁𝗶𝗼𝗻 |

The TSMR X’s body is made entirely out of a translucent green resin which feels really premium. It has heft to make it feel substantial and is nice in the hand. They only offer this in this colorway but the design is really nice. It is subtle with a nice splash of green.



The faceplate has this wavy smooth texture along with the circular driver that you can remove or adjust. The custom driver also acts like a nice design accent for the quite mundane faceplate.



Overall, the design of the TSMR X is minimal yet unique. I'm really fond of this colorway and am amazed with the build quality.

Form-wise, the TSMR has a universal fit, it doesn’t have any deep grooves or protrusions that can annoy others but benefit some. The 2-pin slot is located on the top and the array of switches along with a vent is located on the rear. The nozzle is quite stubby(wide and short) and has no lip to aid in keeping the ear tip in place. This made me require the use of longer eartips during my testing.



Tansio Mirai packed this set with a 2DD + 4BA + 1 Custom Film Retarding Driver, to cover the frequency range. The custom drivers in this one have a neat ability to be removed or adjusted, I noticed that this driver can adjust the ventilation and bass response of the TSMR X.



Another way to change the sound is with the tuning switches. In other IEMs, such switches barely have noticeable change with the sound, the TSMR X switches though, make a world of difference in the sound.


| 𝗜𝘀𝗼𝗹𝗮𝘁𝗶𝗼𝗻 |

Isolation on the TSMR X is the middle of the pact. It doesn’t leak outside sound in but at the same time doesn’t isolate them out entirely. I’m not quite sure if the custom driver affects this but isolation of the TSMR X is more than usable.


| 𝗖𝗼𝗺𝗳𝗼𝗿𝘁 |

With the right eartips, the TSMR X provides amazing comfort in the ears. I never once found myself removing them due to ear fatigue or had to readjust them due to discomfort. The fit is nice and snug with my ear and is kept in place even after some drastic head movement. The occlusion effect isn’t an issue either.


** 𝟳𝗛𝗭 𝗛𝗘𝟬𝟴 𝗦&𝗦 𝗲𝗮𝗿𝘁𝗶𝗽𝘀(𝗦𝗺𝗮𝗹𝗹) | 𝗞𝗶𝘄𝗶𝗘𝗮𝗿𝘀 𝗔𝗹𝗹𝗲𝗴𝗿𝗼(𝟰.𝟰𝗺𝗺 𝗕𝗔𝗟) **


| 𝗗𝗿𝗶𝘃𝗮𝗯𝗶𝗹𝗶𝘁𝘆 |

Even with the wide assortment and quantity of drivers, I never had an issue with the TSMR X requiring more power. There was no issue for me getting my desire volume without much push with the gain.


|| 𝗦𝗼𝘂𝗻𝗱 ||

Overall sound is pleasant and amazing. They offer a great performance all across the board be it from the lows all the way to the highs. The TSMR X offers a familiar yet unique sound that has something to offer for everyone.



| 𝗕𝗮𝘀𝘀 |

One of the key highlights of the TSMR X. These offer amazing bass for both midbass and subbass. Kicks and hits sound full, fast and have quick decay, as if you are hit but something with mass. Subbass goes in deep and is really rumbly. Texture of the rumble is really good whilst keeping it clean.



Definitely one of the best IEMs in terms of bass. Nothing I’ve ever tried sounded this full and satisfying whilst not sounding overbearing or smeary. This can easily impress even bass heads with the nice balance of quality and quantity.


| 𝗠𝗶𝗱𝘀 |

The streak continues as the TSMR X also has good mids. Vocals sound full, warm and have enough air. It never sounded as if the vocals were choked or pre-emptively cut-off. I never encountered any instance of sibilance either. Feminine vocals do tend to be a little bit more forward that their masculine counterparts. Instruments have amazing note weight. They sound full and lush. You can really feel the heft of instruments being played. Air and extension is no slouch either on the TSMR X. Timbre sounds as natural as natural sounding can get.



There is no hint of weird unnatural sound during playback even with the diverse driver selection the TSMR X has,

Overall, a great sounding mids with no sibilance and natural sound. This may not still be enough for midrange fanatics but it is almost at the point of performance.


| 𝗛𝗶𝗴𝗵𝘀 |

Treble on the TSMR X is no slouch either. It has a very nice and unobtrusive sound, yet these provide a very detailed and refined treble performance. They have good clarity, detail, extension and a little bit of sparkle to top it off. It never sounded fatiguing or harsh.



In totality, good treble performance. It can provide ample amounts whilst still on the safer end in terms of energy. Extremist will probably yearn for more but I think the majority will find these appealing


| 𝗧𝗲𝗰𝗵𝗻𝗶𝗰𝗮𝗹𝗶𝘁𝗶𝗲𝘀 |

Despite the safer treble forwardness, the TSMR X still offers amazing technicalities. Layering, separation and staging are all exceptional. Never once the TSMR X sounded congested or all over the place even with the busiest parts of songs on my playlist. Immersion with the TSMR X is top-notch, I can whole-heartedly do this for both kinds of gaming along with being great for movies.


|| 𝗖𝗼𝗻𝗰𝗹𝘂𝘀𝗶𝗼𝗻𝘀 ||

This is definitely quite an experience for an IEM. The amount of little quirks it has all concluded in the overall sound performance that is exceptional. It ticks all the right boxes in my opinion and never once left me wanting for more.



I can recommend this for anyone that has the ability to do so. It has performed extremely well on all instances that I’ve tested it with so far. This is different from hyper-specific set like ones made and marketed for bass heads, treble heads, or anything similar but if you are looking at something that performs good in all instances, this is a definitely must worth a try even if it’s a loaner unit.

𝒁𝒊𝒊𝒈𝒂𝒂𝒕 𝑫𝒐𝒔𝒄𝒊𝒏𝒄𝒐 𝑹𝒆𝒗𝒊𝒆𝒘: 𝑮𝒂𝒂𝒕’ 𝒕𝒉𝒂𝒕 𝒃𝒂𝒔𝒔


|| 𝗜𝗻𝘁𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 ||

Ziigaat is a fairly new brand that released various IEMS at different price points in such a short amount of time. They have products ranging from around $20 all the way up to $1599 with their collaboration with a well known audio reviewer Bad Guy Good Audio Reviews.



One of Ziigaat’s offering is their all new Doscinco, which is priced the same to it’s twin brother the Cincotres at $269. Ziigaat packed the Doscinco with a combination of well-known driver makers Sonion and Knowless along with a 2 dynamic driver array for the bass performance.




|| 𝗗𝗶𝘀𝗰𝗹𝗮𝗶𝗺𝗲𝗿𝘀 ||

I am in no way, shape, or form affiliated with the brands I review and do not give out preview privileges.
This set is sent in exchange for an honest review. There is no material or financial incentive for me to do this review and I guarantee no exchange has been done by both parties to influence or sway our opinions on this product.

My thoughts and opinions are of my own. My experience will entirely differ from everybody else. The contents of this review should not be considered factual as this hobby heavily leans on subjectivity. YMMV.

I don’t do rankings or tier lists as they can get outdated immediately as a reviewer can change their thoughts of a product to a certain extent. If you do want a recommendation then feel free to reach out so I can help out


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𝗜 𝗮𝗺 𝗻𝗼𝘁 𝗮𝗳𝗳𝗶𝗹𝗶𝗮𝘁𝗲𝗱 𝘁𝗼 ZiiGaat 𝗻𝗼𝗿 𝗿𝗲𝗰𝗲𝗶𝘃𝗲 𝗺𝗼𝗻𝗲𝘁𝗮𝗿𝘆 𝗶𝗻𝗰𝗲𝗻𝘁𝗶𝘃𝗲𝘀 𝗮𝗻𝗱 𝗳𝗶𝗻𝗮𝗻𝗰𝗶𝗮𝗹 𝗴𝗮𝗶𝗻𝘀 𝗮𝘀 𝘁𝗵𝗲𝘆 𝗽𝗿𝗼𝘃𝗶𝗱𝗲 𝗺𝗲 𝗮 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁 𝗳𝗼𝗿 𝗮𝗻 𝗲𝘅𝗰𝗵𝗮𝗻𝗴𝗲 𝗼𝗳 𝗳𝗮𝗰𝘁𝘂𝗮𝗹 𝗮𝗻𝗱 𝘀𝗶𝗻𝗰𝗲𝗿𝗲 𝗳𝗲𝗲𝗱𝗯𝗮𝗰𝗸 𝗳𝗿𝗼𝗺 𝘆𝗼𝘂𝗿𝘀 𝘁𝗿𝘂𝗹𝘆.

𝗢𝗻𝗰𝗲 𝗮𝗴𝗮𝗶𝗻, 𝗜 𝘄𝗼𝘂𝗹𝗱 𝗹𝗶𝗸𝗲 𝘁𝗼 𝘀𝗲𝗻𝗱 𝗺𝘆 𝗴𝗿𝗮𝘁𝗶𝘁𝘂𝗱𝗲 𝘁𝗼 Linsoul Audio 𝗲𝘀𝗽𝗲𝗰𝗶𝗮𝗹𝗹𝘆 𝘁𝗼 𝗠𝘀. 𝗖𝗮𝗿𝗶𝗻𝗮 𝗖𝗵𝗲𝗻 𝗳𝗼𝗿 𝗽𝗿𝗼𝘃𝗶𝗱𝗶𝗻𝗴 𝘁𝗵𝗶𝘀 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁. 𝗜 𝘁𝗿𝘂𝗹𝘆 𝗮𝗽𝗽𝗿𝗲𝗰𝗶𝗮𝘁𝗲 𝘁𝗵𝗲𝗶𝗿 𝗴𝗲𝗻𝗲𝗿𝗼𝘀𝗶𝘁𝘆 𝗮𝗻𝗱 𝘁𝗿𝘂𝘀𝘁 𝘁𝗼𝘄𝗮𝗿𝗱𝘀 𝗺𝗲 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗿𝗲𝘃𝗶𝗲𝘄𝗲𝗿𝘀.

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| 𝗣𝗮𝗰𝗸𝗮𝗴𝗶𝗻𝗴, 𝗨𝗻𝗯𝗼𝘅𝗶𝗻𝗴 & 𝗔𝗰𝗰𝗲𝘀𝘀𝗼𝗿𝗶𝗲𝘀 |

It comes in a small black box with the name of the IEM on the front, Ziigaat branding, and some text regarding the driver configuration. Additional information is located surrounding the box for this like specifications and even the manufacturer’s details.



The unboxing experience is straightforward. Sliding off the initial cover, and removing the top cardboard lid, and you’ll be greeted with the Doscinco itself surrounded by dense foam for shock protection. Below it is a box pertaining to all the included accessories.




𝗔𝗰𝗰𝗲𝘀𝘀𝗼𝗿𝗶𝗲𝘀 𝗯𝗿𝗲𝗮𝗸𝗱𝗼𝘄𝗻:
Paperwork
Ziigaat Doscinco shells
4-core 2-pin cable(3.5mm)
A pair of foam tips
3 pairs of normal-bore tips(S/M/L)
Square faux-leather zipper case with a water-resistant lining.



At this price point, the Doscinco is definitely on the barebones side of things in terms of inclusions, packaging and unboxing experience. Even cheaper IEMs typically add more in the box but regardless, it is more than enough to get you started. If anything at least the cable is somewhat decent but still not the best and the included eartips are nothing worthy to note.

| 𝗕𝘂𝗶𝗹𝗱 & 𝗗𝗿𝗶𝘃𝗲𝗿 𝗖𝗼𝗻𝗳𝗶𝗴𝘂𝗿𝗮𝘁𝗶𝗼𝗻 |

Ziigat made the Dosinco out of translucent black resin with some sort of alloy for the nozzle. The overall build feels really nice in the hand and it is quite light. The design of the Doscinco is definitely far from flashy. It has a more subdued look but still has character with the pop of color on the faceplate whilst featuring the Ziigaat logo.



The overall shape of the Doscinco is that of a universal IEM fit. It doesn’t have grooves that either help or be a deterrent for one’s good fit in their ears as well as it is not as bulky compared to other IEMs.



A large circular vent is located on the rear side of the Doscinco. Despite it having a 2DD setup, this singular vent is more than enough for ample pressure control. The nozzle has a good amount of protrusion to easily achieve the best insertion depth along with a lip to help fixate the ear tip on its proper position. The 2-pin port is located on the top side of the Doscinco which is flush with the rest of the body.

Ziigaat boasts that they are packing the Doscinco with a 3BA+2DD setup, two of those said BAs are ones from Sonion while the remaining one is from Knowles. The 2DD is set up to be in an isobaric configuration with a 3-way crossover with the balanced armature drivers.


Overall, I don’t have anything that irks me about Doscinco. I find the design to be quite minimal and the overall build is what you can expect at this price point. The driver specs are also up to par with what the price range has to offer.


| 𝗜𝘀𝗼𝗹𝗮𝘁𝗶𝗼𝗻 |

Despite being a universal fitting set, the Doscinco delivers good isolation that can easily drown out noise of the outside world. This can be easily used in a commuting scenario if need be.


| 𝗖𝗼𝗺𝗳𝗼𝗿𝘁 |

Again, even with the universal fit, the Doscinco feels snug and secure in my ears. This could be partly because of the streamline design along with ample nozzle protrusion for a proper snug fit an optimum seal. The occlusion effect doesn’t seem to be any worse as well even with having only one vent to alleviate the pressure.


** 𝗞𝗶𝘄𝗶 𝗘𝗮𝗿𝘀 𝗔𝗹𝗹𝗲𝗴𝗿𝗼 | 𝗔𝗽𝗽𝗹𝗲 𝗗𝗼𝗻𝗴𝗹𝗲(𝗟𝗶𝗴𝗵𝘁𝗻𝗶𝗻𝗴) | 𝗦𝗼𝗳𝘁𝗘𝗮𝗿𝘀 𝗨𝗖 𝗖𝗹𝗲𝗮𝗿 𝗧𝗶𝗽𝘀(𝗦𝗺𝗮𝗹𝗹) **


| 𝗗𝗿𝗶𝘃𝗮𝗯𝗶𝗹𝗶𝘁𝘆 |

I find that this can be easily run without much hassle. Using it on my Apple Dongle definitely gave me more volume that I can ask for. It also doesn’t seem to be picky on the source you pair it up with.


|| 𝗦𝗼𝘂𝗻𝗱 ||

This is a bassy set, no questions asked. The bass takes full authority of the sound. Warmth of the Dosinco is very prominent during replay. It reminded me of my beloved Yanyin Canon II in terms of bass performance. It can sound incoherent on some songs, the bass can sound detached from the rest of the frequencies just because of the forwardness it presents.


| 𝗕𝗮𝘀𝘀 |

The subbass is very deep. You can really get a satisfying rumble with the Doscinco, though texture could do a little improvement. Midbass hits hard and fast with very quick decay. You can feel every hit with good energy. Bass tuck is non-existent so there is no feeling of bass being “cut-off”. This is one of the best bass performances I’ve heard under $300.


| 𝗠𝗶𝗱𝘀 |

Mids aren’t particularly forward, this could be because of just the sheer amount of the low-end that it pales in comparison to it but it still holds its own grounds. Vocals both masculine and feminine have a great sense of fullness and body. Instruments have great note weight with each strung or strike. However it does suffer with the fact that it doesn’t have that great of an extension for instruments and vocals for their trailing ends.

| 𝗛𝗶𝗴𝗵𝘀 |

This is where the Doscinco is cut short. It doesn’t give that sparkle factor as other sets and detail retrieval is middling sometimes, but is relaxed and quite safe on sensitive ears. This relaxed nature comes with the detriment of not being a revealing set but at the very least it doesn’t sound unnatural or metallic(it can sometimes sound plasticky though).


| 𝗧𝗲𝗰𝗵𝗻𝗶𝗰𝗮𝗹𝗶𝘁𝗶𝗲𝘀 |

Staging is wide which is common on this price range. Imaging and layering are all things considered. Despite the bass basically owning the sound, they can still provide a good sense of positioning of sound. I suggest this for entertainment purposes like movies and immersive gameplay. If your use case requires analytical performance, then you’d be better off with a KiwiEars Quintet.


|| 𝗖𝗼𝗻𝗰𝗹𝘂𝘀𝗶𝗼𝗻𝘀 ||

The Doscinco is a definite recommendation for a bass-heavy set around the $200 mark or even in general. It can easily accommodate those that require large quantities of it and then some. I much prefer the overall sound of these compared to a more expensive ThieAudio Hype 2 or maybe the Binary Acoustics Chopin.



These can do bass and do it very well, therefore if you are looking at anything that excels on something besides that then steer clear with this one, nonetheless it is an amazing contender especially at this price.

7𝑯𝒁 𝑨𝒖𝒓𝒐𝒓𝒂 𝑹𝒆𝒗𝒊𝒆𝒘: 7𝑯𝒛’𝒔 𝒎𝒊𝒅𝒓𝒂𝒏𝒈𝒆 𝒅𝒂𝒘𝒏

|| 𝗜𝗻𝘁𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 ||

After 7HZ’s Timeless runaway success along with their Salnotes Zero dominating the budget segment, they for the most part occupy the $20-$200 price range with some offerings in between those two like the Sonus and the Dioko.



The Aurora will be 7HZ’s 2nd attempt in penetrating the more pricier side of the hobby with a $399 price point. This price range is often occupied by the likes of Thieaudio Hype, Moondrop’s Blessing, and along with Tanchjim’s Oxygen series.



7HZ packed the Aurora with a 12mm DD+2BA+6mm Micro-planar magnetic driver to produce a wide frequency output. The dynamic driver is for the low frequencies, balanced armatures for the midrange, acting as an intermediary and lastly, the 6mm micro-planar magnetic driver for the the high frequencies

|| 𝗗𝗶𝘀𝗰𝗹𝗮𝗶𝗺𝗲𝗿𝘀 ||

I am in no way, shape, or form affiliated with the brands I review and do not give out preview privileges.
This set is sent in exchange for an honest review. There is no material or financial incentive for me to do this review and I guarantee no exchange has been done by both parties to influence or sway our opinions on this product.

My thoughts and opinions are of my own. My experience will entirely differ from everybody else. The contents of this review should not be considered factual as this hobby heavily leans on subjectivity. YMMV.

I don’t do rankings or tier lists as they can get outdated immediately as a reviewer can change their thoughts of a product to a certain extent. If you do want a recommendation then feel free to reach out so I can help out


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𝗜 𝗮𝗺 𝗻𝗼𝘁 𝗮𝗳𝗳𝗶𝗹𝗶𝗮𝘁𝗲𝗱 𝘁𝗼 7Hertz 𝗻𝗼𝗿 𝗿𝗲𝗰𝗲𝗶𝘃𝗲 𝗺𝗼𝗻𝗲𝘁𝗮𝗿𝘆 𝗶𝗻𝗰𝗲𝗻𝘁𝗶𝘃𝗲𝘀 𝗮𝗻𝗱 𝗳𝗶𝗻𝗮𝗻𝗰𝗶𝗮𝗹 𝗴𝗮𝗶𝗻𝘀 𝗮𝘀 𝘁𝗵𝗲𝘆 𝗽𝗿𝗼𝘃𝗶𝗱𝗲 𝗺𝗲 𝗮 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁 𝗳𝗼𝗿 𝗮𝗻 𝗲𝘅𝗰𝗵𝗮𝗻𝗴𝗲 𝗼𝗳 𝗳𝗮𝗰𝘁𝘂𝗮𝗹 𝗮𝗻𝗱 𝘀𝗶𝗻𝗰𝗲𝗿𝗲 𝗳𝗲𝗲𝗱𝗯𝗮𝗰𝗸 𝗳𝗿𝗼𝗺 𝘆𝗼𝘂𝗿𝘀 𝘁𝗿𝘂𝗹𝘆.
𝗢𝗻𝗰𝗲 𝗮𝗴𝗮𝗶𝗻, 𝗜 𝘄𝗼𝘂𝗹𝗱 𝗹𝗶𝗸𝗲 𝘁𝗼 𝘀𝗲𝗻𝗱 𝗺𝘆 𝗴𝗿𝗮𝘁𝗶𝘁𝘂𝗱𝗲 𝘁𝗼 Linsoul Audio 𝗲𝘀𝗽𝗲𝗰𝗶𝗮𝗹𝗹𝘆 𝘁𝗼 𝗠𝗦. 𝗖𝗮𝗿𝗶𝗻𝗮 𝗖𝗵𝗲𝗻 𝗳𝗼𝗿 𝗽𝗿𝗼𝘃𝗶𝗱𝗶𝗻𝗴 𝘁𝗵𝗶𝘀 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁. 𝗜 𝘁𝗿𝘂𝗹𝘆 𝗮𝗽𝗽𝗿𝗲𝗰𝗶𝗮𝘁𝗲 𝘁𝗵𝗲𝗶𝗿 𝗴𝗲𝗻𝗲𝗿𝗼𝘀𝗶𝘁𝘆 𝗮𝗻𝗱 𝘁𝗿𝘂𝘀𝘁 𝘁𝗼𝘄𝗮𝗿𝗱𝘀 𝗺𝗲 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗿𝗲𝘃𝗶𝗲𝘄𝗲𝗿𝘀.

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| 𝗣𝗮𝗰𝗸𝗮𝗴𝗶𝗻𝗴 𝗨𝗻𝗯𝗼𝘅𝗶𝗻𝗴 & 𝗔𝗰𝗰𝗲𝘀𝘀𝗼𝗿𝗶𝗲𝘀 |

The Aurora comes in a decently sized black cardboard box that will most definitely protect it during logistics. It has a render of the IEM itself on the front aligned with some text and branding. The back of the box contains an exploded overview of the internals of the Aurora along with its specifications. All the manufacturer's details are listed here as well.



The unboxing experience is nothing new and is straightforward. Sliding off the initial illustrated cover, and removing the top cardboard will showcase the free included case on the top with an ear tip container on the bottom. Both of which are surrounded but a dense layer of foam with a cardboard top for protection. Underneath that layer is another box containing the cable, paperwork and modular plugs. The IEMs themselves are situated inside the included case and are also surrounded by dense foam that is form-fitted for the said case.



𝗔𝗰𝗰𝗲𝘀𝘀𝗼𝗿𝗶𝗲𝘀 𝗯𝗿𝗲𝗮𝗸𝗱𝗼𝘄𝗻:

Paperwork
7HZ Aurora driver shells
4-core L-type modular gold plated SPC 2-pin cable
Both 3.5mm SE and 4.4mm BAL termination plugs
White faux-leather case
Eartip container
3 pairs of 7HZ eartips (S/M/L)
4 pairs of normal-bore tips(S/M/M/L)



The cable, although thick and somewhat stiff, feels premium and high quality, not to mention it being modular as well, but didn’t include a 2.5mm termination plug for some reason. The ear tips especially the 7HZ branded ones are really great, it reminds me of that one DUNU S&S tips whilst the other set of eartips looks to be either clones or are actually KB Ear 07 or AET 07 but they do feel nice.



The case included feels great as well, it can fit the Aurora with its stock cable and some accessories with no issue, although the color can be a cause for dirt or grime being more obvious in the long run.



Overall a very solid set of accessories. It doesn’t have those quirks, accessories or features that allows the user to somewhat modify the sound like swappable nozzles, or switches but the quality of each inclusion is especially notable.




| 𝗕𝘂𝗶𝗹𝗱 & 𝗗𝗿𝗶𝘃𝗲𝗿 𝗖𝗼𝗻𝗳𝗶𝗴𝘂𝗿𝗮𝘁𝗶𝗼𝗻 |

The Aurora has 2 with differing materials, one metallic faceplate, and a medical-grade black translucent resin for the rest of the body. It feels great in the hand with a nice heft to make it feel premium and substantial. The faceplate is quite a stunner as well, it has this pattern very reminiscent of damascus steel patterns with a mixture of glossy gold and blue coloring. Despite the color choice, it doesn’t stand out as much and is quite subdued still.



Design-wise, the Aurora hinges its appeal on the faceplate. The name of the Aurora is quite apt for the type of pattern that the faceplate has which is similar to an aurora borealis. Overall, I really like the design of the Aurora, it has a nice mixture of being minimal and lowkey whilst at the same time having its own character to make it stand out against the sea of IEMs. However all this design will require a little bit of maintenance. Because of the glossy nature of the faceplate, it can be prone to hairline scratches.



Onto the shape of the Aurora. 7HZ made the Aurora have this universal fit, with no grooves or fins but instead it has this continuous body for a more friendly fit. The 2-pin connector is located on the top of the IEM and 3 vents positioned in the rear are present. The nozzle of the Aurora is quite stubby, meaning it is quite short and thick/wide. It doesn’t protrude as much from the body but it has a depression and a lip on the nozzle to accommodate ear tips and keep them in place.



7HZ was able to pack the Aurora with a 12mm DD+2BA+6mm Micro-planar magnetic driver setup. Each type is dedicated to executing a specific frequency range, the dynamic driver for the lows, the balanced armatures for the midrange, and the micro-planar magnetic for the high frequencies. This is definitely a stacked set of drivers, yet some sets have more niche or not-yet-mainstream drivers like bone-conduction drivers or even piezo-electrics for the same price range.


| 𝗜𝘀𝗼𝗹𝗮𝘁𝗶𝗼𝗻 |

Even with the universal fit, and the abundance of vents located on the rear side of the IEM, the Aurora has ample isolation to keep you immersed during playback. I find this useful during my bus trips as of late, I didn’t need to push that high of a volume just to block out noise from the outside world.


| 𝗖𝗼𝗺𝗳𝗼𝗿𝘁 |

With the straightforward fit, the Aurora fits snug and comfortable in my ears. I never found the need to remove it after some time to let my ears rest or take a breather. The fit is also snug enough that it won’t easily tangle even with drastic head movements. I would also like to note the occlusion effect on the Aurora doesn’t seem to be better or worse compared to most IEMs.



The nozzle can be quite an issue, it is quite short and thick, making me go for an ear tip that is generally longer than the standard ones, fortunately, 7HZ included an ear tip with a longer base to help with this issue


** 𝟳𝗛𝗭 𝗦&𝗦-𝗹𝗶𝗸𝗲 𝗘𝗮𝗿𝘁𝗶𝗽𝘀 (𝗦𝗺𝗮𝗹𝗹) | 𝗞𝗶𝘄𝗶𝗘𝗮𝗿𝘀 𝗔𝗹𝗹𝗲𝗴𝗿𝗼(𝟰.𝟰) | 𝗔𝗽𝗽𝗹𝗲 𝗗𝗼𝗻𝗴𝗹𝗲 (𝗟𝗶𝗴𝗵𝘁𝗻𝗶𝗻𝗴) **


| 𝗗𝗿𝗶𝘃𝗮𝗯𝗶𝗹𝗶𝘁𝘆 |

Despite the abundance of drivers and even a presence of a planar magnetic driver, the Aurora can be surprisingly powered by my Apple Dongle and give off enough
volume, however a better source is recommended as I notice slight improvement going from that dongle to a better source.


|| 𝗦𝗼𝘂𝗻𝗱 ||

The Aurora is quite an engaging set, it has this U-shape sound that is very revealing and transparent with ample bass to give it some slam. It has the bits and bobs to be a versatile set, I can see doing well or somewhat good in most genres.



| 𝗕𝗮𝘀𝘀 |

Lows of the Aurora is quite good. It may not wow you in terms of quantity but it will definitely win over the quality of the bass. Midbass kicks are fast and very quick decay. They feel very impactful for their amount and don't sound sloppy. Subbass is present, it goes deep for a nice sense of rumble. Again, not the most abundant, but it doesn’t sound messy and is very well kept.


| 𝗠𝗶𝗱𝘀 |

As per HBB’s observation in his video review of the Aurora, it does have this forwardness of the vocals that makes them standout. Speaking of which, vocals sound full and well bodied. Feminine vocals sound a bit more forward than their masculine counterparts but both have good air, detail and extension. Sibilance can be a concern especially for sibilant voices still but it is controlled for the most part.

Instruments sound nice and precise on the Aurora. Like the vocals, the instruments have warmth to make them sound less thin. Extension and details are also great for instruments. The upper midrange gain that can make it sound metallic from time to time.


| 𝗛𝗶𝗴𝗵𝘀 |

Treble of the Aurora is very well executed. It has a very forward treble with the cons of sounding harsh or fatiguing. It has excellent detail retrieval and is very revealing in general. The sense of air is very good as well along with extension, it never once sounded as if sounds were cut-off prematurely.

Be careful with the gain though, despite it not being harsh and fatiguing in general, pushing the gain and volume way past the recommended amount will definitely have diminishing returns.

| 𝗧𝗲𝗰𝗵𝗻𝗶𝗰𝗮𝗹𝗶𝘁𝗶𝗲𝘀 |

Another excellent performance for the Aurora. Perceived staging is quite wide and open. Imaging, layering and separation are also excellent, all sound sources have their own distinct and distinguishable position during playback and even on the most hectic segment of songs.

This is a wonderful recommendation for any analytical use case and can even be good immersive sounding set in a pinch

|| 𝗖𝗼𝗻𝗰𝗹𝘂𝘀𝗶𝗼𝗻𝘀 ||

Definitely a noteworthy performer, the Aurora provides all the bells and whistles one can want on an IEM. It doesn’t defeat others on one specific use case, but it does win over in terms of versatility. This is a definitive example of a “master of none, jack of all trades” kind of IEM.



There are still faults of course, if you are looking for a warm set that give you that relaxing, and thick sound, then the Aurora may not fit that description, but if you are looking for something that has ample and good quality bass, without compromise on the technicalities along with not being harsh, then the Aurora might fit that need.



Maybe one of the clear faults that I could give the Aurora is the metallic timbre from time to time and maybe the nozzle being quite stubby might limit your options in terms of ear tips to use with it.

𝑯𝑰𝑫𝑰𝒁 𝑴𝑺3 𝑹𝒆𝒗𝒊𝒆𝒘: 𝑻𝒉𝒆 𝒃𝒆𝒕𝒕𝒆𝒓 𝒔𝒊𝒃𝒍𝒊𝒏𝒈

|| 𝗜𝗻𝘁𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 ||

HIDIZ released the MS3 a few months ago, and a more expensive seemingly better version from which the MS3 is watered-down from was released named the MS5. Both sport almost the same design, similar swappable nozzles albeit with a slight change and even the cable is the same..

The MS3 is priced at around $109 as of the time of writing. This price point is one of the most crowded sections of the market. It is equipped with 2BA+1DD combo and the balanced armature this time is made by Knowles unlike the Sonion BAs that were present on the MS5.



This was a long-postponed review of the MS3 of which I am only getting time for it right now. Spoiler alert, I do think this is still a nice option considering I find this much better than the MS5 even after months from its release.

The MS3 is under the same series as the MS5, and considering that they are both released
almost right after another and having tested them both, I will be comparing the MS3 to the MS5 just because.

|| 𝗗𝗶𝘀𝗰𝗹𝗮𝗶𝗺𝗲𝗿𝘀 ||

I am in no way, shape, or form affiliated with the brands I review and do not give out preview privileges.

This set is sent in exchange for an honest review. There is no material or financial incentive for me to do this review and I guarantee no exchange has been done by both parties to influence or sway our opinions on this product.

My thoughts and opinions are of my own. My experience will entirely differ from everybody else. The contents of this review should not be considered factual as this hobby heavily leans on subjectivity. YMMV.

I don’t do rankings or tier lists as they can get outdated immediately as a reviewer can change their thoughts of a product to a certain extent. If you do want a recommendation then feel free to reach out so I can help out

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𝗜 𝗮𝗺 𝗻𝗼𝘁 𝗮𝗳𝗳𝗶𝗹𝗶𝗮𝘁𝗲𝗱 𝘁𝗼 𝗛𝗜𝗗𝗜𝗭 𝗻𝗼𝗿 𝗿𝗲𝗰𝗲𝗶𝘃𝗲 𝗺𝗼𝗻𝗲𝘁𝗮𝗿𝘆 𝗶𝗻𝗰𝗲𝗻𝘁𝗶𝘃𝗲𝘀 𝗮𝗻𝗱 𝗳𝗶𝗻𝗮𝗻𝗰𝗶𝗮𝗹 𝗴𝗮𝗶𝗻𝘀 𝗮𝘀 𝘁𝗵𝗲𝘆 𝗽𝗿𝗼𝘃𝗶𝗱𝗲 𝗺𝗲 𝗮 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁 𝗳𝗼𝗿 𝗮𝗻 𝗲𝘅𝗰𝗵𝗮𝗻𝗴𝗲 𝗼𝗳 𝗳𝗮𝗰𝘁𝘂𝗮𝗹 𝗮𝗻𝗱 𝘀𝗶𝗻𝗰𝗲𝗿𝗲 𝗳𝗲𝗲𝗱𝗯𝗮𝗰𝗸 𝗳𝗿𝗼𝗺 𝘆𝗼𝘂𝗿𝘀 𝘁𝗿𝘂𝗹𝘆.
𝗢𝗻𝗰𝗲 𝗮𝗴𝗮𝗶𝗻, 𝗜 𝘄𝗼𝘂𝗹𝗱 𝗹𝗶𝗸𝗲 𝘁𝗼 𝘀𝗲𝗻𝗱 𝗺𝘆 𝗴𝗿𝗮𝘁𝗶𝘁𝘂𝗱𝗲 𝘁𝗼 𝗛𝗜𝗗𝗜𝗭 𝗲𝘀𝗽𝗲𝗰𝗶𝗮𝗹𝗹𝘆 𝘁𝗼 𝗠𝘀. 𝗭𝗼𝗶𝗲 𝗛𝗲𝗹𝗹𝗼 𝗳𝗼𝗿 𝗽𝗿𝗼𝘃𝗶𝗱𝗶𝗻𝗴 𝘁𝗵𝗶𝘀 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁. 𝗜 𝘁𝗿𝘂𝗹𝘆 𝗮𝗽𝗽𝗿𝗲𝗰𝗶𝗮𝘁𝗲 𝘁𝗵𝗲𝗶𝗿 𝗴𝗲𝗻𝗲𝗿𝗼𝘀𝗶𝘁𝘆 𝗮𝗻𝗱 𝘁𝗿𝘂𝘀𝘁 𝘁𝗼𝘄𝗮𝗿𝗱𝘀 𝗺𝗲 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗿𝗲𝘃𝗶𝗲𝘄𝗲𝗿𝘀.

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| 𝗣𝗮𝗰𝗸𝗮𝗴𝗶𝗻𝗴, 𝗨𝗻𝗯𝗼𝘅𝗶𝗻𝗴 & 𝗔𝗰𝗰𝗲𝘀𝘀𝗼𝗿𝗶𝗲𝘀 |

Unlike the packaging on the MS5, the MS3 comes in a more modest yet still nice looking black box. It still has the render of the IEM themselves in the front with text, information, and branding all over. It is a hard-shell box and can easily withstand and protect the item during logistics.



Remove the top cover and you will be greeted by the MS3 drivers surrounded by dense foam. Underneath that is where the accessories are located.

𝗜𝘁𝗲𝗺 𝗕𝗿𝗲𝗮𝗸𝗱𝗼𝘄𝗻:
Paperwork
MS3 Drivers
4-core OFC 2-pin cable(3.5mm)(4.4mm is available)
Tuning nozzles (bass/treble/balanced)
3 pairs of “vocal eartips“ (S/M/L)
3 pairs of “bass eartips“ (S/M/L)
3 pairs of “balanced eartips“ (S/M/L)
Magnetic carrying pouch

The difference in accessories of the MS5 and the MS3 is that the MS3 has a lower core count cable and instead of a zipper hard case of the MS5, the MS3 has a magnetic pouch instead. These changes don't matter as I really didn’t like how thick and heavy the MS5 stock cable is and the pouch is good enough to hold the MS3.



The cable is still quite stiff and heavy for my liking though, but that is personal preference.

All in all, a great selection of accessories in itself. It has more than enough eartips to get you started and the fact that they still kept the ability to have tuning nozzles is a great add. Definitely one of the more kitted out IEMs especially at this price point.


| 𝗕𝘂𝗶𝗹𝗱 & 𝗗𝗿𝗶𝘃𝗲𝗿 𝗖𝗼𝗻𝗳𝗶𝗴𝘂𝗿𝗮𝘁𝗶𝗼𝗻 |

The MS3 kept the metal build present on it’s older brother but is lighter in general. This made the MS3 feel like it weighed down on my ears. It feels really great in the hands with a great amount of heft to make it feel sturdy.


The body is made out of metal that is painted black, while the face plate has this rose gold trim. The design is reminiscent of the MS5’s design but without the opening/ vent. This results in the MS3 looking quite low-key and minimal compared to its older sibling which I like.

The tuning nozzles are quite a bit shorter compared to the previous iteration, but it still works in my opinion and holds eartips well despite the shorter stature. You can easily twist one out to swap it with a different one. Beside the said nozzle is a singular vent and at the top is the protruding 2-pin slot.

The overall shape and form of the MS3 looks the same as the MS5, which is a generally universal fit with no extreme grooves and curves, but feels less chunky and bulky compared to the later.

As mentioned earlier, the MS3 sports a 2BA+1DD diver configuration. The balanced armature in question is made by Knowles unlike the MS5’s Sonion divers. Generally,

Sonion drivers are well-regarded to be good, but I find that isn’t entirely true when it’s about the MS5. This configuration is quite common in the market even beyond or under the $100 price point that the MS3 sits at.


| 𝗜𝘀𝗼𝗹𝗮𝘁𝗶𝗼𝗻 |

It isolates just as well as any IEM. The passive isolation provides a decent enough isolation given that you have a good seal. It easily blocks out most of the unwanted noise of the real world.


| 𝗖𝗼𝗺𝗳𝗼𝗿𝘁 |

It is comfortable to use for long hours in general unlike the MS5, this partly because of the lighter and less bulky body of the IEM. The nozzles too aren’t obtrusive whilst still being able to give me a snug fit. The occlusion effect is still present and is about average on the MS3


** 𝗛𝗜𝗗𝗜𝗭 𝗯𝗮𝗹𝗮𝗻𝗰𝗲𝗱 𝗲𝗮𝗿𝘁𝗶𝗽𝘀 | 𝗕𝗮𝗹𝗮𝗻𝗰𝗲𝗱 𝗡𝗼𝘇𝘇𝗹𝗲 | 𝗭𝗶𝘀𝗵𝗮𝗻 𝗨𝟭(𝗘𝗦𝗦) | 𝗔𝗽𝗽𝗹𝗲 𝗗𝗼𝗻𝗴𝗹𝗲(𝗟𝗶𝗴𝗵𝘁𝗻𝗶𝗻𝗴)**


| 𝗗𝗿𝗶𝘃𝗮𝗯𝗶𝗹𝗶𝘁𝘆 |

It is very easy to drive, however it somewhat distorts when the gain is too high or when you are at a high volume.


|| 𝗦𝗼𝘂𝗻𝗱 ||

First and foremost, this is not a warm set. It is very reminiscent of the MS5 in terms of sound but with a few tweaks that made me prefer this over that. I find the balanced nozzle to be the perfect choice out of the three.

The bass nozzle just makes the bass smeary and out of control, whilst the treble nozzle just makes the MS3 sound similar to the MS5 which I was not keen on.


| 𝗕𝗮𝘀𝘀 |

Subbass is minimal, you can barely feel the rumble even when pushing the volume. It has a good amount of midbass though. Midbass kicks have fast attack and quick decay but not as abundant as other competing sets like the Quartet. Because of the less bass forwardness, you can hear a hint of bass tuck during playback


| 𝗠𝗶𝗱𝘀 |

Both male and female vocals are clear and distinct in the playback, whoever that lack of low-end makes the sound not as warm and thick as other warmer sets in the price range. Because of this it can make female vocals thin sounding along with a hint of sibilance.

Midrange in general have a good sense of air. Instruments are clear and precise sounding but still not the thickest sounding. It doesn’t sound metallic but it can sound a bit plasticky and lean


| 𝗛𝗶𝗴𝗵𝘀 |

Highs is probably the forte of the MS3. It is quite forward, details are great and well extended, however it can really sound harsh. Even though this is supposed to be a tamer version of the MS5, it still has that treble-forward sound. This has what people call “sparkle” but at the cost of potential sounding harsh depending on one’s treble tolerance.

| 𝗧𝗲𝗰𝗵𝗻𝗶𝗰𝗮𝗹𝗶𝘁𝗶𝗲𝘀 |

Because of the treble-focused sounding, imaging is great and layering is amazing. The staging is okay but not as astounding as imaging and layering. It’s not the widest but does not sounding intimate either.

This can be an easy recommendation for analytical use and competitive gaming. Movies and roleplaying games where immersion is more of a priority may find the lack of subbass to be an issue.


|| 𝗖𝗼𝗻𝗰𝗹𝘂𝘀𝗶𝗼𝗻𝘀 ||

I find this to be much better of a value than the MS5 with it basically being the same thing but with lesser and more bearable treble and comfort. You can easily make this sound close a MS5 by using the silver nozzle included.

As for its standing compared to other competitors around the $100 price point, I find the Sonus to be a much better overall package purely because of the sound that it produces, but the MS3 is no slouch either, especially if you’re looking for a treble-focused sound.

𝑻𝒉𝒊𝒆𝑨𝒖𝒅𝒊𝒐 𝑯𝒚𝒑𝒆 2 𝑹𝒆𝒗𝒊𝒆𝒘: 𝑷𝒐𝒔𝒕-𝒉𝒚𝒑𝒆 𝒕𝒉𝒐𝒖𝒈𝒉𝒕𝒔


|| 𝗜𝗻𝘁𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 ||

ThieAudio is one of the most recognizable brands in the Chi-Fi market. With well-received products such as their Monarch and Legend series of IEMs. They are now starting a new series of IEMs with the focus on the amount of drivers packed inside with their first iteration being the Hype 2.



The Hype 2 is priced at around $300 dollars which is the cheapest of the Hype series. It competes with the likes of big names such as the Blessing 3 , AFUL Performer 8, and my personal favorite, the Yanyin Canon II. Packed with 2DD+2BA, the

Hype 2 is definitely no slouch in the quantity department but will that help it win over this price range?


|| 𝗗𝗶𝘀𝗰𝗹𝗮𝗶𝗺𝗲𝗿𝘀 ||

I am in no way, shape, or form affiliated with the brands I review and do not give out preview privileges.

This set is sent in exchange for an honest review. There is no material or financial incentive for me to do this review and I guarantee no exchange has been done by both parties to influence or sway our opinions on this product.

My thoughts and opinions are of my own. My experience will entirely differ from everybody else. The contents of this review should not be considered factual as this hobby heavily leans on subjectivity. YMMV.

I don’t do rankings or tier lists as they can get outdated immediately as a reviewer can change their thoughts of a product to a certain extent. If you do want a recommendation then feel free to reach out so I can help out


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𝗜 𝗮𝗺 𝗻𝗼𝘁 𝗮𝗳𝗳𝗶𝗹𝗶𝗮𝘁𝗲𝗱 𝘁𝗼 THIEAUDIO 𝗻𝗼𝗿 𝗿𝗲𝗰𝗲𝗶𝘃𝗲 𝗺𝗼𝗻𝗲𝘁𝗮𝗿𝘆 𝗶𝗻𝗰𝗲𝗻𝘁𝗶𝘃𝗲𝘀 𝗮𝗻𝗱 𝗳𝗶𝗻𝗮𝗻𝗰𝗶𝗮𝗹 𝗴𝗮𝗶𝗻𝘀 𝗮𝘀 𝘁𝗵𝗲𝘆 𝗽𝗿𝗼𝘃𝗶𝗱𝗲 𝗺𝗲 𝗮 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁 𝗳𝗼𝗿 𝗮𝗻 𝗲𝘅𝗰𝗵𝗮𝗻𝗴𝗲 𝗼𝗳 𝗳𝗮𝗰𝘁𝘂𝗮𝗹 𝗮𝗻𝗱 𝘀𝗶𝗻𝗰𝗲𝗿𝗲 𝗳𝗲𝗲𝗱𝗯𝗮𝗰𝗸 𝗳𝗿𝗼𝗺 𝘆𝗼𝘂𝗿𝘀 𝘁𝗿𝘂𝗹𝘆.
𝗢𝗻𝗰𝗲 𝗮𝗴𝗮𝗶𝗻, 𝗜 𝘄𝗼𝘂𝗹𝗱 𝗹𝗶𝗸𝗲 𝘁𝗼 𝘀𝗲𝗻𝗱 𝗺𝘆 𝗴𝗿𝗮𝘁𝗶𝘁𝘂𝗱𝗲 𝘁𝗼 Linsoul Audio 𝗲𝘀𝗽𝗲𝗰𝗶𝗮𝗹𝗹𝘆 𝘁𝗼 𝗠𝘀. 𝗖𝗮𝗿𝗶𝗻𝗮 𝗖𝗵𝗲𝗻 𝗳𝗼𝗿 𝗽𝗿𝗼𝘃𝗶𝗱𝗶𝗻𝗴 𝘁𝗵𝗶𝘀 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁. 𝗜 𝘁𝗿𝘂𝗹𝘆 𝗮𝗽𝗽𝗿𝗲𝗰𝗶𝗮𝘁𝗲 𝘁𝗵𝗲𝗶𝗿 𝗴𝗲𝗻𝗲𝗿𝗼𝘀𝗶𝘁𝘆 𝗮𝗻𝗱 𝘁𝗿𝘂𝘀𝘁 𝘁𝗼𝘄𝗮𝗿𝗱𝘀 𝗺𝗲 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗿𝗲𝘃𝗶𝗲𝘄𝗲𝗿𝘀.

------------------------------------------------------------------------------


| 𝗣𝗮𝗰𝗸𝗮𝗴𝗶𝗻𝗴, 𝗨𝗻𝗯𝗼𝘅𝗶𝗻𝗴 & 𝗔𝗰𝗰𝗲𝘀𝘀𝗼𝗿𝗶𝗲𝘀 |

It comes with a huge box that I honestly feel is quite redundant. It is a bit too large for an IEM really but it does give off a nice unboxing experience. The front of the packaging has the image of IEM with all the information one needs about the device and some of the manufacturer’s information.




Sliding off the cover and opening the flap reveals the IEMs in full glory with the cable attached along with the included case holding all of the accessories. All of which are encased in foam to protect it during shipping.

𝗜𝘁𝗲𝗺 𝗕𝗿𝗲𝗮𝗸𝗱𝗼𝘄𝗻:
Paperwork
Hype 2 Drivers
4-core Litz 5N OCC Silver Plated Cable(3.5mm)
Hard-shell case
White normal-bore eartips(S/M/L)
Foam eartips (S/M/L)
Microfiber cloth

A decent set of accessories for the Hype 2. The case certainly isn’t pocketable but it sure can fit all of the included accessories, the IEM with the cable attached and even a dongle or two if you so desire. Adding to that is the inclusion of a microfiber cloth is very nice considering the Hype 2 is made out of resin that is quite a fingerprint magnet. It seems like the cable included is the one they sell as their EST cable mark I priced at around $69 which is added value I guess.


| 𝗕𝘂𝗶𝗹𝗱 & 𝗗𝗿𝗶𝘃𝗲𝗿 𝗖𝗼𝗻𝗳𝗶𝗴𝘂𝗿𝗮𝘁𝗶𝗼𝗻 |

The Hype 2 as a whole is made out of resin that feels nice and sturdy in the hand. It comes in 2 color variants that have differing faceplates that being the Indigo and Zicao which is the one we have in for a review. I actually like the Zicao more than the Indigo as it looks more unique and stands out more.



It adopts a pseudo-custom fit with grooves and fins to help sit in your ear better. A rather big vent is located on the front side of the IEM. It has a metal nozzle with a lip to make ear tips stay in place but the nozzle itself seems to be quite chunky compared to others I’ve tried. It has the 2-pin connection on the top area of the IEM and is flush with the whole body.



The faceplate is where both of the color variants differ. The Zicao one has this striking pink and violet glitter pattern that reminds of flowers with a ThieAudio branding on the bottom part of the faceplate.

ThieAudio is packed with a 2DD+2BA setup. They are boasting that they are utilizing the latest Sonion Drivers which are
very well regarded in the industry.


| 𝗜𝘀𝗼𝗹𝗮𝘁𝗶𝗼𝗻 |

Because of the pseudo-custom fit, it isolates very nicely. It drowns out noise very well and can pass off as your passive noise-canceling set in a pinch.


| 𝗖𝗼𝗺𝗳𝗼𝗿𝘁 |

Occlusion effect seems to be average on this one but the main issue pertaining to comfort is the thick nozzle. After some time using it, it does feel tiring in the ear and made me want to remove them to take a breather on several occasions.

** 𝗧𝗮𝗻𝗴𝗭𝘂 𝗦𝗮𝗻𝗰𝗮𝗶 𝗪𝗶𝗱𝗲(𝗦𝗺𝗮𝗹𝗹), 𝗭𝗶𝘀𝗵𝗮𝗻 𝗨𝟭 (𝗘𝗦𝗦) | 𝗧𝗶𝗺𝗲𝗘𝗮𝗿 𝗕𝗧𝗘-𝟮𝟮𝟮 | 𝗔𝗽𝗽𝗹𝗲 𝗗𝗼𝗻𝗴𝗹𝗲 (𝗟𝗶𝗴𝗵𝘁𝗻𝗶𝗻𝗴) | **

| 𝗗𝗿𝗶𝘃𝗮𝗯𝗶𝗹𝗶𝘁𝘆 |

Even with the multiple drivers packed into the Hype 2, I never had an issue powering these even with the Apple Dongle but I really prefer the sound of this when pushing more volume



|| 𝗦𝗼𝘂𝗻𝗱 ||

The Hype 2 doesn’t strike me as anything specific that most people in this hobby specify IEMs as. I find these pretty
balanced to the point that it is kind off boring. There is nothing the sticks out but it is most definitely a safer kind of tuning

| 𝗕𝗮𝘀𝘀 |

The bass of the tends to lean more on the midbass compared to the sub bass but only by a slight margin. Midbass hits are forward and do give off good hits and impacts that feel full, while the subbass is in the background, while present, it doesn’t take center stage as much but provide ample rumble support.


| 𝗠𝗶𝗱𝘀 |

Mids sound great. Vocals sound full, rich and quite forward. Female vocals seem to be more present than their male counterparts but they do sound a tad bit more harsher hence more instances of hearing sibilance. Instruments sound great. Cymbals sound especially full and not splashy like things like the KiwiEars Quintet. Timbre is quite natural even with the presence of balanced armatures.


| 𝗛𝗶𝗴𝗵𝘀 |

Details are okay. The Hype 2 isn’t as revealing like the Quintet but it does its fair share of credit for detail. Highs isn’t the most forward in the Hype 2 so harshness is more than bearable. Extension is also not up to par with the likes of the Quintet or the Canon II. Because of this clear downside, the Hype 2 doesn’t provide much in terms of sparkle in the treble.


| 𝗧𝗲𝗰𝗵𝗻𝗶𝗰𝗮𝗹𝗶𝘁𝗶𝗲𝘀 |

Although the sense of staging is quite cramped, imaging, layering and separation is good. I can easily identify sources even in the busiest part of songs with ease. It never was congested. This is great for all things entertainment from movies to all types of games.


|| 𝐂𝐨𝐧𝐜𝐥𝐮𝐬𝐢𝐨𝐧𝐬 ||

I often found myself comparing it to the cheaper KiwiEars Quintet and the Yanyin Canon II for around the same price. In terms of treble and technical ability, get the Quintet. In terms of energy and bass quality, grab the Canon II. However, if you can’t fit in either of those boxes and aren't quite sure of what to get, then I can recommend the Hype 2.



Nothing sticks out for the Hype 2 in my opinion. It is basically a jack of all trades, master of none type of set that I can recommend safely. Although if you are after that spice, then I recommend looking at somewhere else.

[| 𝗣𝘂𝗿𝗰𝗵𝗮𝘀𝗲 𝗟𝗶𝗻𝗸𝘀 |]

https://www.linsoul.com/products/thieaudio-hype-2...

(𝗧𝗵𝗲𝘀𝗲 𝗮𝗿𝗲 𝗻𝗼𝘁 𝗮𝗳𝗳𝗶𝗹𝗶𝗮𝘁𝗲 𝗹𝗶𝗻𝗸𝘀. 𝗜 𝗱𝗼 𝗻𝗼𝘁 𝗴𝗮𝗶𝗻 𝗮𝗻𝘆𝘁𝗵𝗶𝗻𝗴 𝘄𝗵𝗮𝘁𝘀𝗼𝗲𝘃𝗲𝗿 𝘂𝗽𝗼𝗻 𝗽𝘂𝗿𝗰𝗵𝗮𝘀𝗶𝗻𝗴 𝘀𝗼𝗺𝗲𝘁𝗵𝗶𝗻𝗴 𝘂𝘀𝗶𝗻𝗴 𝘁𝗵𝗲 𝘀𝗮𝗶𝗱 𝗹𝗶𝗻𝗸𝘀)

𝑻𝒊𝒏𝑯𝒊𝒇𝒊 𝑻5𝑺 𝑴𝒂𝒓𝒔 𝑹𝒆𝒗𝒊𝒆𝒘: 𝑴𝒊𝒅𝒓𝒂𝒏𝒈𝒆 𝑺𝒕𝒂𝒓


|| 𝗜𝗻𝘁𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 ||

After the fairly underwhelmingly received T5, TinHifi is back with another $100+ offering named the T5S. This is the successor of the T5 which was released back a couple years ago. Going by the specifications I’ve looked up, the T5s seems to carry a single dynamic driver the TinHifi made themselves.



Whether or not that is enough of a driver for the $129 asking price is up for debate but spoiler alert it does sound nice but driver count is not indicative of one’s performance.

|| 𝗗𝗶𝘀𝗰𝗹𝗮𝗶𝗺𝗲𝗿𝘀 ||

I am in no way, shape, or form affiliated with the brands I review and do not give out preview privileges.

This set is sent in exchange for an honest review. There is no material or financial incentive for me to do this review and I guarantee no exchange has been done by both parties to influence or sway our opinions on this product.

My thoughts and opinions are of my own. My experience will entirely differ from everybody else. The contents of this review should not be considered factual as this hobby heavily leans on subjectivity. YMMV.

I don’t do rankings or tier lists as they can get outdated immediately as a reviewer can change their thoughts of a product to a certain extent. If you do want a recommendation then feel free to reach out so I can help out


------------------------------------------------------------------------------

𝗜 𝗮𝗺 𝗻𝗼𝘁 𝗮𝗳𝗳𝗶𝗹𝗶𝗮𝘁𝗲𝗱 𝘁𝗼 Tinhifi 𝗻𝗼𝗿 𝗿𝗲𝗰𝗲𝗶𝘃𝗲 𝗺𝗼𝗻𝗲𝘁𝗮𝗿𝘆 𝗶𝗻𝗰𝗲𝗻𝘁𝗶𝘃𝗲𝘀 𝗮𝗻𝗱 𝗳𝗶𝗻𝗮𝗻𝗰𝗶𝗮𝗹 𝗴𝗮𝗶𝗻𝘀 𝗮𝘀 𝘁𝗵𝗲𝘆 𝗽𝗿𝗼𝘃𝗶𝗱𝗲 𝗺𝗲 𝗮 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁 𝗳𝗼𝗿 𝗮𝗻 𝗲𝘅𝗰𝗵𝗮𝗻𝗴𝗲 𝗼𝗳 𝗳𝗮𝗰𝘁𝘂𝗮𝗹 𝗮𝗻𝗱 𝘀𝗶𝗻𝗰𝗲𝗿𝗲 𝗳𝗲𝗲𝗱𝗯𝗮𝗰𝗸 𝗳𝗿𝗼𝗺 𝘆𝗼𝘂𝗿𝘀 𝘁𝗿𝘂𝗹𝘆.

𝗢𝗻𝗰𝗲 𝗮𝗴𝗮𝗶𝗻, 𝗜 𝘄𝗼𝘂𝗹𝗱 𝗹𝗶𝗸𝗲 𝘁𝗼 𝘀𝗲𝗻𝗱 𝗺𝘆 𝗴𝗿𝗮𝘁𝗶𝘁𝘂𝗱𝗲 𝘁𝗼 Linsoul Audio 𝗳𝗼𝗿 𝗽𝗿𝗼𝘃𝗶𝗱𝗶𝗻𝗴 𝘁𝗵𝗶𝘀 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁. 𝗜 𝘁𝗿𝘂𝗹𝘆 𝗮𝗽𝗽𝗿𝗲𝗰𝗶𝗮𝘁𝗲 𝘁𝗵𝗲𝗶𝗿
𝗴𝗲𝗻𝗲𝗿𝗼𝘀𝗶𝘁𝘆 𝗮𝗻𝗱 𝘁𝗿𝘂𝘀𝘁 𝘁𝗼𝘄𝗮𝗿𝗱𝘀 𝗺𝗲 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗿𝗲𝘃𝗶𝗲𝘄𝗲𝗿𝘀.

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| 𝗣𝗮𝗰𝗸𝗮𝗴𝗶𝗻𝗴, 𝗨𝗻𝗯𝗼𝘅𝗶𝗻𝗴 & 𝗔𝗰𝗰𝗲𝘀𝘀𝗼𝗿𝗶𝗲𝘀 |



It comes in a cube-shaped box with neat futuristic civilization art on the front and the name of the item along with the branding. This art is probably a reference to the name “ Mars “ TinHifi decided to call the T5S but nonetheless more than enough to protect the set during shipment.



Removing the cover and opening the top flap of the box you will get to see the IEMs themselves encased in foam on the upper portion and an accessories section where the cable is located. Underneath that layer is where the included case where the remaining accessories are located and some papers.

𝗜𝘁𝗲𝗺 𝗕𝗿𝗲𝗮𝗸𝗱𝗼𝘄𝗻:
Paperwork
TinHifi T5S drivers
White faux-leather magnetic case
4-core SPC 2-pin cable(3.5mm)
Cleaning brush
1 pair of white foam tips
3 pairs of narrow-bore eartips (S/M/L)
3 pairs of normal-bore eartips (S/M/L)
Spare filters

Very strong set of accessories included by TinHifi. The case is definitely much nicer in quality than similarly priced sets. The addition of a brush is also good as ear wax can definitely do a number on an IEM. The included narrow-bore eartips looks like a Sony’s EP-EX11 which I have personally as I often use them for sets that I find needs a bit more low-end.


| 𝗕𝘂𝗶𝗹𝗱 & 𝗗𝗿𝗶𝘃𝗲𝗿 𝗖𝗼𝗻𝗳𝗶𝗴𝘂𝗿𝗮𝘁𝗶𝗼𝗻 |

The T5S is made almost entirely out of CNC'ed aluminum. It feels nice in the hand with sufficient heft to make it feel that it’s a quality product. The overall shape of the T5S reminds me of the T3+ that I used to own that was made out of resin. It has this pseudo-custom fit with a fin to help it sit snugly in your ear.



TinHifi only made the T5S in one color, which was this sort of gunmetal finish. The faceplate is polished a tad bit different from the rest of the body and has TinHifi branding. The back of IEM has one of the two vents and the other is right under the nozzle. Speaking of the nozzle, it seems to be made out of brass.

The design is pretty minimal. It doesn’t scream flashy or anything but at the same time it is a design that lacks the sense of interest as it gets quite bland after a day or two.



The T5S contains only a single dynamic driver. Some may see this as a rip-off as other sets on the same or even cheaper price ranges have more than one driver even if they are both dynamic drivers. I for one prefer a good sounding single DD than a bad sounding tribrids.


| 𝗜𝘀𝗼𝗹𝗮𝘁𝗶𝗼𝗻 |

The isolation of the T5S is great. It easily blocks out unwanted outside noise. This can work as a daily commuter set but still not on the same level as active noise-canceling.


| 𝗖𝗼𝗺𝗳𝗼𝗿𝘁 |

This set is really comfortable in my ears. Despite having fins and curves, it doesn’t get fatiguing on the ears even when using it for prolonged hours. The metal build doesn’t feel heavy in my ear. The occlusion effect is on par with other IEMs though but at least it isn’t worse.


** 𝗧𝗮𝗻𝗴𝗭𝘂 𝗦𝗮𝗻𝗰𝗮𝗶 (𝗠𝗲𝗱𝗶𝘂𝗺) | 𝗧𝗿𝘂𝘁𝗵𝗘𝗮𝗿 𝗦𝗵𝗶𝗼 𝗗𝗼𝗻𝗴𝗹𝗲𝗗𝗔𝗖 **


| 𝗗𝗿𝗶𝘃𝗮𝗯𝗶𝗹𝗶𝘁𝘆 |

Very easy to drive. I never had an issue powering this even with my Apple dongle.


|| 𝗦𝗼𝘂𝗻𝗱 ||



TL;DR, this is one of my favorites around the $100 price range. The T5S is a mid-centric set that has an ample amount of bass and great separation while not being harsh. I really liked the way this sounds for the type of music I’m currently into.


| 𝗕𝗮𝘀𝘀 |

Low-end of the T5S is present, yet tamed. It doesn’t take center stage but is still in the playback to provide a nice kick to it. Subbass has a decent amount of rumble and midbass hits provide nice impact with good speed but it won’t blow your socks off. It doesn’t spill onto other frequencies while still providing warmth to overall playback


| 𝗠𝗶𝗱𝘀 |

This is probably the highlight of the T5S in my opinion. Vocals and instruments are the star of the show. Female vocals are more forward than their male counterparts but can sound sibilant. Both types still have bodies that sound full and lush. Instruments are great with nice detail, presence and warmth. Note weight is definitely one of the key highlights of the T5S. It sound very natural with no weird timbre


| 𝗛𝗶𝗴𝗵𝘀 |

While it provides good detail, it doesn’t have that much treble energy to sound harsh but at the cost of losing some extension and sparkle. Treble heads may find this a bit too tame whilst people sensitive to treble like me will definitely take delight using these.


| 𝗧𝗲𝗰𝗵𝗻𝗶𝗰𝗮𝗹𝗶𝘁𝗶𝗲𝘀 |

Whilst the layering, separation and imaging are great, the soundstage is quite average. It doesn’t have this feeling of a more expansive or open sound. This is still great for all things immersion and entertainment from all kinds of media consumption


|| 𝐂𝐨𝐧𝐜𝐥𝐮𝐬𝐢𝐨𝐧𝐬 ||

This is definitely one of my recommendations around the $100 price range. It is a safe, mid-centric set that is great for those looking for a more laid back and safe sound. It is great for vocals and instruments, so if your playlists compromise that could benefit from those, then this might be a great pickup for you.



I have multiple recommendation depending on one’s use case and playlist hence why I have no current hierarchy list of what is the best as each IEM can excel in different aspects while suffering from another, and in this case the T5S occupy my “mid-centric set” spot for the $100+ price range.


[| 𝗣𝘂𝗿𝗰𝗵𝗮𝘀𝗲 𝗟𝗶𝗻𝗸𝘀 |]

https://www.linsoul.com/products/tinhifi-t5s?_pos=2...

(These are not affiliate links. I do not gain anything whatsoever upon purchasing something using the said links)

𝟕𝐇𝐳 𝐙𝐞𝐫𝐨 𝟐: 𝐙𝐞𝐫𝐨 𝟐 𝐞𝐥𝐞𝐜𝐭𝐫𝐢𝐜 𝐛𝐨𝐨𝐠𝐚𝐥𝐨𝐨


|| 𝗜𝗻𝘁𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 ||

This is the all new 7hz Zero 2, the successor to the very popular budget banger, the OG Zero.
Made in collaboration with famous YouTube reviewer, and audiophile, Crinacle, the Zero 2 is released at the same $20 price range.



To save you some time, I haven’t tried the OG Zero to make comparisons on whether or not they are an improvement and if they are worth buying over the original. Therefore I suggest reading other reviews that have this comparison.


|| 𝗗𝗶𝘀𝗰𝗹𝗮𝗶𝗺𝗲𝗿𝘀 ||

I am in no way, shape, or form affiliated with the brands I review and do not give out preview privileges.

This set is sent in exchange for an honest review. There is no material or financial incentive for me to do this review and I guarantee no exchange has been done by both parties to influence or sway our opinions on this product.

My thoughts and opinions are of my own. My experience will entirely differ from everybody else. The contents of this review should not be considered factual as this hobby heavily leans on subjectivity. YMMV.

I don’t do rankings or tier lists as they can get outdated immediately as a reviewer can change their thoughts of a product to a certain extent. If you do want a recommendation then feel free to reach out so I can help out

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𝗜 𝗮𝗺 𝗻𝗼𝘁 𝗮𝗳𝗳𝗶𝗹𝗶𝗮𝘁𝗲𝗱 𝘁𝗼 𝟳𝗛𝘇 𝗻𝗼𝗿 𝗿𝗲𝗰𝗲𝗶𝘃𝗲 𝗺𝗼𝗻𝗲𝘁𝗮𝗿𝘆 𝗶𝗻𝗰𝗲𝗻𝘁𝗶𝘃𝗲𝘀 𝗮𝗻𝗱 𝗳𝗶𝗻𝗮𝗻𝗰𝗶𝗮𝗹 𝗴𝗮𝗶𝗻𝘀 𝗮𝘀 𝘁𝗵𝗲𝘆 𝗽𝗿𝗼𝘃𝗶𝗱𝗲 𝗺𝗲 𝗮 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁 𝗳𝗼𝗿 𝗮𝗻 𝗲𝘅𝗰𝗵𝗮𝗻𝗴𝗲 𝗼𝗳 𝗳𝗮𝗰𝘁𝘂𝗮𝗹 𝗮𝗻𝗱 𝘀𝗶𝗻𝗰𝗲𝗿𝗲 𝗳𝗲𝗲𝗱𝗯𝗮𝗰𝗸 𝗳𝗿𝗼𝗺 𝘆𝗼𝘂𝗿𝘀 𝘁𝗿𝘂𝗹𝘆.

𝗢𝗻𝗰𝗲 𝗮𝗴𝗮𝗶𝗻, 𝗜 𝘄𝗼𝘂𝗹𝗱 𝗹𝗶𝗸𝗲 𝘁𝗼 𝘀𝗲𝗻𝗱 𝗺𝘆 𝗴𝗿𝗮𝘁𝗶𝘁𝘂𝗱𝗲 𝘁𝗼 𝗟𝗜𝗡𝗦𝗢𝗨𝗟 𝗲𝘀𝗽𝗲𝗰𝗶𝗮𝗹𝗹𝘆 𝘁𝗼 𝗠𝘀. 𝗖𝗮𝗿𝗶𝗻𝗮 𝗖𝗵𝗲𝗻 𝗳𝗼𝗿 𝗽𝗿𝗼𝘃𝗶𝗱𝗶𝗻𝗴 𝘁𝗵𝗶𝘀 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁. 𝗜 𝘁𝗿𝘂𝗹𝘆 𝗮𝗽𝗽𝗿𝗲𝗰𝗶𝗮𝘁𝗲 𝘁𝗵𝗲𝗶𝗿 𝗴𝗲𝗻𝗲𝗿𝗼𝘀𝗶𝘁𝘆 𝗮𝗻𝗱 𝘁𝗿𝘂𝘀𝘁 𝘁𝗼𝘄𝗮𝗿𝗱𝘀 𝗺𝗲 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗿𝗲𝘃𝗶𝗲𝘄𝗲𝗿𝘀.

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| 𝗣𝗮𝗰𝗸𝗮𝗴𝗶𝗻𝗴, 𝗨𝗻𝗯𝗼𝘅𝗶𝗻𝗴 & 𝗔𝗰𝗰𝗲𝘀𝘀𝗼𝗿𝗶𝗲𝘀 |



It comes with this compact small box with the common bells and whistles, a picture of the driver on the front and more details at the back. You are immediately greeted by the drivers upon removing the cover whilst encased in foam for shock protection.



Underneath is the stock cable, manual and the provided eartips. Pretty straightforward

𝗜𝘁𝗲𝗺 𝗯𝗿𝗲𝗮𝗸𝗱𝗼𝘄𝗻:
Paperwork
Zero 2 Drivers
Stock 3.5mm 2-pin high purity cable
A bunch of colorful eartips of various sizes

Barebones in terms of the inclusions, but considering the price, one can let it slide. I like the feel and behavior of the cable though even if it’s not braided. The quality of the ear tips are quite middling. They feel a bit cheap in my opinion, but almost all stock tips at this price are the same anyway.


| 𝗕𝘂𝗶𝗹𝗱 & 𝗗𝗿𝗶𝘃𝗲𝗿 𝗖𝗼𝗻𝗳𝗶𝗴𝘂𝗿𝗮𝘁𝗶𝗼𝗻 |

The Zero 2 is built with translucent plastic for the body and brushed aluminum for the faceplate. They look identical to the OG Zero in form. I’m not a big fan of the design but I must admit it is quite iconic after the OG being quite popular. It comes in 3 colors, Blue, Silver and that one we have, the Orange(The best looking one IMO).


It feels nice in the hand despite being made out of plastic. There are no rough edges on the Zero 2 and the aluminum faceplate is a nice touch as well.

Despite the weird design, the fit is universal. There are no fins that may or may not make the fit more comfortable. The nozzle has a lip to help eartips stay in place and the filter is made out of metal. A vent is also located near the nozzle facing inwards.



7Herts made the Zero 2 with the single dynamic driver which is almost a given at this price point.


| 𝗜𝘀𝗼𝗹𝗮𝘁𝗶𝗼𝗻 |

The isolation of the Zero 2 is quite average. They can work for drowning out unwanted noise in a pinch but are still miles away from any active noise canceling.

| 𝗖𝗼𝗺𝗳𝗼𝗿𝘁 |

Because of it having a universal fit and is made out of plastic material, the Zero 2 didn’t incur any fatigue during prolonged testing. The occlusion effect wasn’t that bad either.


** TangZu Sancai(Small) | Zishan U1 | Apple Dongle(Lightning) | TimeEar BTE-222 **


| 𝗗𝗿𝗶𝘃𝗮𝗯𝗶𝗹𝗶𝘁𝘆 |

Given that this only has a single dynamic driver, it is really easy to run. You don’t need any extras to power these to a comfortable level.


|| 𝗦𝗼𝘂𝗻𝗱 ||

In short, these are a balanced set with a bit of spice on the treble. These are definitely less warm than the closest IEM in the price segment I have, which is the TruthEar Hola.


| 𝗕𝗮𝘀𝘀 |

This isn’t the strong suit of the Zero 2. Midbass punches are there but aren’t the most punchy and forward. They do attack fast and decay immediately with only a hint of bleed. The subbass rumble is present but lacks in quantity for my personal taste. It is there, but it doesn’t offer much in terms of depth and rumble


| 𝗠𝗶𝗱𝘀 |

This is where the scales tip in the Zero 2’s favor. It does a great job giving a more forward approach for the vocals. Female vocals sound more forward compared to some male vocals on average. They sound a bit lean and sibilant on some songs though, but instead provide good air. Instruments sound nice and forward, but they could use a bit of note weight. They sound natural at least, there is no weird timbre plaguing the Zero 2.


| 𝗛𝗶𝗴𝗵𝘀 |

This is the area where the Zero 2 excels. They provide good detail, extension and clarity for the price. These sound resolving without being too “coarse” or unrefined sounding. The Zero 2 also doesn’t have much in terms of harshness in this area too except on some extreme instances.
This is one of the best treble performances I’ve tried in this price range and even better in some more pricier items way above the price point of the Zero 2.

| 𝗧𝗲𝗰𝗵𝗻𝗶𝗰𝗮𝗹𝗶𝘁𝗶𝗲𝘀 |

Technicalities-wise, It has an average staging but it makes up for it with good imaging, separation and layering. This is good for all kinds of entertainment like gaming or watching movies, however I do prefer and recommend something that has more subbass presence for a more immersive experience.


|| 𝗖𝗼𝗻𝗰𝗹𝘂𝘀𝗶𝗼𝗻𝘀 ||

All in all, the Zero 2 is a nice balance of clarity and tameness. It doesn’t go overboard with the detail at the cost of sounding unrefined or fatiguing. I prefer this more than the Hola for the more revealing sound at the sub $20 price point.



I can definitely recommend this for anyone looking at a very versatile set for around the $20 price range. The only folks I suggest skipping this are those looking for a more warmer and bassier sound.


[| 𝗣𝘂𝗿𝗰𝗵𝗮𝘀𝗲 𝗟𝗶𝗻𝗸𝘀 |]

https://www.linsoul.com/products/7hz-x-crinacle-zero-2...

(𝗧𝗵𝗲𝘀𝗲 𝗮𝗿𝗲 𝗻𝗼𝘁 𝗮𝗳𝗳𝗶𝗹𝗶𝗮𝘁𝗲 𝗹𝗶𝗻𝗸𝘀. 𝗜 𝗱𝗼 𝗻𝗼𝘁 𝗴𝗮𝗶𝗻 𝗮𝗻𝘆𝘁𝗵𝗶𝗻𝗴 𝘄𝗵𝗮𝘁𝘀𝗼𝗲𝘃𝗲𝗿 𝘂𝗽𝗼𝗻 𝗽𝘂𝗿𝗰𝗵𝗮𝘀𝗶𝗻𝗴 𝘀𝗼𝗺𝗲𝘁𝗵𝗶𝗻𝗴 𝘂𝘀𝗶𝗻𝗴 𝘁𝗵𝗲 𝘀𝗮𝗶𝗱 𝗹𝗶𝗻𝗸𝘀)

𝟕𝐇𝐳 𝐒𝐨𝐧𝐮𝐬 𝐑𝐞𝐯𝐢𝐞𝐰: 𝐒𝐮𝐩𝐫𝐞𝐦𝐞 𝐒𝐨𝐧𝐢𝐜𝐬


|| 𝗜𝗻𝘁𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 ||

7Hz released a new budget blower around the $50 price range a few months ago that mostly came and went upon the initial hype dying down. I had this for quite a while and due to other circumstances is now trying my hand on the Sonus.



Priced at roughly $59 at the time of writing, the Sonus is packed with a single dynamic driver and a single balanced armature. The $50-$100 price range is rather competitive in the hobby with offers from the likes of more mainstream brands such as Moondrop, Truthear, KZ and Simgot. Will the Sonus be one of the mainstays in this bracket like some of 7Hz earlier releases?


|| 𝗗𝗶𝘀𝗰𝗹𝗮𝗶𝗺𝗲𝗿𝘀 ||

• I am in no way, shape, or form affiliated with the brands I review and do not give out preview privileges.

• This set is sent in exchange for an honest review. There is no material or financial incentive for me to do this review and I guarantee no exchange has been done by both parties to influence or sway our opinions on this product.

• My thoughts and opinions are of my own. My experience will entirely differ from everybody else. The contents of this review should not be considered factual as this
  hobby heavily leans on subjectivity. YMMV.

• I don’t do rankings or tier lists as they can get outdated immediately as a reviewer can change their thoughts of a product to a certain extent. If you do want a recommendation then feel free to reach out so I can help out

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𝗜 𝗮𝗺 𝗻𝗼𝘁 𝗮𝗳𝗳𝗶𝗹𝗶𝗮𝘁𝗲𝗱 𝘁𝗼 7Hertz 𝗻𝗼𝗿 𝗿𝗲𝗰𝗲𝗶𝘃𝗲 𝗺𝗼𝗻𝗲𝘁𝗮𝗿𝘆 𝗶𝗻𝗰𝗲𝗻𝘁𝗶𝘃𝗲𝘀 𝗮𝗻𝗱 𝗳𝗶𝗻𝗮𝗻𝗰𝗶𝗮𝗹 𝗴𝗮𝗶𝗻𝘀 𝗮𝘀 𝘁𝗵𝗲𝘆 𝗽𝗿𝗼𝘃𝗶𝗱𝗲 𝗺𝗲 𝗮 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁 𝗳𝗼𝗿 𝗮𝗻 𝗲𝘅𝗰𝗵𝗮𝗻𝗴𝗲 𝗼𝗳 𝗳𝗮𝗰𝘁𝘂𝗮𝗹 𝗮𝗻𝗱 𝘀𝗶𝗻𝗰𝗲𝗿𝗲 𝗳𝗲𝗲𝗱𝗯𝗮𝗰𝗸 𝗳𝗿𝗼𝗺 𝘆𝗼𝘂𝗿𝘀 𝘁𝗿𝘂𝗹𝘆.

𝗢𝗻𝗰𝗲 𝗮𝗴𝗮𝗶𝗻, 𝗜 𝘄𝗼𝘂𝗹𝗱 𝗹𝗶𝗸𝗲 𝘁𝗼 𝘀𝗲𝗻𝗱 𝗺𝘆 𝗴𝗿𝗮𝘁𝗶𝘁𝘂𝗱𝗲 𝘁𝗼 Linsoul Audio 𝗲𝘀𝗽𝗲𝗰𝗶𝗮𝗹𝗹𝘆 𝘁𝗼 𝗠𝘀. 𝗖𝗮𝗿𝗶𝗻𝗮 𝗖𝗵𝗲𝗻 𝗳𝗼𝗿 𝗽𝗿𝗼𝘃𝗶𝗱𝗶𝗻𝗴 𝘁𝗵𝗶𝘀 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁. 𝗜 𝘁𝗿𝘂𝗹𝘆 𝗮𝗽𝗽𝗿𝗲𝗰𝗶𝗮𝘁𝗲 𝘁𝗵𝗲𝗶𝗿 𝗴𝗲𝗻𝗲𝗿𝗼𝘀𝗶𝘁𝘆 𝗮𝗻𝗱 𝘁𝗿𝘂𝘀𝘁 𝘁𝗼𝘄𝗮𝗿𝗱𝘀 𝗺𝗲 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗿𝗲𝘃𝗶𝗲𝘄𝗲𝗿𝘀.

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| 𝗣𝗮𝗰𝗸𝗮𝗴𝗶𝗻𝗴 |

It comes in a rectangular-shaped box with branding, specs and a bunch more text both in English and Chinese. Additional information about the manufacturing of this product is located on the back of the box along with a neat exploded illustration of the Sonus.



It is a hard box that will definitely protect the goodies inside from the elements until it reaches your doorstep.


| 𝗨𝗻𝗯𝗼𝘅𝗶𝗻𝗴 & 𝗔𝗰𝗰𝗲𝘀𝘀𝗼𝗿𝗶𝗲𝘀 |

No fuss unboxing here on the Sonus, It came in a vibrant orange box with a checkered texture. Opening that shows another plastic cover with the 7Hz logo and other text for extra protective measure.



Immediately upon opening the box greets you with a really bad chemical smell. This seems to have plagued 7Hz manufacturing as this issue was also on the OG Timeless based on reviews. There is foam surrounding the IEM drivers and a black pouch containing the accessories.

𝗜𝘁𝗲𝗺 𝗕𝗿𝗲𝗮𝗸𝗱𝗼𝘄𝗻:

Usual paperwork
7Hz Sonus drivers
4-core silver-plated cable(3.5mm)
4 Fabric filters
4 Extra metal filters
3 Pairs of AET look-a-like eartips(S/M/L)
5 Pairs of KB Ear 07 look-a-like eartips (S/M/M/L/XL)
Black faux-leather pouch

The Sonus may not have modular cables or swappable nozzles but it does have an abundance of the tips and extra filters for you to use. The cable is pretty unique in that it isn’t your typical braided wires but instead is made quite flat. It really liked this stock cable even compared to some aftermarket ones and it comes with a functional chin cinch too.


| 𝗕𝘂𝗶𝗹𝗱 & 𝗗𝗿𝗶𝘃𝗲𝗿 𝗖𝗼𝗻𝗳𝗶𝗴𝘂𝗿𝗮𝘁𝗶𝗼𝗻 |

7Hz made the Sonus with a combination of transparent resin for the body and aluminum for the faceplate. It feels really quality and rather light especially with material they use for the body. It comes in 3 different colors with it being Black, Red and Silver like we have for this review.



The design is quite low-key and doesn’t look too flashy even with the Silver color( well probably not for the red variant). The faceplate has small grooves across it and an engraved 7hz logo. The top part of the drivers contains the flush 2-pin connection and the 2 vent located near the nozzle which is also made out of the same material as the rest of the body. The Sonus has a pseudo-custom fit with a small wing to help the fit but may deter people whose ear anatomy hurts from the likes of those.



This set is equipped with both a single dynamic driver and a single balanced armature driver. This combo is quite common, some even with cheaper models but one can expect to have the DD cover the low-end and the BA to cover the higher up frequencies.


| 𝗜𝘀𝗼𝗹𝗮𝘁𝗶𝗼𝗻 |

It isolates well, especially with the right set of tips on it. It doesn’t have an opening outward so unwanted noise can be filtered out through passive noise-canceling. It can be used for daily commutes but is still no match for any active noise-canceling.

| 𝗖𝗼𝗺𝗳𝗼𝗿𝘁 |

It fits really well to my ears. I never felt uncomfortable even with hours and hours of prolonged use and the wing didn’t bother me at all. Head movement also didn’t cause the Sonus to fall out of my ears.


** 𝗞𝗕 𝗘𝗮𝗿 𝟬𝟳(𝗦𝗺𝗮𝗹𝗹) | 𝗭𝗶𝘀𝗵𝗮𝗻 𝗨𝟭 | 𝗔𝗽𝗽𝗹𝗲 𝗗𝗼𝗻𝗴𝗹𝗲 (𝗟𝗶𝗴𝗵𝘁𝗻𝗶𝗻𝗴)**


| 𝗗𝗿𝗶𝘃𝗮𝗯𝗶𝗹𝗶𝘁𝘆 |

Very power efficient. I find myself sticking to my normal gain that I use to measure most things and the Sonus gave more than ample amounts of volume. Even plugging
it straight to a laptop or using an Apple dongle did that job and worked quite well.


|| 𝗦𝗼𝘂𝗻𝗱 ||

My current benchmark for the $50-$100 price range. I really like the way this presents sound to what I’m currently listening to. It produces a clean yet bodied sound that many tried to mimic but failed either by being too lean or too warm.


| 𝗕𝗮𝘀𝘀 |

Low-end of the Sonus is quite tame. Mid bass has good speed and punch and doesn’t overdo it in quantity whilst the sub bass offer decent rumble to give it some depth though it isn’t the most tactile or snappy sounding.
In conclusion, the bass doesn’t overstay its welcome. It doesn’t bleed and is quite clean, though bass heads may find this a bit lacking.


| 𝗠𝗶𝗱𝘀 |

Mids sound natural and not held back by the bass or is shouty. It has its own place during playback. Vocals sound great with both male and female vocals sounds lush and bodied but still having a good sense of air. Female vocals do tend to sound a bit more forward than their male counterparts and sibilance is controlled really well.

Instruments could use a bit more note weight, but it has good detail. Guitars don't sound shouty or metallic.


| 𝗛𝗶𝗴𝗵𝘀 |

For a single balanced armature driver, it offers decent air and extension. Details are also good, I can pinpoint macro details here and there with ease. Overall treble energy is quite tamed as well, it doesn’t sound harsh even with higher volumes, though this also resulted into the lack of sparkle up on top.


| 𝗧𝗲𝗰𝗵𝗻𝗶𝗰𝗮𝗹𝗶𝘁𝗶𝗲𝘀 |

Staging of the Sonus is quite average but what is great is the imaging, layering, and separation. I can easily pinpoint instruments during playback even in the busiest of passages without breaking a sweat.

It doesn’t sound congested even when all the sources start jamming. This is great for both story-driven single-player and competitive multiplayer gaming along with some analytical work.


|| 𝐂𝐨𝐧𝐜𝐥𝐮𝐬𝐢𝐨𝐧𝐬 ||

Whilst the Sonus is no perfect set, I do find its traits to stand out of the sea of IEMs in this price range. It offers good technicalities without the drawback of sounding harsh like some of the planar magnetics may introduce or more treble-focused sets. This is great for people looking for a clean and precise sound without the harshness but still want something that isn’t lean.

There is no particular frequency leading the fray which I find is nice for this price point and especially those starting out. A number of things can still be fixed with the Sonus, but for the price this is quite a no-brainer.


[| 𝗣𝘂𝗿𝗰𝗵𝗮𝘀𝗲 𝗟𝗶𝗻𝗸𝘀 |]

https://www.linsoul.com/products/7hz-sonus

(𝗧𝗵𝗲𝘀𝗲 𝗮𝗿𝗲 𝗻𝗼𝘁 𝗮𝗳𝗳𝗶𝗹𝗶𝗮𝘁𝗲 𝗹𝗶𝗻𝗸𝘀. 𝗜 𝗱𝗼 𝗻𝗼𝘁 𝗴𝗮𝗶𝗻 𝗮𝗻𝘆𝘁𝗵𝗶𝗻𝗴 𝘄𝗵𝗮𝘁𝘀𝗼𝗲𝘃𝗲𝗿 𝘂𝗽𝗼𝗻 𝗽𝘂𝗿𝗰𝗵𝗮𝘀𝗶𝗻𝗴 𝘀𝗼𝗺𝗲𝘁𝗵𝗶𝗻𝗴 𝘂𝘀𝗶𝗻𝗴 𝘁𝗵𝗲 𝘀𝗮𝗶𝗱 𝗹𝗶𝗻𝗸𝘀)

𝒀𝒂𝒏𝒚𝒊𝒏 𝑪𝒂𝒏𝒐𝒏 𝑰𝑰 𝑹𝒆𝒗𝒊𝒆𝒘: 𝑪𝒂𝒏𝒐𝒏𝒊𝒄𝒂𝒍𝒍𝒚 𝑨𝒎𝒂𝒛𝒊𝒏𝒈

|| 𝗜𝗻𝘁𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 ||

Yanyin never really got as big of a fanbase or is not as mainstream as other brands. For this matter Yanyin products are kind rare in the wild and are severely underrated.
Yanyin released a follow-up to the well regarded Canon with the Canon II.



Priced at around $379, it firmly sits in the start of the midrange section of the market. Built with a medical-grade resin shell and is equipped with a Biological Dynamic Driver and 4 Balanced Armature Drivers, the Canon II certainly isn’t cheap but is it worth the asking price?


|| 𝗗𝗶𝘀𝗰𝗹𝗮𝗶𝗺𝗲𝗿𝘀 ||

• I am in no way, shape, or form affiliated with the brands I review and do not give out preview privileges.

• This set is sent in exchange for an honest review. There is no material or financial incentive for me to do this review and I guarantee no exchange has been done by both parties to influence or sway our opinions on this product.

• My thoughts and opinions are of my own. My experience will entirely differ from everybody else. The contents of this review should not be considered factual as this hobby heavily leans on subjectivity. YMMV.

• I don’t do rankings or tier lists as they can get outdated immediately as a reviewer can change their thoughts of a product to a certain extent. If you do want a recommendation then feel free to reach out so I can help out

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𝗜 𝗮𝗺 𝗻𝗼𝘁 𝗮𝗳𝗳𝗶𝗹𝗶𝗮𝘁𝗲𝗱 𝘁𝗼 𝗬𝗮𝗻𝘆𝗶𝗻 𝗻𝗼𝗿 𝗿𝗲𝗰𝗲𝗶𝘃𝗲 𝗺𝗼𝗻𝗲𝘁𝗮𝗿𝘆 𝗶𝗻𝗰𝗲𝗻𝘁𝗶𝘃𝗲𝘀 𝗮𝗻𝗱 𝗳𝗶𝗻𝗮𝗻𝗰𝗶𝗮𝗹 𝗴𝗮𝗶𝗻𝘀 𝗮𝘀 𝘁𝗵𝗲𝘆 𝗽𝗿𝗼𝘃𝗶𝗱𝗲 𝗺𝗲 𝗮 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁 𝗳𝗼𝗿 𝗮𝗻 𝗲𝘅𝗰𝗵𝗮𝗻𝗴𝗲 𝗼𝗳 𝗳𝗮𝗰𝘁𝘂𝗮𝗹 𝗮𝗻𝗱 𝘀𝗶𝗻𝗰𝗲𝗿𝗲 𝗳𝗲𝗲𝗱𝗯𝗮𝗰𝗸 𝗳𝗿𝗼𝗺 𝘆𝗼𝘂𝗿𝘀 𝘁𝗿𝘂𝗹𝘆.
𝗢𝗻𝗰𝗲 𝗮𝗴𝗮𝗶𝗻, 𝗜 𝘄𝗼𝘂𝗹𝗱 𝗹𝗶𝗸𝗲 𝘁𝗼 𝘀𝗲𝗻𝗱 𝗺𝘆 𝗴𝗿𝗮𝘁𝗶𝘁𝘂𝗱𝗲 𝘁𝗼 𝗝𝗼𝘀𝗲𝗽𝗵 𝗬𝗲𝘂𝗻𝗴 𝗳𝗼𝗿 𝗹𝗲𝗻𝗱𝗶𝗻𝗴 𝘁𝗵𝗶𝘀 𝗳𝗼𝗿 𝗮 𝘁𝗼𝘂𝗿 𝘂𝗻𝗶𝘁. 𝗜 𝘁𝗿𝘂𝗹𝘆 𝗮𝗽𝗽𝗿𝗲𝗰𝗶𝗮𝘁𝗲 𝘁𝗵𝗲𝗶𝗿 𝗴𝗲𝗻𝗲𝗿𝗼𝘀𝗶𝘁𝘆 𝗮𝗻𝗱 𝘁𝗿𝘂𝘀𝘁 𝘁𝗼𝘄𝗮𝗿𝗱𝘀 𝗺𝗲 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗿𝗲𝘃𝗶𝗲𝘄𝗲𝗿𝘀.
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| 𝗣𝗮𝗰𝗸𝗮𝗴𝗶𝗻𝗴 |

It comes in a decently-sized rectangular box with striking lines scattered all over with a Canon text and the Yanyin logo.
All the standard bells and whistles are present in the box. All the required information is present such as specifications and manufacturer details. Although the specifications in foreign text, I won't even try to decipher what it is and a QR code. The box is built well and will definitely protect the goods from during shipment.



| 𝗨𝗻𝗯𝗼𝘅𝗶𝗻𝗴 & 𝗔𝗰𝗰𝗲𝘀𝘀𝗼𝗿𝗶𝗲𝘀 |

Sliding off the initial cover reveals another box. Removing that will great you a handy guide for the switches(written in Chinese), an envelop, and the case that contains the star of the show and its cable.


The said envelope contains the paperwork, a switch tool and a PVC VIP card which is quite a surprise and made me feel that the package was extra premium.


Underneath that is the provided ear tips contained by a small plastic case
The provided case is made out of faux-leather and holds the IEM drivers along with the very nice cable.



𝗜𝘁𝗲𝗺 𝗕𝗿𝗲𝗮𝗸𝗱𝗼𝘄𝗻:
Switch manual
Switch tool
PVC VIP Card
Rectangular faux-leather case in brown
Yanyin Canon II drivers
4-core high graphene silver-plated SCC cable(2.5/3.5/4.4)
Regular translucent black ear tips (S/M/L)
Small translucent ear tip case

Overall, I feel like some $300-ish sets can offer more included in the box compared to the Canon II. I find the free PVC card to be a surprise. The cable feels great and works well. It doesn't weigh too much, flexible and feels premium. It comes with mostly the essentials which is not bad but some may expect more for $300


| 𝗕𝘂𝗶𝗹𝗱 & 𝗗𝗿𝗶𝘃𝗲𝗿 𝗖𝗼𝗻𝗳𝗶𝗴𝘂𝗿𝗮𝘁𝗶𝗼𝗻 |

The Canon II has these streaks and splatters of varying color of glitter. It looks nice in good light and isn’t too flashy when worn. It also has the Yanyin branding on the right driver’s faceplate and the Canon text on the other. The rear of the Canon II has the vent and the switches for tuning. The nozzle seems to be made out of metal with nice lips to keep the tips secure. The top of the drivers has nothing going on except the 2-pin female connectors.



Yanyin built the Canon II using black medical-grade resin. It seems like it is translucent but is hard to take a peek at its contents. The Canon II has a pseudo-custom fit, it has this minor wing/ protrusion to help grip onto one’s ear better.
It feels nice in the hand. Very light yet feels sturdy. However, due to the use of a black resin base, it can show hairline scratches if you're a bit too rough with your use case.



This set is packed with a single biological dynamic driver and 4 balanced armature drivers. This is a common setup for this price but what sets the Canon II apart is the changes done to the dynamic driver which they call a “ Biological driver”.
A good feel in the hand, nice design, and a unique driver configuration all resulted to a nice physical attributes and traits that help make the experience better


| 𝗜𝘀𝗼𝗹𝗮𝘁𝗶𝗼𝗻 |

The Canon II has good isolation. It can block common excess noise such as fans or a light drizzle of rain along with the noise of daily commute, though still isn’t better than any active noise-canceling TWS available.

In conclusion, it does provide a good enough isolation to keep you immersed and in the nitty gritty when jamming to music


| 𝗖𝗼𝗺𝗳𝗼𝗿𝘁 |

I’ve had no problem using these for hours and hours. The combination of a warm sound and an unobtrusive fit makes it a breeze to use for prolonged periods of time. It does have a small wing/protrusion that can bother others. The pseudo-custom fit probably helps with the isolation of the Canon II. It also has a good occlusion effect and good pressure management. It feels just about right for IEM.

This is a subjective topic but it passed on my with flying colors


** 𝗞𝗕 𝗘𝗮𝗿 𝟬𝟳(𝗠𝗲𝗱𝗶𝘂𝗺 | 𝗔𝗽𝗽𝗹𝗲 𝗗𝗼𝗻𝗴𝗹𝗲(𝗟𝗶𝗴𝗵𝘁𝗻𝗶𝗻𝗴) | 𝗛𝗜𝗗𝗜𝗭 𝗦𝟵 𝗣𝗿𝗼 𝗣𝗹𝘂𝘀 **


| 𝗗𝗿𝗶𝘃𝗮𝗯𝗶𝗹𝗶𝘁𝘆 |

Easily drivable. I find it very friendly with source and even my Apple Dongle does a good enough job to push out volume.
This is great for those who don’t have a powerful source available to them or prefer going lowkey and have a smaller dongle DAC than those with chunky partitions.


|| 𝗦𝗼𝘂𝗻𝗱 ||

Right off the bat the Canon II has the bass as the highlight. It produces good bass that can impress, suffice and even turn others to bassheads or sought a more warmer sound.



I used the balance preset as I find it the best compared to all other configuration that gives me the jack of all trades in terms of benefits


| 𝗕𝗮𝘀𝘀 |

Both sub bass and mid bass sound amazing. They’ve got good depth, quantity and texture. Mid bass hits are fast and quick in decay while the sub bass provides a good rumble while still sounding clean. Even despite the prominence of the bass in the sound, it never stepped it’s boundaries and kept it tidy.

Nothing much to say here other than a really well executed low-end from the Canon II. There is nothing I can say about it but just praise.


| 𝗠𝗶𝗱𝘀 |

Because of the bass, Mids have a really good body. Vocals both male and female sound full and rich but really sibilant voices can still sound harsh. Instruments have good note weight. I really enjoyed e-guitars with the Canon II for its really weighty approach to the sound.

It does less push forward compared to the bass but that also gave it a sense of “grandiose” on more orchestrals pieces of music.
Another great performance by the Canon II. The mids are also great but not as in front of the presentation compared to the bass.


| 𝗛𝗶𝗴𝗵𝘀 |

Very good detail retrieval and resolution, but it can sound harsh and very spicy on some tracks though not as common as other sets. Transients are great and overall not fatiguing. It doesn’t have any weird timbre to give it an unnatural reproduction of sound too.

All in all. It has good highs but you can easily go overboard considering you can easily push the volume with the Canon II


| 𝗧𝗲𝗰𝗵𝗻𝗶𝗰𝗮𝗹𝗶𝘁𝗶𝗲𝘀 |

Another win for Yanyin. The Canon II has great imaging and layering making great for analytical and all forms of gaming. Staging really wide and deep makes you immersed in whatever it is you're consuming. It can definitely go through tracks with very busy passages without sounding congested with ease.

|| 𝗖𝗼𝗻𝗰𝗹𝘂𝘀𝗶𝗼𝗻𝘀 ||

This review sounds too positive to the point I may be called out a shill, but never in my time in this hobby has something tick a huge number of boxes that I was looking for at the time.

It is probably my top contender for the $300 price range. Though all of what I said was my opinion, I really did find these near flawless
So if you are someone looking for something with good bass but doesn’t want to skimp on the technicalities, then buy the Canon II and call it a day.

𝑻𝑹𝑵 𝑻𝑨4 𝑹𝒆𝒗𝒊𝒆𝒘: 𝑨𝒏𝒐𝒕𝒉𝒆𝒓 𝒑𝒂𝒊𝒓 𝒐𝒇 𝒕𝒘𝒐𝒔


|| 𝗜𝗻𝘁𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 ||

TRN is one of the namaste in this hobby, especially on the more budget end. Offering various sets from ultra cheap under $10 to well over $50. TRN stands almost toe to toe in terms of brand recognizability compared to KZ but less with audacious drama.



TRN released the TA4 starting roughly $80 depending on your seller of choice and is equipped with 2 Knowles balanced armatures and 2 dynamic drivers. This driver setup has been used lately by more well-covered sets such as the Kiwi Ears Quartet which we also took a look at


|| 𝗗𝗶𝘀𝗰𝗹𝗮𝗶𝗺𝗲𝗿𝘀 ||

I am in no way, shape, or form affiliated with the brands I review and do not give out preview privileges.
This set is sent in exchange for an honest review. There is no material or financial incentive for me to do this review and I guarantee no exchange has been done by both parties to influence or sway our opinions on this product.

My thoughts and opinions are of my own. My experience will entirely differ from everybody else. The contents of this review should not be considered factual as this hobby heavily leans on subjectivity. YMMV.

I don’t do rankings or tier lists as they can get outdated immediately as a reviewer can change their thoughts of a product to a certain extent. If you do want a recommendation then feel free to reach out so I can help out

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𝗜 𝗮𝗺 𝗻𝗼𝘁 𝗮𝗳𝗳𝗶𝗹𝗶𝗮𝘁𝗲𝗱 𝘁𝗼 𝗧𝗥𝗡 𝗻𝗼𝗿 𝗿𝗲𝗰𝗲𝗶𝘃𝗲 𝗺𝗼𝗻𝗲𝘁𝗮𝗿𝘆 𝗶𝗻𝗰𝗲𝗻𝘁𝗶𝘃𝗲𝘀 𝗮𝗻𝗱 𝗳𝗶𝗻𝗮𝗻𝗰𝗶𝗮𝗹 𝗴𝗮𝗶𝗻𝘀 𝗮𝘀 𝘁𝗵𝗲𝘆 𝗽𝗿𝗼𝘃𝗶𝗱𝗲 𝗺𝗲 𝗮 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁 𝗳𝗼𝗿 𝗮𝗻 𝗲𝘅𝗰𝗵𝗮𝗻𝗴𝗲 𝗼𝗳 𝗳𝗮𝗰𝘁𝘂𝗮𝗹 𝗮𝗻𝗱 𝘀𝗶𝗻𝗰𝗲𝗿𝗲 𝗳𝗲𝗲𝗱𝗯𝗮𝗰𝗸 𝗳𝗿𝗼𝗺 𝘆𝗼𝘂𝗿𝘀 𝘁𝗿𝘂𝗹𝘆.
𝗢𝗻𝗰𝗲 𝗮𝗴𝗮𝗶𝗻, 𝗜 𝘄𝗼𝘂𝗹𝗱 𝗹𝗶𝗸𝗲 𝘁𝗼 𝘀𝗲𝗻𝗱 𝗺𝘆 𝗴𝗿𝗮𝘁𝗶𝘁𝘂𝗱𝗲 𝘁𝗼 𝗧𝗥𝗡 𝘁𝗵𝗲𝗺𝘀𝗲𝗹𝘃𝗲𝘀 𝗮𝗻𝗱 𝗲𝘀𝗽𝗲𝗰𝗶𝗮𝗹𝗹𝘆 𝘁𝗼 𝗧𝗥𝗡 𝗣𝗲𝘁𝘁𝗲𝗿 𝗳𝗼𝗿 𝗽𝗿𝗼𝘃𝗶𝗱𝗶𝗻𝗴 𝘁𝗵𝗶𝘀 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁. 𝗜 𝘁𝗿𝘂𝗹𝘆 𝗮𝗽𝗽𝗿𝗲𝗰𝗶𝗮𝘁𝗲 𝘁𝗵𝗲𝗶𝗿 𝗴𝗲𝗻𝗲𝗿𝗼𝘀𝗶𝘁𝘆 𝗮𝗻𝗱 𝘁𝗿𝘂𝘀𝘁 𝘁𝗼𝘄𝗮𝗿𝗱𝘀 𝗺𝗲 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗿𝗲𝘃𝗶𝗲𝘄𝗲𝗿𝘀.

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| 𝗣𝗮𝗰𝗸𝗮𝗴𝗶𝗻𝗴 |

The TA4 comes in a compact box that has a neat render of IEM ear pieces themselves and branding along with text all over. It reminds me and is very similar to the TRN Rosefinch, but this time with a more quality feeling packaging materials.



| 𝗨𝗻𝗯𝗼𝘅𝗶𝗻𝗴 & 𝗔𝗰𝗰𝗲𝘀𝘀𝗼𝗿𝗶𝗲𝘀 |

Removing the initial cardboard cover reveals the main flip-up box. Opening it showcases the TA4 ear pieces encased in dense foam for shock protection. Underneath is a box that contains all the remaining accessories included with the TA4.




𝗜𝘁𝗲𝗺 𝗕𝗿𝗲𝗮𝗸𝗱𝗼𝘄𝗻:

Paperwork
TA4 ear pieces
TRN RedChain 4-core oxygen-free SPC modular cable(2.5/3.5/4.4)
A pair of foam tips
3 pairs of normal-bore ear tips (S/M/L)
3 pairs of TRN T-tips (S/M/L)

First things first, I’m really glad TRN decided to finally included all the modular terminations in the TA4 package along with a full set of TRN T-tips unlike the TRN Rosefinch’s package that only came with a single pair of medium-sized TRN T-tips and the 3.5m termination even thought it also has the same modular cable.



The quality of the cable is decent, nothing of note to it except for the fact that it’s modular. I find myself quite liking the TRN T-tips after having a bunch of surplus from other sets that came with them. I find that the T-tips often make the sound more airy and tends to clean up congestion.

Probably the only thing missing on this inclusion list is a carrying case or pouch otherwise it would be complete,


| 𝗕𝘂𝗶𝗹𝗱 & 𝗗𝗿𝗶𝘃𝗲𝗿 𝗖𝗼𝗻𝗳𝗶𝗴𝘂𝗿𝗮𝘁𝗶𝗼𝗻 |

The TA4 only comes in one variant. It’s light but has good heft to not feel cheap and the design is very reminiscent of the 64 Audio Duo. The mesh on the faceplate is almost similar and the metallic silver-trim surrounding it. Both the faceplate seems to be made out of plastic whilst the remainder of the build is made out of black-translucent resin.



The faceplate seems to actually be open, though probably not the entire surface area and is also assisted by another small vent inward near the nozzle. Speaking of nozzles, it’s made of brass and has a metal mesh filter and a lip to make sure tips are in place. The TA4, like most of TRN’s options, are using QDC-connectors.


The shape of the TA4 is very akin to a custom ear piece while still being universal. It does have a protrusion or a wing that is supposed to help with the stability, but others may find it obnoxious.

Sporting a pair dynamic drivers along with a pair of Knowles balanced armature to provide the best of both worlds in the strengths of each driver type. This configuration is seen previously with the Kiwi Ears Quartet minus the Knowles-branded balanced armature drivers.


| 𝗜𝘀𝗼𝗹𝗮𝘁𝗶𝗼𝗻 |

Probably due to the faceplate also acting as a vent, the isolation of the TA4 is below average. Whilst this is great when conversing with someone and still kind of hear them, outside noise will in general seep into the TA4 compared to other IEMs.


| 𝗖𝗼𝗺𝗳𝗼𝗿𝘁 |

With the right ear tips, I find the TA4 really comfortable. The protrusion didn’t bother me even after prolonged use. Fatigue is also less due to the more breathable design thanks to the faceplate mesh. It stays snug in my ear even with excessive moment and the occlusion effect is at bay with the TA4.


** 𝗞𝗕 𝗘𝗮𝗿 𝗞𝗕𝟬𝟳(𝗟𝗮𝗿𝗴𝗲 | 𝗔𝗽𝗽𝗹𝗲 𝗗𝗼𝗻𝗴𝗹𝗲 | 𝗭𝗶𝘀𝗵𝗮𝗻 𝗨𝟭 | 𝗩𝗲𝗻𝘁𝘂𝗿𝗲 𝗘𝗹𝗲𝗰𝘁𝗿𝗼𝗻𝗶𝗰𝘀 𝗔𝘃𝗮𝗻𝗶 | 𝗦𝗮𝗺𝘀𝘂𝗻𝗴 𝗡𝗼𝘁𝗲 𝟵 (𝗦𝗻𝗮𝗽𝗱𝗿𝗮𝗴𝗼𝗻) **


| 𝗗𝗿𝗶𝘃𝗮𝗯𝗶𝗹𝗶𝘁𝘆 |

TA4 requires a bit more power than I first anticipated. I find myself almost maxing the volume on my Apple Dongle and pushing my Zishan U1 for a bit more gain than what I generally set for IEMs. It’s still fairly easy to drive albeit requiring a bit more power.


|| 𝗦𝗼𝘂𝗻𝗱 ||

The sound of the TA4 is quite balanced, with presence both in the lower and higher-end of the frequency ranges. I do find myself comparing it with the Quartet considering their almost similar driver configuration and proximity to pricing. I prefer these over the Quartet in some scenarios.


| 𝗕𝗮𝘀𝘀 |

The lower-end frequencies of the TA4 are pretty tamed. It doesn’t overtake the whole frequency response but still has presence to benefit the reproduction. The TA4 is more mid bass than sub bass. Whilst there is still a level of rumble, the thumps and hits are more present overall. The mid bass hits are decent but not the most hard-hitting and the sub bass does rumble but with little to no texture.


| 𝗠𝗶𝗱𝘀 |

With the very tame and controlled bass, the mids are clean and undisturbed. Vocals are airy but tend to sound lean. Female vocals are more forward in most instances compared to their male counterparts. Instrument sounds good albeit with light note weight. Crashing cymbals can sound a bit harsh and sibilance is very noticeable especially with female vocals.


| 𝗛𝗶𝗴𝗵𝘀 |

Whilst I think this is the highlight of the TA4, it could still use some improvements. It’s not really that harsh per se, but it can be fatiguing on prolonged use or at really high volumes and from time to time sound metallic. In return, the TA4 has great detail and extension and clear presentation.
Despite being quite sensitive in this area, I find the TA4 to be still tolerable, but please do consider your own preference and tolerance may sway you in the other direction.


| 𝗧𝗲𝗰𝗵𝗻𝗶𝗰𝗮𝗹𝗶𝘁𝗶𝗲𝘀 |

The TA4 ticks all the boxes in terms of technicalities. Staging, layering, imagine and separation are a breeze with this set. This is probably due to the treble execution and the really good amount of airiness and brilliance.

I can fully recommend these for any analytical work or competitive gaming one may perform. Although more bassier sets would world well with movies and single player RPG-style games

| 𝗖𝗼𝗺𝗽𝗮𝗿𝗶𝘀𝗼𝗻𝘀 |

TRN TA4 vs Kiwi Ears Quartet

Almost in the same price bracket and similar driver configurations. The TRN TA4 is a much cleaner, leaner and detailed set, whilst the Quartet sounds more relaxed and warm with the abundant low-end that it has and very luscious mids. I recommend the TA4 for those who need to set for a precise identification or if you really like lean sounding sets at the cost of sounding a bit harsh.

The Quartet is a good option for bassheads or treble-sensitive people that want a more laid back sound and doesn’t put much emphasis on technicalities.


|| 𝗖𝗼𝗻𝗰𝗹𝘂𝘀𝗶𝗼𝗻𝘀 ||

A really good attempt coming from TRN. The TA4 is a good set for the price especially considering what it offers. Weight down your preferences, tolerance and use case before buying anything as the TA4 can be the best for certain people, but is the least liked by some.




[| 𝐏𝐮𝐫𝐜𝐡𝐚𝐬𝐞 𝐋𝐢𝐧𝐤𝐬 |]

https://shopee.ph/Trn-TA4-2BA-2DD-Four-Unit-Knowles...
(𝗧𝗵𝗲𝘀𝗲 𝗮𝗿𝗲 𝗻𝗼𝘁 𝗮𝗳𝗳𝗶𝗹𝗶𝗮𝘁𝗲 𝗹𝗶𝗻𝗸𝘀. 𝗜 𝗱𝗼 𝗻𝗼𝘁 𝗴𝗮𝗶𝗻 𝗮𝗻𝘆𝘁𝗵𝗶𝗻𝗴 𝘄𝗵𝗮𝘁𝘀𝗼𝗲𝘃𝗲𝗿 𝘂𝗽𝗼𝗻 𝗽𝘂𝗿𝗰𝗵𝗮𝘀𝗶𝗻𝗴 𝘀𝗼𝗺𝗲𝘁𝗵𝗶𝗻𝗴 𝘂𝘀𝗶𝗻𝗴 𝘁𝗵𝗲 𝘀𝗮𝗶𝗱 𝗹𝗶𝗻𝗸𝘀)

𝑺𝑰𝑴𝑮𝑶𝑻 𝑬𝑾200 𝑴𝒂𝒛𝒆 𝑹𝒆𝒗𝒊𝒆𝒘: 𝑩𝒂𝒔𝒔𝒊𝒆𝒓 𝑬𝑾100𝑷


|| 𝗜𝗻𝘁𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 ||

In the pursuit of filling out other price categories after their massive rise in interest due to the overwhelmingly positive marketing the EA500 brought in, SIMGOT is quick to go back to the drawing board to push out releases to cover other price point segments.



After previously reviewing and praising SIMGOT’s EW100P a few months back, they have now released another in the same EW line with the Maze EW200 price at roughly $40 depending on where you pick one up. Packed in a metal shell and composed of a dynamic driver with a special diaphragm material, the Maze EW200 aims to compete the sub-$100 skirmishes.

|| 𝗗𝗶𝘀𝗰𝗹𝗮𝗶𝗺𝗲𝗿𝘀 ||

• I am in no way, shape, or form affiliated with the brands I review and do not give out preview privileges.

• This set is sent in exchange for an honest review. There is no material or financial incentive for me to do this review and I guarantee no exchange has been done by both parties to influence or sway our opinions on this product.

• My thoughts and opinions are of my own. My experience will entirely differ from everybody else. The contents of this review should not be considered factual as this hobby heavily leans on subjectivity. YMMV.

• I don’t do rankings or tier lists as they can get outdated immediately as a reviewer can change their thoughts of a product to a certain extent. If you do want a recommendation then feel free to reach out so I can help out

------------------------------------------------------------------------------

𝗜 𝗮𝗺 𝗻𝗼𝘁 𝗮𝗳𝗳𝗶𝗹𝗶𝗮𝘁𝗲𝗱 𝘁𝗼 Simgot 𝗻𝗼𝗿 𝗿𝗲𝗰𝗲𝗶𝘃𝗲 𝗺𝗼𝗻𝗲𝘁𝗮𝗿𝘆 𝗶𝗻𝗰𝗲𝗻𝘁𝗶𝘃𝗲𝘀 𝗮𝗻𝗱 𝗳𝗶𝗻𝗮𝗻𝗰𝗶𝗮𝗹 𝗴𝗮𝗶𝗻𝘀 𝗮𝘀 𝘁𝗵𝗲𝘆 𝗽𝗿𝗼𝘃𝗶𝗱𝗲 𝗺𝗲 𝗮 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁 𝗳𝗼𝗿 𝗮𝗻 𝗲𝘅𝗰𝗵𝗮𝗻𝗴𝗲 𝗼𝗳 𝗳𝗮𝗰𝘁𝘂𝗮𝗹 𝗮𝗻𝗱 𝘀𝗶𝗻𝗰𝗲𝗿𝗲 𝗳𝗲𝗲𝗱𝗯𝗮𝗰𝗸 𝗳𝗿𝗼𝗺 𝘆𝗼𝘂𝗿𝘀 𝘁𝗿𝘂𝗹𝘆.

𝗢𝗻𝗰𝗲 𝗮𝗴𝗮𝗶𝗻, 𝗜 𝘄𝗼𝘂𝗹𝗱 𝗹𝗶𝗸𝗲 𝘁𝗼 𝘀𝗲𝗻𝗱 𝗺𝘆 𝗴𝗿𝗮𝘁𝗶𝘁𝘂𝗱𝗲 𝘁𝗼 𝗦𝗜𝗠𝗚𝗢𝗧, 𝗙𝗶𝗮 𝗟𝗮𝗺, 𝗮𝗻𝗱 𝗢𝗯𝗲𝗱 𝗦𝗮𝗻𝗰𝗵𝗲𝘇 𝗼𝗳 OB ODIO 𝗳𝗼𝗿 𝗽𝗿𝗼𝘃𝗶𝗱𝗶𝗻𝗴 𝘁𝗵𝗶𝘀 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁 𝗳𝗼𝗿 𝗮 𝘁𝗼𝘂𝗿 𝘄𝗵𝗶𝗰𝗵 𝗜’𝗺 𝗽𝗮𝗿𝘁𝗶𝗰𝗶𝗽𝗮𝘁𝗶𝗻𝗴

------------------------------------------------------------------------------


| 𝗣𝗮𝗰𝗸𝗮𝗴𝗶𝗻𝗴 |

If any of you remember the small and compact box that the previous Shark EW100P comes with, it's almost the same box but instead with a black cover and a maze artwork on the front. The typical bells and whistles IEM boxes such as text, branding and information are all scattered around the box.



| 𝗨𝗻𝗯𝗼𝘅𝗶𝗻𝗴 & 𝗔𝗰𝗰𝗲𝘀𝘀𝗼𝗿𝗶𝗲𝘀 |

Like the packaging being similar to the Shark EW100P, the insides as well are basically the same with that release. I don’t find any issue of them reusing manufacturing processes from previous products though.



Upon removing the initial cardboard cover, reveals another black flip-up box with a branding in the middle. Opening it reveals the Maze EW200 ear pieces surrounded with dense foam with an accessories box beside it containing the provided eartips. Underneath the foam layer is a small box that contains the remaining accessories like the cable and the felt pouch along with some paperwork.


𝗜𝘁𝗲𝗺 𝗕𝗿𝗲𝗮𝗸𝗱𝗼𝘄𝗻:
Paperwork
SIMGOT Maze EW200 earpieces
2-core silver-plated OFC 3.5mm 2-pin L-type cable
3 pairs of normal-bore ear tips(S/M/L)
Felt pouch

I really like the cable that SIMGOT packed this with. It is really light, behaves well, is not kink-prone and is not sticky in the hands. My only gripe was that even if it was with a chin cinch(which works great btw) it's quite big and looked out of place along with the default cable being L-type.



Overall, the accessories of the Maze EW200 are pretty bare bones but they’re more than enough to get you started(at least you get a pouch for storage I guess). Even the accessories are the same with the Shark EW100P if my memory serves me right.


| 𝗕𝘂𝗶𝗹𝗱 & 𝗗𝗿𝗶𝘃𝗲𝗿 𝗖𝗼𝗻𝗳𝗶𝗴𝘂𝗿𝗮𝘁𝗶𝗼𝗻 |

SIMGOT made the Maze EW200 out of metal with a mirror-finish that is quite hefty for the size. They have been doing this type of finish on multiple offerings such as the popular EA500 and the EA2000. It is quite shiny and reflects light for quite a bit, therefore not making it the most lowkey or subdued IEM when worn. This finish can also be a cause of concern with scratches and the like, though I’m not sure on how it will hold up months after purchase. I highly suggest you take care of things with finishes like this and only time will tell how well this lasts.



The form of the EW200 is basically a metal version of the Maze EW100P, the design as a whole is very similar that even vent hole placement are in the exact place. The nozzle protrudes a decent bit from the body and has a lip for tip stability. A vent is located near the said nozzle as well as this quite sharp of a bulge that can be a potential hotspot point like what I felt when using the EA2000.

Equipped with a new type of dynamic driver configuration that has changes in the diaphragm(SCP) material according to SIMGOT. This implementation is said to benefit from the strengths of both an LCP and DLC driver.


| 𝗜𝘀𝗼𝗹𝗮𝘁𝗶𝗼𝗻 |

With it being a universal fit, you can expect something in the lines of average noise isolation with the Maze EW200 jammed into your ear. This can achieve noise isolation in a pinch though not the best option.


| 𝗖𝗼𝗺𝗳𝗼𝗿𝘁 |

Being quite a small earpiece overall, I did not hurt my ears even with prolonged use unlike the other SIMGOT I tried, particularly the EA2000 which was quite big in the ear. They also don’t get affected by movement making it firmly in my ear. Occlusion effect is about average which is neither good nor bad


** 𝗧𝗮𝗻𝗴𝘇𝘂 𝗦𝗮𝗻𝗰𝗮𝗶(𝗠𝗲𝗱𝗶𝘂𝗺) | 𝗭𝗶𝘀𝗵𝗮𝗻 𝗨𝟭 | 𝗦𝗶𝗺𝗴𝗼𝘁 𝗟𝗖𝟯𝗧 𝗼𝗻 𝗦𝗮𝗺𝘀𝘂𝗻𝗴 𝗡𝗼𝘁𝗲 𝟵(𝗦𝗻𝗮𝗽𝗱𝗿𝗮𝗴𝗼𝗻) **


| 𝗗𝗿𝗶𝘃𝗮𝗯𝗶𝗹𝗶𝘁𝘆 |

Again, like it's cheaper brother, the Shark EW10P, it’s really efficient in terms of power, I did not find myself pushing the gain knob of my source to get satisfactory volume. This isn’t really a surprise considering dynamic drivers aren’t known for being hard to drive or that power-hungry.


|| 𝗦𝗼𝘂𝗻𝗱 ||

The comparisons with the Shark EW100P doesn’t end there. To sum it up, the Maze EW200 is a more bassier version of the Shark EW100P along with slightly lesser treble energy. I for my own didn’t find any glaring issues with the treble of the Shark EW100P, and would actually only want more low-end for this iteration.



| 𝗕𝗮𝘀𝘀 |

The low-end of the Maze EW200 leans to the more punchy mid bass than the rumbly sub bass. The mid bass hits have a good body, fast attack and fast decay. Sub bass tends to be less present than the midbass.

Though rumble can still be felt and provides a sense of depth , it's not the most forward of the two if you prefer that over midbass.


| 𝗠𝗶𝗱𝘀 |

Both male and female vocals along with instruments sound good, with good air and presence. They can sound lean at times but very rarely. I thought that the Maze EW200 would be your typical Harman/V-shape sound with recessed and lean mids but that doesn’t seem to be the case here that much.

Upper midrange shout is controlled well but steer clear of higher volumes as it can still be overwhelming. Sibilance is still present in Maze EW200 though quite controlled and is sometimes only an issue to very sibilant female voices.


| 𝗛𝗶𝗴𝗵𝘀 |

If my memory serves me right, the Maze EW200 has a really slight(like really minute) lesser treble than the EW100P. I personally didn’t find any issue with the former’s treble energy but this lesser energy doesn't bother me and is a good thing for those who find the Shark EW100P a tad bit too fatiguing.

Overall sound of the Maze EW200 is extended, with decent details and sounds natural. It has no balanced armature levels of highs and it sometimes feels unresolving or unrefined with things like crashing cymbals play but is quite competent for a dynamic driver.

As always, keep your volume in check(which you should anyway) and the peaky treble is not a problem anymore.


| 𝗧𝗲𝗰𝗵𝗻𝗶𝗰𝗮𝗹𝗶𝘁𝗶𝗲𝘀 |

This being a single dynamic driver setup, you can expect technicalities ranging from competent to disappointing. Whilst this is still no planar-magnetic or a balanced armature set, it is quite good at separation and layering with the clean treble execution and potent treble energy. The staging is weirdly compressed or boxed in my experience though not always.

It’s not really too intimate but at the same time not wide enough to be considered wide. This is still usable with both competitive and story-driven games but I’d prefer something more technically adept, like a planar or a hybrid if given the choice.


|| 𝗖𝗼𝗻𝗰𝗹𝘂𝘀𝗶𝗼𝗻𝘀 ||

As you clearly see, I'm very much reminded that Maze EW200 is really related to the Shark EW100P with them looking the same and building off the sound that was achieved with the Shark

EW100P to better cater to the people’s taste with a bass lift. This sound quite balanced in my experience, the bass boost SIMGOT did is just right not to outright deviate from its predecessor, whilst still maintaining it’s own character.

Quite a solid contender for $40 with only qualms is that weird staging from time to time. It doesn’t have another flashy technology like a planar or a hybrid driver configuration, but a good dynamic driver in itself can definitely perform if done well

[| 𝗣𝘂𝗿𝗰𝗵𝗮𝘀𝗲 𝗟𝗶𝗻𝗸𝘀 |]

http://www.simgot.com/en/products/detail/29.html

(𝗧𝗵𝗲𝘀𝗲 𝗮𝗿𝗲 𝗻𝗼𝘁 𝗮𝗳𝗳𝗶𝗹𝗶𝗮𝘁𝗲 𝗹𝗶𝗻𝗸𝘀. 𝗜 𝗱𝗼 𝗻𝗼𝘁 𝗴𝗮𝗶𝗻 𝗮𝗻𝘆𝘁𝗵𝗶𝗻𝗴 𝘄𝗵𝗮𝘁𝘀𝗼𝗲𝘃𝗲𝗿 𝘂𝗽𝗼𝗻 𝗽𝘂𝗿𝗰𝗵𝗮𝘀𝗶𝗻𝗴 𝘀𝗼𝗺𝗲𝘁𝗵𝗶𝗻𝗴 𝘂𝘀𝗶𝗻𝗴 𝘁𝗵𝗲 𝘀𝗮𝗶𝗱 𝗹𝗶𝗻𝗸𝘀)

𝑺𝑰𝑴𝑮𝑶𝑻 𝑬𝑨2000 𝑩𝑶𝑺𝑶𝑵 𝑹𝒆𝒗𝒊𝒆𝒘: 𝑷𝒂𝒓𝒕𝒊𝒄𝒖𝒍𝒂𝒓𝒍𝒚 𝒇𝒐𝒓𝒄𝒆𝒇𝒖𝒍


|| 𝗜𝗻𝘁𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 ||

After the success the SIMGOT received with their very highly regarded EA500, they also offer other offerings throughout various price points and this new release aims to target the ever so competitive and lively $300 category.



The EA2000 is priced roughly at $320 and is sporting a 12mm dynamic driver and a passive radiator along with an MMCX connection and swappable terminations is said to be tweaked to affect sound, SIMGOT aims at the releases such as the HIDIZ MS5 and AFUL Performer 8 against their more hybrid configurations.


|| 𝗗𝗶𝘀𝗰𝗹𝗮𝗶𝗺𝗲𝗿𝘀 ||

I am in no way, shape, or form affiliated with the brands I review and do not give out preview privileges.
This set is sent in exchange for an honest review. There is no material or financial incentive for me to do this review and I guarantee no exchange has been done by both parties to influence or sway our opinions on this product.

My thoughts and opinions are of my own. My experience will entirely differ from everybody else. The contents of this review should not be considered factual as this hobby heavily leans on subjectivity. YMMV.

I don’t do rankings or tier lists as they can get outdated immediately as a reviewer can change their thoughts of a product to a certain extent. If you do want a
recommendation then feel free to reach out so I can help out

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𝗜 𝗮𝗺 𝗻𝗼𝘁 𝗮𝗳𝗳𝗶𝗹𝗶𝗮𝘁𝗲𝗱 𝘁𝗼 Simgot 𝗻𝗼𝗿 𝗿𝗲𝗰𝗲𝗶𝘃𝗲 𝗺𝗼𝗻𝗲𝘁𝗮𝗿𝘆 𝗶𝗻𝗰𝗲𝗻𝘁𝗶𝘃𝗲𝘀 𝗮𝗻𝗱 𝗳𝗶𝗻𝗮𝗻𝗰𝗶𝗮𝗹 𝗴𝗮𝗶𝗻𝘀 𝗮𝘀 𝘁𝗵𝗲𝘆 𝗽𝗿𝗼𝘃𝗶𝗱𝗲 𝗺𝗲 𝗮 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁 𝗳𝗼𝗿 𝗮𝗻 𝗲𝘅𝗰𝗵𝗮𝗻𝗴𝗲 𝗼𝗳 𝗳𝗮𝗰𝘁𝘂𝗮𝗹 𝗮𝗻𝗱 𝘀𝗶𝗻𝗰𝗲𝗿𝗲 𝗳𝗲𝗲𝗱𝗯𝗮𝗰𝗸 𝗳𝗿𝗼𝗺 𝘆𝗼𝘂𝗿𝘀 𝘁𝗿𝘂𝗹𝘆.

𝗢𝗻𝗰𝗲 𝗮𝗴𝗮𝗶𝗻, 𝗜 𝘄𝗼𝘂𝗹𝗱 𝗹𝗶𝗸𝗲 𝘁𝗼 𝘀𝗲𝗻𝗱 𝗺𝘆 𝗴𝗿𝗮𝘁𝗶𝘁𝘂𝗱𝗲 𝘁𝗼 𝗦𝗜𝗠𝗚𝗢𝗧, 𝗙𝗶𝗮 𝗟𝗮𝗺, 𝗮𝗻𝗱 𝗢𝗯𝗲𝗱 𝗦𝗮𝗻𝗰𝗵𝗲𝘇 𝗼𝗳 OB ODIO 𝗳𝗼𝗿 𝗽𝗿𝗼𝘃𝗶𝗱𝗶𝗻𝗴 𝘁𝗵𝗶𝘀 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁 𝗳𝗼𝗿 𝗮 𝘁𝗼𝘂𝗿 𝘄𝗵𝗶𝗰𝗵 𝗜’𝗺 𝗽𝗮𝗿𝘁𝗶𝗰𝗶𝗽𝗮𝘁𝗶𝗻𝗴

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| 𝗣𝗮𝗰𝗸𝗮𝗴𝗶𝗻𝗴 |

Saying that SIMGOT packed the EA2000 a bit extra is an understatement. It comes with quite a large black box with a render of an EA2000 earpiece along with other text and information throughout the initial cardboard cover of the box. Its packaging materials are quite nice and are of great quality. Definitely a bit extra for protection though.



| 𝗨𝗻𝗯𝗼𝘅𝗶𝗻𝗴 & 𝗔𝗰𝗰𝗲𝘀𝘀𝗼𝗿𝗶𝗲𝘀 |

Sliding the cardboard cover is another set of boxes within sets of boxes. You open the compartment you just slid out similar to a book, which greets you another set of compartments.



Suffice to say that the EA2000 comes with a very premium and complex unboxing experience that would definitely leave an impression. Everything are either encased in foam or is packed neatly in a box suited for its size.

𝗜𝘁𝗲𝗺 𝗕𝗿𝗲𝗮𝗸𝗱𝗼𝘄𝗻:

Paperwork
Gray magnetic case
White 8-core SPC MMCX cable with swappable terminations(2.5mm/3.5mm/4.4mm)
6 pairs of normal-bore eartips(S/M/L)

The included case is very nice, It's not too big or bulky and it has enough space for the EA2000 along with some other accessories you fancy bringing along with it. The cable is pretty nice too, the termination is shielded by a threaded metal cover to protect the potential weak point and, despite being 8-core, it's not that heavy that it weighs you down but it does feel quite sticky.



The inclusion of not just modular terminations, but also terminations that have different characteristics that is said to change the sound is really great to see. It adds to the value that the EA2000 comes bundled with

Overall the packaging is quite excessive in my opinion but the experience is definitely one of a kind. The included accessories too are great and it more than enough for you to be able to use the EA2000


| 𝗕𝘂𝗶𝗹𝗱 & 𝗗𝗿𝗶𝘃𝗲𝗿 𝗖𝗼𝗻𝗳𝗶𝗴𝘂𝗿𝗮𝘁𝗶𝗼𝗻 |

SIMGOT built the EA2000 using almost entirely out of a shiny CNC aluminum with what seems to be a glass cover over the faceplate which combined, gives off a good amount of heft but not too heavy to be . The overall shape of the EA2000 is universal, but with quite a substantial angular protrusion on the nozzle area.The nozzle also has this lip to help with keeping the ear tip still on the earpiece



A huge vent facing inward is present along with L and R indicators and another smaller vent on the top near the MMCX connectors Near the MMCX connector is a screw with a star bit and an “EA2000” text .

The faceplate has a rose-gold SIMGOT logo in the middle with an interesting background design that also has a rose gold trim, covered by the aforementioned glass.
The overall design of the faceplate is interesting and nice. It’s quite bright wearing it in the ear with white and silver look but nothing too flashy to be too out of place. The shiny coating of the metal can be a cause for concerns for scratches though as it seems to be really prone to it.



I’m quite disappointed that they decided to go with MMCX despite already manufacturing sets with the standard 2-pin. I very much prefer 2-pin because of the compatibility cables that I have and the tendency of MMCX to loosen very quickly is quite a letdown.



SIMGOT packed the EA2000 with a 12mm dynamic driver along with a passive radiator. Passive radiators are different to an active “working” driver in that it’s basically a driver with no acting or moving mechanism that it does itself. It only relies on the changes of air pressure done by another driver therefore making it quite reliant on it and can’t stand on its own. Probably why these have quite a large vent)


| 𝗜𝘀𝗼𝗹𝗮𝘁𝗶𝗼𝗻 |

Isolation of the EA2000 is just average. There is still some seepage of outside noise but not too much that it would bother your music jamming while on commute.

| 𝗖𝗼𝗺𝗳𝗼𝗿𝘁 |

Because of the chonky overall build, it does stay snug in my ear even with movement but it does hurt my ears after a few minutes. This could be due to the sharp protrusion on the side of the nozzle but it really does hurt whenever that happens especially on the left earpiece.
This is partially fixed by simply ear tip rolling but your mileage may vary


**𝟯.𝟱𝗺𝗺 𝗕𝗹𝗮𝗰𝗸(𝗡𝟯𝗔𝟬𝟬𝟬) | 𝗦𝗼𝗻𝘆 𝗘𝗣𝗫-𝟭𝟭 (𝗠𝗲𝗱𝗶𝘂𝗺) | 𝗭𝗶𝘀𝗵𝗮𝗻 𝗨𝟭**


| 𝗗𝗿𝗶𝘃𝗮𝗯𝗶𝗹𝗶𝘁𝘆 |

Very efficient in the terms of power. I did not find any issue with powering these and the EA2000 which should be a given due to the driver configuration.


|| 𝗦𝗼𝘂𝗻𝗱 ||

The whole point of adding a passive radiator on audio equipment and most commonly on speakers, is that it allows for a greater reproduction of low-end sound according to some accounts online. The EA2000 does have great low-end performance especially with the blue C3A035 module whilst the black N3A000 is giving a leaner yet much more precise and open sound.



This dynamic of the C3A035 module being more warm and bassier than the N3A000 is consistent and evident during my experience and therefore thinks the C3A035 is some sort of an impedance adapter.



Depends on what music you like but I quite like the black N3A000 a bit more overall but some songs here and there would be better with the blue C3A035.
All thoughts and tests are done with the black N3A000 unless stated explicitly No tests are done with the included 4.4mm tuning module due to the lack of a balanced source.


| 𝗕𝗮𝘀𝘀 |

Bass is one of the primary things a passive radiator is said to benefit from and the bass of the the EA2000 varies depending on the tuning module attached to it. I found that the the black N3A000 offers a more tidier and lesser bass response especially with he depth and amount of sub bass compared to the much more warmer blue C3A035 module.

Mid bass is also the same situation whereas the black N3A000 offers a tidier performance compared to its counterpart. Both of which are still clean and have no bleeding. Everything hinges on where you want more or less warmth using provided modules.


| 𝗠𝗶𝗱𝘀 |

The instruments are more open and extend well compared to the blue C3A035. Vocals are a bit more nasally with that compared to the black N3A000 module but both of which have body which the C3A035 excels and a good extension that the N3A000 delivers.

They don't sound metallic and never once sounded odd or unnatural with the timbre. Shout on both modules is none-existent. I never encountered anything shouty-ness when using EA2000 though sibilance is still present, but is dampened by the C3A035 module.


| 𝗛𝗶𝗴𝗵𝘀 |

The black N3A000 offers a more forward and less capped treble. Details and sparkle is good on the black N3A000 and never sounded thin. The blue C3A035 acting similar to an impedance adapter makes the highs more clearer and more extended at the cost of sounding quite harsh or peaky on really high volumes when using the black N3A000 module. It is up to the user on which configuration would fit their taste but even for me that is quite sensitive to mid-treble, I find them quite tolerable.


| 𝗧𝗲𝗰𝗵𝗻𝗶𝗰𝗮𝗹𝗶𝘁𝗶𝗲𝘀 |

This offers competent technicalities especially with the black N3A000 compared to the other module. Layering, staging, and imaging are all good but not the best. This can serve you well for anything like competitive gaming or light analytical work in a pinch and using the blue C3A035 can make for a more immersive sound for things like movies and role-playing games.


|| 𝗖𝗼𝗻𝗰𝗹𝘂𝘀𝗶𝗼𝗻𝘀 ||

Considering the passive radiator of the EA2000 and the lack of any other driver type to offer enhanced high-end frequency performance, this offers a more tamed and relaxed sound that some sets can’t deliver especially those who have balanced armatures that can be a bit overbearing.



Though I’m still unsure if the passive radiator is doing something as this small of an enclosure considering it uses the change in air pressure or if it’s just a damn good dynamic driver on itself with a gimmick of a driver slapped for marketing, I’d still prefer this sound compared to things like the BQEYZ Winter or something similar to it’s price like the HIDIZ MS5.

This is still a matter of taste, some people may find this not resolving enough or is lacking in treble energy, but for a person whose particularly mid-treble sensitive, this is a good comfortable experience.


[| 𝐏𝐮𝐫𝐜𝐡𝐚𝐬𝐞 𝐋𝐢𝐧𝐤𝐬 |]

http://www.simgot.com/en/products/detail/21.html

(𝗧𝗵𝗲𝘀𝗲 𝗮𝗿𝗲 𝗻𝗼𝘁 𝗮𝗳𝗳𝗶𝗹𝗶𝗮𝘁𝗲 𝗹𝗶𝗻𝗸𝘀. 𝗜 𝗱𝗼 𝗻𝗼𝘁 𝗴𝗮𝗶𝗻 𝗮𝗻𝘆𝘁𝗵𝗶𝗻𝗴 𝘄𝗵𝗮𝘁𝘀𝗼𝗲𝘃𝗲𝗿 𝘂𝗽𝗼𝗻 𝗽𝘂𝗿𝗰𝗵𝗮𝘀𝗶𝗻𝗴 𝘀𝗼𝗺𝗲𝘁𝗵𝗶𝗻𝗴 𝘂𝘀𝗶𝗻𝗴 𝘁𝗵𝗲 𝘀𝗮𝗶𝗱 𝗹𝗶𝗻𝗸𝘀)

#audiophile #iems #inearmonitors #inears #earphones #reviews #headphones #chifi #hifi #audioreviews #audiophile #audiogear #audioenthusiast #bestiems #bestearphones #budgetearphones #budgetiem #simgot #simgotea2000

𝑩𝑳𝑶𝑵 𝒙 𝒁 𝑹𝒆𝒗𝒊𝒆𝒘𝒔 𝑱𝑶𝑱𝑶 𝑹𝒆𝒗𝒊𝒆𝒘: 𝑩𝒊𝒛𝒂𝒓𝒓𝒆 𝒅𝒆𝒔𝒊𝒈𝒏, 𝒇𝒂𝒎𝒊𝒍𝒊𝒂𝒓 𝒆𝒙𝒆𝒄𝒖𝒕𝒊𝒐𝒏


|| 𝗜𝗻𝘁𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 ||

Collaborations are one thing, but brand recognition is another. BLON is known in not only the budget space of the hobby but throughout it in general with the really popular releases such as the OG BLON BL03 spewing a huge amount of interest in the brand.

Now with their recognition of the hobby, and in my opinion, a lack of another hugely successful release such as the BL03, BLON as a brand may seem to like a one-hit-wonder.



After the collaboration between the HawaiiBadBoy with the Z300 which we already saw and reviewed, BLON is trying another collaboration with the popular reviewer Zeos of Z Reviews, to give what is basically a BL05 shell, his own twist.

Price at around $49 as of time of writing, and is equipped with an unassuming 10mm dynamic driver. Can BLON thrive in this ever evolving and ever so competitive price range that once stood at the top?


|| 𝗗𝗶𝘀𝗰𝗹𝗮𝗶𝗺𝗲𝗿𝘀 ||

• I am in no way, shape, or form affiliated with the brands I review and do not give out preview privileges.

• This set is sent in exchange for an honest review. There is no material or financial incentive for me to do this review and I guarantee no exchange has been done by both
  parties to influence or sway our opinions on this product.

• My thoughts and opinions are of my own. My experience will entirely differ from everybody else. The contents of this review should not be considered factual as this hobby heavily leans on subjectivity. YMMV.

• I don’t do rankings or tier lists as they can get outdated immediately as a reviewer can change their thoughts of a product to a certain extent. If you do want a recommendation then feel free to reach out so I can help out.

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𝗜 𝗮𝗺 𝗻𝗼𝘁 𝗮𝗳𝗳𝗶𝗹𝗶𝗮𝘁𝗲𝗱 𝘁𝗼 𝗕𝗟𝗢𝗡 𝗻𝗼𝗿 𝗿𝗲𝗰𝗲𝗶𝘃𝗲 𝗺𝗼𝗻𝗲𝘁𝗮𝗿𝘆 𝗶𝗻𝗰𝗲𝗻𝘁𝗶𝘃𝗲𝘀 𝗮𝗻𝗱 𝗳𝗶𝗻𝗮𝗻𝗰𝗶𝗮𝗹 𝗴𝗮𝗶𝗻𝘀 𝗮𝘀 𝘁𝗵𝗲𝘆 𝗽𝗿𝗼𝘃𝗶𝗱𝗲 𝗺𝗲 𝗮 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁 𝗳𝗼𝗿 𝗮𝗻 𝗲𝘅𝗰𝗵𝗮𝗻𝗴𝗲 𝗼𝗳 𝗳𝗮𝗰𝘁𝘂𝗮𝗹 𝗮𝗻𝗱 𝘀𝗶𝗻𝗰𝗲𝗿𝗲 𝗳𝗲𝗲𝗱𝗯𝗮𝗰𝗸 𝗳𝗿𝗼𝗺 𝘆𝗼𝘂𝗿𝘀 𝘁𝗿𝘂𝗹𝘆.

𝗢𝗻𝗰𝗲 𝗮𝗴𝗮𝗶𝗻, 𝗜 𝘄𝗼𝘂𝗹𝗱 𝗹𝗶𝗸𝗲 𝘁𝗼 𝘀𝗲𝗻𝗱 𝗺𝘆 𝗴𝗿𝗮𝘁𝗶𝘁𝘂𝗱𝗲 𝘁𝗼 Linsoul Audio 𝗲𝘀𝗽𝗲𝗰𝗶𝗮𝗹𝗹𝘆 𝘁𝗼 𝗠𝘀. 𝗖𝗮𝗿𝗶𝗻𝗮 𝗖𝗵𝗲𝗻 𝗳𝗼𝗿 𝗽𝗿𝗼𝘃𝗶𝗱𝗶𝗻𝗴 𝘁𝗵𝗶𝘀 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁. 𝗜 𝘁𝗿𝘂𝗹𝘆 𝗮𝗽𝗽𝗿𝗲𝗰𝗶𝗮𝘁𝗲 𝘁𝗵𝗲𝗶𝗿 𝗴𝗲𝗻𝗲𝗿𝗼𝘀𝗶𝘁𝘆 𝗮𝗻𝗱 𝘁𝗿𝘂𝘀𝘁 𝘁𝗼𝘄𝗮𝗿𝗱𝘀 𝗺𝗲 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗿𝗲𝘃𝗶𝗲𝘄𝗲𝗿𝘀.

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| 𝗣𝗮𝗰𝗸𝗮𝗴𝗶𝗻𝗴 |

It comes with the small OEM box that some of you are probably familiar with but is now repainted to a pink-blue gradient and a pretty tasteful render of the IEM earpieces on the front. All the standard texts and information as of course scattered throughout the box.




| 𝗨𝗻𝗯𝗼𝘅𝗶𝗻𝗴 & 𝗔𝗰𝗰𝗲𝘀𝘀𝗼𝗿𝗶𝗲𝘀 |

Opening the box of the JOJO will immediately greet you with the earpieces encased in foam that is topped with paper and a protective clear plastic that allows you to see the item without it falling down. Underneath that is some paperwork the BLON standard issue jute pouch that contains the additional accessories like the included cable and ear tips.



𝗜𝘁𝗲𝗺 𝗕𝗿𝗲𝗮𝗸𝗱𝗼𝘄𝗻:
Paperwork
BLON branded jute pouch
BLON X Zeos JOJO earpieces
4-core SPC 3.5mm cable(Pseudo-NX7)
9 sets of ear tips, 3 pairs of each size(S/M/L)



I like the fact that the cable’s color is in match with the theme of the earpieces, that being silver and pink. The cable looks great and feels great. It doesn’t weigh down the ear pieces and behaves well.

The only thing that is a downside in my opinion is the BLON is still using that somewhat custom connector that is a derivative of a NX7 connector. This makes it so that any other cables that aren’t made for BLON sets don't fit perfectly with cables like 2-pin.

BLON has made great improvements with the stock cable that they have been including similar to the Z300 from their old cheap feeling thing cable that many proclaimed unusable or bad.

Overall, the accessories is quite barebones, the jute sack is nice but a better cloth material would’ve been better.


| 𝗕𝘂𝗶𝗹𝗱 & 𝗗𝗿𝗶𝘃𝗲𝗿 𝗖𝗼𝗻𝗳𝗶𝗴𝘂𝗿𝗮𝘁𝗶𝗼𝗻 |

The BLON JOJO feels great in the hand. Considering that this is a BLON set, you know it’s made with quality metals like most of their other sets. It is light yet hefty enough to not feel cheap. There are no sharp edges but there are a few divots around the earpiece where I think the pieces are held together.



The body is basically a revised shell of the old BL05, but instead of a metallic silver, it has this satin-like finish in the shade of pink. The faceplate has this metallic gold accent that has branding on it. The connector is placed on the top and is slightly angled, akin to the Shure SE series and some of the most recent Sennheiser IE series. The nozzle is can be a tad bit short but at least it has a lip to help the ear tip in place as well as a single vent located near it.



It comes with a 10mm composite membrane dynamic driver which is unlike the 10mm CNT driver that is in the BL05. It’s a tried and tested driver, though a lot of sets in this price range now even offer hybrid setup or even a planar. A good dynamic driver can go a long way but it will still have its downsides compared to other driver types that excels in one thing but suffers in another.


| 𝗜𝘀𝗼𝗹𝗮𝘁𝗶𝗼𝗻 |

The isolation is below average. It doesn’t block outside noise that well but still mutes them. This is probably due to not being able to have deeper insertion depth resulting from the nozzle as well as being a universal fit.


| 𝗖𝗼𝗺𝗳𝗼𝗿𝘁 |

It is really comfortable in the ears. I didn’t find myself having to remove it due to fatigue or pressure build-up in the ears. The smaller profile also makes it great for sleeping on sides if you’re into that. The occlusion effect is less than average which is great to see but is probably due to the aforementioned below average isolation performance.


** 𝗠𝗼𝗼𝗻𝗱𝗿𝗼𝗽 𝗦𝗽𝗿𝗶𝗻𝗴 𝗧𝗶𝗽𝘀(𝗠𝗲𝗱𝗶𝘂𝗺) | 𝗭𝗶𝘀𝗵𝗮𝗻 𝗨𝟭 **


| 𝗗𝗿𝗶𝘃𝗮𝗯𝗶𝗹𝗶𝘁𝘆 |

These can be run very easily. The BLON JOJO is not power-hungry which is a given because of the single dynamic driver for the configuration and you can easily power these with a phone if you so wish.


|| 𝗦𝗼𝘂𝗻𝗱 ||

I have no prior experience with the predecessor of the shell that the BLON JOJO is using therefore I can’t quite say my opinions if they are an improvement over the original BL05. All I can say is that I prefer the Z300 over this.




| 𝗕𝗮𝘀𝘀 |

Quantity over quality. Mid bass is abundant but is really bloated. Despite the huge amounts of it, I find that the impact is quite soft and slow in decay. Sub bass is very minimal but the presence of it isn’t the most up front and center.
Overall I find the bass mediocre. It does bleed by a noticeable amount and I would prefer the Z300’s bass quality.


| 𝗠𝗶𝗱𝘀 |

Because of the prominence of the bass, the midrange is affected by it. Vocals have nice warmth and presence, though some vocalists sound nasally in my experience. Sibilance is still present though not as extreme nor blatant like other sets.

Instruments have good note weight but extension and air could be improved. There is no shouty-ness or metallic timbre considering that this is a single dynamic driver setup.


| 𝗛𝗶𝗴𝗵𝘀 |

Though not harsh, the BLON JOJO does lack sparkle to offer things such as details and brilliance. I find the highs are not that forward resulting in an instrument extension that is mediocre and a sound output that is not that revealing.

I think this is done on purpose to provide a more relaxing sound but that lack of treble refinement and forwardness only nets a sound that is rather unresolving in my experience. At least the mid treble didn’t bother me as much.


| 𝗧𝗲𝗰𝗵𝗻𝗶𝗰𝗮𝗹𝗶𝘁𝗶𝗲𝘀 |

Staging is not that wide nor is too intimate. Layering and separation is just average, it doesn't sound precise to allow you to pinpoint sound with accurate detail but at the same time doesn’t sound congested that it turns into a blob during busier passages of some songs.

I don’t suggest using this on any analytical work or for competitive FPS gaming though single player RPG games and movies would work decently with the abundant bass amounts.


|| 𝗖𝗼𝗺𝗽𝗮𝗿𝗶𝘀𝗼𝗻𝘀 ||

Looking at posted graphs, this seems to have a really high low-end that even exceeds that of the Z300 which I already find really warm. Even before looking at graphs and going just purely on ear experience, I find that I would rather choose the later Z300 over this for sound.

I find the Z300 more refined and had better quality in terms of sound performance across the board compared to the BLON JOJO. The BLON JOJO is really not that impressive in my book even for the price range that it’s currently at. The Z300 seems to be a better deal in my opinion.


|| 𝗖𝗼𝗻𝗰𝗹𝘂𝘀𝗶𝗼𝗻𝘀 ||

While I do like the fit and finish of the BLON JOJO, sound-wise, there are still more things that can be improved. All of this compounded in what I think to be a not-so-worth-it of a buy in terms of sound but it does look good, feel great, and is comfortable if you value those in the same level or higher than sound performance.




[| 𝐏𝐮𝐫𝐜𝐡𝐚𝐬𝐞 𝐋𝐢𝐧𝐤𝐬 |]

https://www.linsoul.com/products/blon-x-z-reviews-jojo

(𝗧𝗵𝗲𝘀𝗲 𝗮𝗿𝗲 𝗻𝗼𝘁 𝗮𝗳𝗳𝗶𝗹𝗶𝗮𝘁𝗲 𝗹𝗶𝗻𝗸𝘀. 𝗜 𝗱𝗼 𝗻𝗼𝘁 𝗴𝗮𝗶𝗻 𝗮𝗻𝘆𝘁𝗵𝗶𝗻𝗴 𝘄𝗵𝗮𝘁𝘀𝗼𝗲𝘃𝗲𝗿 𝘂𝗽𝗼𝗻 𝗽𝘂𝗿𝗰𝗵𝗮𝘀𝗶𝗻𝗴 𝘀𝗼𝗺𝗲𝘁𝗵𝗶𝗻𝗴 𝘂𝘀𝗶𝗻𝗴 𝘁𝗵𝗲 𝘀𝗮𝗶𝗱 𝗹𝗶𝗻𝗸𝘀)

𝑳𝑬𝑻𝑺𝑯𝑼𝑶𝑬𝑹 𝑺12 𝑷𝒓𝒐 𝑹𝒆𝒗𝒊𝒆𝒘: 𝑷𝒓𝒆𝒄𝒊𝒔𝒆 𝑷𝒍𝒂𝒏𝒂𝒓


|| 𝗜𝗻𝘁𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 ||

Planars have been buzzing in the IEM space as of late with back to back releases from brands such as LETSHUOER with their original S12 entry. Now they’re immediately back with a revision or a refresh of such a release with the S12 Pro at roughly $135 depending on where you buy one.




|| 𝗗𝗶𝘀𝗰𝗹𝗮𝗶𝗺𝗲𝗿𝘀 ||

• I am in no way, shape, or form affiliated with the brands I review and do not give out preview privileges.
• This set is sent in exchange for an honest review. There is no material or financial incentive for me to do this review and I guarantee no exchange has been done by both parties to influence or sway our opinions on this product.
• My thoughts and opinions are of my own. My experience will entirely differ from everybody else. The contents of this review should not be considered factual as this hobby heavily leans on subjectivity. YMMV.

• I don’t do rankings or tier lists as they can get outdated immediately as a reviewer can change their thoughts of a product to a certain extent. If you do want a recommendation then feel free to reach out so I can help out

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𝗜 𝗮𝗺 𝗻𝗼𝘁 𝗮𝗳𝗳𝗶𝗹𝗶𝗮𝘁𝗲𝗱 𝘁𝗼 Letshuoer Audio 𝗻𝗼𝗿 𝗿𝗲𝗰𝗲𝗶𝘃𝗲 𝗺𝗼𝗻𝗲𝘁𝗮𝗿𝘆 𝗶𝗻𝗰𝗲𝗻𝘁𝗶𝘃𝗲𝘀 𝗮𝗻𝗱 𝗳𝗶𝗻𝗮𝗻𝗰𝗶𝗮𝗹 𝗴𝗮𝗶𝗻𝘀 𝗮𝘀 𝘁𝗵𝗲𝘆 𝗽𝗿𝗼𝘃𝗶𝗱𝗲 𝗺𝗲 𝗮 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁 𝗳𝗼𝗿 𝗮𝗻 𝗲𝘅𝗰𝗵𝗮𝗻𝗴𝗲 𝗼𝗳 𝗳𝗮𝗰𝘁𝘂𝗮𝗹 𝗮𝗻𝗱 𝘀𝗶𝗻𝗰𝗲𝗿𝗲 𝗳𝗲𝗲𝗱𝗯𝗮𝗰𝗸 𝗳𝗿𝗼𝗺 𝘆𝗼𝘂𝗿𝘀 𝘁𝗿𝘂𝗹𝘆.

𝗢𝗻𝗰𝗲 𝗮𝗴𝗮𝗶𝗻, 𝗜 𝘄𝗼𝘂𝗹𝗱 𝗹𝗶𝗸𝗲 𝘁𝗼 𝘀𝗲𝗻𝗱 𝗺𝘆 𝗴𝗿𝗮𝘁𝗶𝘁𝘂𝗱𝗲 𝘁𝗼 𝗟𝗘𝗧𝗦𝗛𝗨𝗢𝗘𝗥 𝗲𝘀𝗽𝗲𝗰𝗶𝗮𝗹𝗹𝘆 𝘁𝗼 𝗠𝘀. 𝗜𝘃𝘆 𝗚𝗮𝗼 𝗳𝗼𝗿 𝗽𝗿𝗼𝘃𝗶𝗱𝗶𝗻𝗴 𝘁𝗵𝗶𝘀 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁. 𝗜 𝘁𝗿𝘂𝗹𝘆 𝗮𝗽𝗽𝗿𝗲𝗰𝗶𝗮𝘁𝗲 𝘁𝗵𝗲𝗶𝗿 𝗴𝗲𝗻𝗲𝗿𝗼𝘀𝗶𝘁𝘆 𝗮𝗻𝗱 𝘁𝗿𝘂𝘀𝘁 𝘁𝗼𝘄𝗮𝗿𝗱𝘀 𝗺𝗲 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗿𝗲𝘃𝗶𝗲𝘄𝗲𝗿𝘀. 𝗧𝗵𝗶𝘀 𝗶𝘀 𝗮 𝗹𝗼𝗮𝗻𝗲𝗿 𝘂𝗻𝗶𝘁 𝘁𝗵𝗮𝘁 𝘄𝗶𝗹𝗹 𝗯𝗲 𝗽𝗿𝗼𝗺𝗽𝘁𝗹𝘆 𝘀𝗲𝗻𝘁 𝘁𝗼 𝘁𝗵𝗲 𝗻𝗲𝘅𝘁 𝗽𝗮𝗿𝘁𝗶𝗰𝗶𝗽𝗮𝗻𝘁

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| 𝗣𝗮𝗰𝗸𝗮𝗴𝗶𝗻𝗴 |

It comes in a white box with a render of the earpieces and has text all over. The packaging design philosophy is very evident and consistent with other LETSHUOER products which is nice to see.



| 𝗨𝗻𝗯𝗼𝘅𝗶𝗻𝗴 & 𝗔𝗰𝗰𝗲𝘀𝘀𝗼𝗿𝗶𝗲𝘀 |

Removing the initial cardboard cover greets you another box with neat branding. Opening the box will lead you to the S12 Pro earpieces and an ear tip case, both of which are encased in foam.

Underneath that compartment is the included case that contains the remainder of the included accessories.

𝗜𝘁𝗲𝗺 𝗕𝗿𝗲𝗮𝗸𝗱𝗼𝘄𝗻:

Paperwork
LETSHUOER Product Catalog
LETSHUOER S12 Pro ear pieces
Silver-plated monocrystalline copper 2-pin cable with swappable terminations(2.5mm/3.5mm/4.4mm)
Black faux-leather hard-shell cylindrical case
A set of LETSHUOER vocal ear tips (S/M/L)
A set of normal-bore ear tips (S/M/L)
An encased set of foam ear tips (3 pairs)

Solid inclusion for the S12 Pro. All of the accessories are good quality and definitely adds to the value of the overall package


| 𝗕𝘂𝗶𝗹𝗱 & 𝗗𝗿𝗶𝘃𝗲𝗿 𝗖𝗼𝗻𝗳𝗶𝗴𝘂𝗿𝗮𝘁𝗶𝗼𝗻 |

The S12 Pro is made out of high grade aluminum that feels great in the hand with a nice heft to it to not feel cheap yet light enough to be not so overbearing on the ears when worn.



The design of the S12 Pro isn’t much different from its predecessor with this very distinct look.

It comes with only a single color which is this satin royal blue finish that looks unique yet subdued. Overall shape is universal therefore making it have less grooves to make it fit more snugly in one’s ear.



A 2-pin connection is highlighted by this protruding section on the faceplate of the S12 Pro and is flush with the overall build.
The S12 Pro is equipped with a custom 14.8mm planar driver to deliver good sound and demonstrate the characteristics that planars are known for


| 𝗜𝘀𝗼𝗹𝗮𝘁𝗶𝗼𝗻 |

Average isolation is what the S12 Pro has. The universal fit and nozzle did not allow for a deeper insertion that could bring more isolation. This is still able in blocking out some outside noise, though not the most optimal if that is what you are after


| 𝗖𝗼𝗺𝗳𝗼𝗿𝘁 |

Fits snugly and comfortably in my ear, but only after getting the proper angle to ram it in my ear. I have experienced multiple times where the ear tip will just come right-off if not inserted in a specific way.

This is one of the problems I have on the S12 Pro that greatly influenced my experience with it. Despite being a universal fit, the overall shape of the S12 Pro doesn’t really sit well in my ear.


** 𝗨𝘀𝗲𝗱 𝘄𝗶𝘁𝗵 𝗟𝗘𝗧𝗦𝗛𝗨𝗢𝗘𝗥 𝗩𝗼𝗰𝗮𝗹 𝗲𝗮𝗿 𝘁𝗶𝗽𝘀 (𝗠𝗲𝗱𝗶𝘂𝗺) | 𝗭𝗶𝘀𝗵𝗮𝗻 𝗨𝟭 **


|| 𝗦𝗼𝘂𝗻𝗱 ||

Before even trying this out for myself, I’ve already seen people recommending this and singing praises for it especially for things like competitive gaming and such. Now, I can definitely see the appeal and the reasoning for the positive feedback,


| 𝗗𝗿𝗶𝘃𝗮𝗯𝗶𝗹𝗶𝘁𝘆 |

Surprisingly power efficient even despite the planar driver it’s carrying. I find myself not pushing too much gain to power these to get to my preferred volume. Planars like the S12 Pro really makes me think that with great implementation, you can get a planar that can be easily run.
I still suggest getting something to power these and not outright straight from devices like a smartphone.


| 𝗕𝗮𝘀𝘀 |

Overall low-end of the S12 Pro is pretty tame. The low-end is more skewed for more mid bass than sub bass. There is minimal still somewhat noticeable rumble whilst the mid bass has more presence with tight and punchy hits that attacks and decays fast whilst avoiding bleed.
Bass of the S12 Pro is light overall. This will definitely not satisfy any local basshead in town but can serve someone who’s particularly into something with a light kick.


| 𝗠𝗶𝗱𝘀 |

Instruments sound airy and extended with ample presence given the much more tamed bass. Vocals are good but I’ve noticed that male vocals tend to sound more full compared to their female counterparts that sound lean from time to time. The S12 Pro still suffers from sibilance but is still tolerable and shouting isn’t much of a problem.


| 𝗛𝗶𝗴𝗵𝘀 |

This is the area that the S12 Pro specializes in. It has great extension and details to serve you well when picking out small things on a recording. Timbre is also great with a very naturally sounding presentation and only in very few instances does it sound particularly like “how a planar sounds”.

I was under the impression that the S12 Pro will be quite bright and harsh, and was honestly worried about how my ears will interpret its sound seeing as I’m quite sensitive to mid treble, but it never sounded harsh(unless you go ham with the volume) during my experience.


| 𝗧𝗲𝗰𝗵𝗻𝗶𝗰𝗮𝗹𝗶𝘁𝗶𝗲𝘀 |

Great performance across the board. I was able to discern every single source with ease even through the busiest parts of some songs. Staging is also quite wide allowing for a more spacious feeling and a more immersive experience.

This is great for both analytical work and competitive gaming in particular. I can definitely see why the S12 Pro is one of the few recurring recommended sets to people looking for sets that can improve their experience in competitive gaming on multiple social media sites.

|| 𝗖𝗼𝗻𝗰𝗹𝘂𝘀𝗶𝗼𝗻𝘀 ||

Great planar release without the planar downsides(for the most part). The S12 Pro is a great recommendation for those looking for a more lean and technical sound that still wants to have something that sounds quite natural and not something with an audible metallic sheen ruining the presentation.

[| 𝐏𝐮𝐫𝐜𝐡𝐚𝐬𝐞 𝐋𝐢𝐧𝐤𝐬 |]

https://letshuoer.net/.../letshuoer-s12-pro-magnetic...

(𝗧𝗵𝗲𝘀𝗲 𝗮𝗿𝗲 𝗻𝗼𝘁 𝗮𝗳𝗳𝗶𝗹𝗶𝗮𝘁𝗲 𝗹𝗶𝗻𝗸𝘀. 𝗜 𝗱𝗼 𝗻𝗼𝘁 𝗴𝗮𝗶𝗻 𝗮𝗻𝘆𝘁𝗵𝗶𝗻𝗴 𝘄𝗵𝗮𝘁𝘀𝗼𝗲𝘃𝗲𝗿 𝘂𝗽𝗼𝗻 𝗽𝘂𝗿𝗰𝗵𝗮𝘀𝗶𝗻𝗴 𝘀𝗼𝗺𝗲𝘁𝗵𝗶𝗻𝗴 𝘂𝘀𝗶𝗻𝗴 𝘁𝗵𝗲 𝘀𝗮𝗶𝗱 𝗹𝗶𝗻𝗸𝘀)

𝑳𝑬𝑻𝑺𝑯𝑼𝑶𝑬𝑹 𝑫13 𝑹𝒆𝒗𝒊𝒆𝒘: 𝑼𝒏𝒅𝒆𝒓𝒓𝒂𝒕𝒆𝒅 𝒅𝒆𝒍𝒊𝒈𝒉𝒕


|| 𝗜𝗻𝘁𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 ||

Letshuoer Audio is one of the more common brands these past few months with back to back notable releases such as the S12, S12 Pro and the recent collaboration they did with Timmy Vangtan of GizAudio with the Galileo. After all of those products, there is one IEM that has been released in between, but hasn't gotten the same attention nor recognition of the masses.



Today we are reviewing the D13, LETSHUOER’s dynamic driver IEM priced around $95 therefore classifying as an under $100 contender. Equipped with only a 13mm DLC dynamic driver hence the name “D13'' and interchangeable nozzles. Some people may think that at this price point, it should’ve at least added another driver with how cheap hybrids are becoming, but I think a masterfully utilizing dynamic driver can still hold up to today’s standards.


|| 𝗗𝗶𝘀𝗰𝗹𝗮𝗶𝗺𝗲𝗿𝘀 ||

I am in no way, shape, or form affiliated with the brands I review and do not give out preview privileges.

This set is sent in exchange for an honest review. There is no material or financial incentive for me to do this review and I guarantee no exchange has been done by both parties to influence or sway our opinions on this product.

My thoughts and opinions are of my own. My experience will entirely differ from everybody else. The contents of this review should not be considered factual as this hobby heavily leans on subjectivity. YMMV.

I don’t do rankings or tier lists as they can get outdated immediately as a reviewer can change their thoughts of a product to a certain extent. If you do want a recommendation then feel free to reach out so I can help out

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𝗜 𝗮𝗺 𝗻𝗼𝘁 𝗮𝗳𝗳𝗶𝗹𝗶𝗮𝘁𝗲𝗱 𝘁𝗼 LETSHUOER 𝗻𝗼𝗿 𝗿𝗲𝗰𝗲𝗶𝘃𝗲 𝗺𝗼𝗻𝗲𝘁𝗮𝗿𝘆 𝗶𝗻𝗰𝗲𝗻𝘁𝗶𝘃𝗲𝘀 𝗮𝗻𝗱 𝗳𝗶𝗻𝗮𝗻𝗰𝗶𝗮𝗹 𝗴𝗮𝗶𝗻𝘀 𝗮𝘀 𝘁𝗵𝗲𝘆 𝗽𝗿𝗼𝘃𝗶𝗱𝗲 𝗺𝗲 𝗮 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁 𝗳𝗼𝗿 𝗮𝗻 𝗲𝘅𝗰𝗵𝗮𝗻𝗴𝗲 𝗼𝗳 𝗳𝗮𝗰𝘁𝘂𝗮𝗹 𝗮𝗻𝗱 𝘀𝗶𝗻𝗰𝗲𝗿𝗲 𝗳𝗲𝗲𝗱𝗯𝗮𝗰𝗸 𝗳𝗿𝗼𝗺 𝘆𝗼𝘂𝗿𝘀 𝘁𝗿𝘂𝗹𝘆.

𝗢𝗻𝗰𝗲 𝗮𝗴𝗮𝗶𝗻, 𝗜 𝘄𝗼𝘂𝗹𝗱 𝗹𝗶𝗸𝗲 𝘁𝗼 𝘀𝗲𝗻𝗱 𝗺𝘆 𝗴𝗿𝗮𝘁𝗶𝘁𝘂𝗱𝗲 𝘁𝗼 𝗟𝗘𝗧𝗦𝗛𝗨𝗢𝗘𝗥 𝗲𝘀𝗽𝗲𝗰𝗶𝗮𝗹𝗹𝘆 𝘁𝗼 𝗠𝗦. 𝗜𝘃𝘆 𝗚𝗮𝗼 𝗳𝗼𝗿 𝗽𝗿𝗼𝘃𝗶𝗱𝗶𝗻𝗴 𝘁𝗵𝗶𝘀 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁. 𝗜 𝘁𝗿𝘂𝗹𝘆 𝗮𝗽𝗽𝗿𝗲𝗰𝗶𝗮𝘁𝗲 𝘁𝗵𝗲𝗶𝗿 𝗴𝗲𝗻𝗲𝗿𝗼𝘀𝗶𝘁𝘆 𝗮𝗻𝗱 𝘁𝗿𝘂𝘀𝘁 𝘁𝗼𝘄𝗮𝗿𝗱𝘀 𝗺𝗲 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗿𝗲𝘃𝗶𝗲𝘄𝗲𝗿𝘀. 𝗧𝗵𝗶𝘀 𝗶𝘀 𝗮 𝗹𝗼𝗮𝗻𝗲𝗿 𝘂𝗻𝗶𝘁 𝘁𝗵𝗮𝘁 𝘄𝗶𝗹𝗹 𝗯𝗲 𝗽𝗿𝗼𝗺𝗽𝘁𝗹𝘆 𝘀𝗲𝗻𝘁 𝘁𝗼 𝘁𝗵𝗲 𝗻𝗲𝘅𝘁 𝗽𝗮𝗿𝘁𝗶𝗰𝗶𝗽𝗮𝗻𝘁

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| 𝗣𝗮𝗰𝗸𝗮𝗴𝗶𝗻𝗴 |

It comes with a black box with a render of the D13 earpiece with branding all over. LETSHUOER is really consistent with their packaging and design language of their box that is very evident in their other set on offer like the Galileo and the S12 Pro.




| 𝗨𝗻𝗯𝗼𝘅𝗶𝗻𝗴 & 𝗔𝗰𝗰𝗲𝘀𝘀𝗼𝗿𝗶𝗲𝘀 |

Removing the initial cardboard cover reveals the main box with tasteful LETSHUOER branding on the ends of a corner of the box. Sliding the top cover reveals the IEMs earpieces encased in foam for shock protection.



Underneath the foam layer is a product catalog of LETSHUOER products and the included case and additional paperwork. Inside the case houses the remaining of the goodies included with the D13.

𝗜𝘁𝗲𝗺 𝗕𝗿𝗲𝗮𝗸𝗱𝗼𝘄𝗻:

Paperwork
LETSHUOER Product Catalog
LETSHUOER D13 ear pieces
4-core copper 2-pin cable
Black faux-leather hard-shell cylindrical case
A pair of silver nozzles(Balanced)
A pair of golden nozzles(Treble)
A set of LETSHUOER vocal ear tips (S/M/L)
A set of normal-bore ear tips (S/M/L)

The included case is really compact and small, making it a great case to actually use for lugging around the D13 unlike some other stock cases. LETSHUOER included their vocal ear tips included in a variety of their items which is a nice add. The D13 is offered in either 4.4mm or 3.5mm termination depending on your needs. The included cable behaves well, is light and isn’t memory-prone.



Pretty solid inclusions from LETSHUOER for the D13. Accessories are all high quality and are more than enough to get you going.


| 𝗕𝘂𝗶𝗹𝗱 & 𝗗𝗿𝗶𝘃𝗲𝗿 𝗖𝗼𝗻𝗳𝗶𝗴𝘂𝗿𝗮𝘁𝗶𝗼𝗻 |

The D13 is built with high-quality metal which has a good balance with heft and lightness to feel nice and premium in the hand. The design of the D13 is quite unique and stands out against the rest of the competition that use the common IEM design and form.



The shape looks like the old SONY MDR EX1000ST released a few years back with its circular design that houses the driver and a cylindrical protrusion to place the 2-pin connector to and offers a universal fit. It comes in either black with red accents or that one we have today with blue and yellow accents.



The faceplate has this semi-circle engraving with a curved vent. Another set of vents is located in the nozzle and has the left or right indicator on the other side. There is branding on the bottom part of the ear piece. The nozzle protrudes a decent bit for a greater insertion depth with a lip to help the ear tip in place.

| 𝗜𝘀𝗼𝗹𝗮𝘁𝗶𝗼𝗻 |

The isolation of the D13 is average even with the vent pointing outwards. I am still usable in a pinch with commuting and all that but still doesn’t compare to actual ANC gear.

| 𝗖𝗼𝗺𝗳𝗼𝗿𝘁 |

These fit snugly in my ear and don't come loose when there is movement. It doesn’t sit as still as more custom-esque resin IEMs but it is usable for much longer compared to most of those. Occlusion effect isn’t as severe as other IEMs and pressure build-up is controlled well.



** 𝗨𝘀𝗲𝗱 𝘄𝗶𝘁𝗵 𝗟𝗘𝗧𝗦𝗛𝗨𝗢𝗘𝗥 𝗩𝗼𝗰𝗮𝗹 𝗧𝗶𝗽𝘀(𝗦𝗺𝗮𝗹𝗹) | 𝗭𝗶𝘀𝗵𝗮𝗻 𝗨𝟭 **


|| 𝗦𝗼𝘂𝗻𝗱 ||

The sound of the D13 is what people of the hobby call warm neutral. It sounds really relaxed and non-fatiguing with quite tame treble. The D13 comes with interchangeable nozzles that alter the sound.



The silver nozzle from what I’ve experienced and the saw in the graphs of this release seems to offer less treble energy whilst not compromising the low-end performance. I prefer the gold one as that gives a more neutral or balanced sound by adding a little push on the highs.

| 𝗗𝗿𝗶𝘃𝗮𝗯𝗶𝗹𝗶𝘁𝘆 |

Really efficient given that it only has a single dynamic driver. I found myself having enough volume on the gain I typically set with other budget single dynamic driver IEMs with no problem. Noise floor can be slightly audible if given a high enough gain and it also does transmit sound noise when your source is not grounded properly.

| 𝗕𝗮𝘀𝘀 |

Low-end performance of the D13 takes the lead with the mid bass being more forward than the sub bass. There is still a certain amount of rumble but not to the amount I prefer. Mid bass hits are hard and punchy with fast attacks along with immediate decay.

The mid bass of the D13 doesn’t seem to bleed, though this amount or quantity is less than the likes of the BLON x HBB Z300 for its more abundant sub bass or against Kiwi Ears Quartet’s mid bass quantity .


| 𝗠𝗶𝗱𝘀 |

Both male and female vocals of the D13 are warm and don't sound thin. Male vocals tend to be a bit more forward than their female counterparts. Air is below average, I find that vocals can feel “choked out” or whatever term to use to describe that.

Instruments have a good body and are also warm, though as they also have the cons of the vocals sounding like they lack air or do not extend to the higher extremities. Upper midrange shout doesn’t seem to be a problem though I heard a few reports from colleagues that they find this slightly shouty


| 𝗛𝗶𝗴𝗵𝘀 |

Doesn’t sound fatiguing nor harsh, some say that the treble is quite tamed. Details are surprisingly competent but extension and transients are nothing to take note of. I find the treble-energy on the D13 a bit lacking, with it lacking sparkle. Nothing to report with the timbre, it sounds natural with no “metallic” sheen.


| 𝗧𝗲𝗰𝗵𝗻𝗶𝗰𝗮𝗹𝗶𝘁𝗶𝗲𝘀 |

Staging is quite intimate, I prefer a more wider staging presentation but this doesn’t sound too intimate to be bothersome. Imaging and separation is quite competent, surprisingly.

I can easily pinpoint sound at their origin with ease. It may not be as analytical as other sets but it can hold itself up with things like gaming and analytical work in a pinch.


|| 𝗖𝗼𝗻𝗰𝗹𝘂𝘀𝗶𝗼𝗻𝘀 ||

The D13 is a set that is quite relaxed and tamed. It can be a jack of all trades depending on your use case. The only downside of the D13 is that it doesn’t do anything to excel at and may want people to pick it with other options available sometimes even at a slightly cheaper price.



However, for those looking for something that the D13 can fit their description of, then I can fully recommend this IEM to them.


[| 𝐏𝐮𝐫𝐜𝐡𝐚𝐬𝐞 𝐋𝐢𝐧𝐤𝐬 |]

https://letshuoer.net/.../letshuoer-d13-dlc-diaphragm...

(𝗧𝗵𝗲𝘀𝗲 𝗮𝗿𝗲 𝗻𝗼𝘁 𝗮𝗳𝗳𝗶𝗹𝗶𝗮𝘁𝗲 𝗹𝗶𝗻𝗸𝘀. 𝗜 𝗱𝗼 𝗻𝗼𝘁 𝗴𝗮𝗶𝗻 𝗮𝗻𝘆𝘁𝗵𝗶𝗻𝗴 𝘄𝗵𝗮𝘁𝘀𝗼𝗲𝘃𝗲𝗿 𝘂𝗽𝗼𝗻 𝗽𝘂𝗿𝗰𝗵𝗮𝘀𝗶𝗻𝗴 𝘀𝗼𝗺𝗲𝘁𝗵𝗶𝗻𝗴 𝘂𝘀𝗶𝗻𝗴 𝘁𝗵𝗲 𝘀𝗮𝗶𝗱 𝗹𝗶𝗻𝗸𝘀)

𝑻𝒓𝒊𝒑𝒐𝒘𝒊𝒏 𝒙 𝑯𝑩𝑩: 𝑲𝒂𝒊𝒍𝒖𝒂 𝑹𝒆𝒗𝒊𝒆𝒘: 𝑫𝒚𝒏𝒂𝒎𝒊𝒄 𝑫𝒖𝒐


|| 𝗜𝗻𝘁𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 ||

Tripowin has never been one of those more mainstream brands in Chi-Fi with some of their releases found under the radar of a number of people. A very known audio reviewer on YouTube who goes by the name HawaiiBadBoy (Bad Guy Good Audio Reviews) is once again collaborating with Tripowin to release another set for roughly $80.



As suggested above, HBB had collaborated with Tripowin in the past with the Mele which garnered a good amount of attention from the hobby. This new release is named the Kailua, which means ‘two seas’ or ‘two currents’ in Hawaiian language which is very much so from HBB.


|| 𝗗𝗶𝘀𝗰𝗹𝗮𝗶𝗺𝗲𝗿𝘀 ||

• I am in no way, shape, or form affiliated with the brands I review and do not give out preview privileges.
• This set is sent in exchange for an honest review. There is no material or financial incentive for me to do this review and I guarantee no exchange has been done by both parties to influence or sway our opinions on this product.
• My thoughts and opinions are of my own. My experience will entirely differ from everybody else. The contents of this review should not be considered factual as this hobby heavily leans on subjectivity. YMMV.
• I don’t do rankings or tier lists as they can get outdated immediately as a reviewer can change their thoughts of a product to a certain extent. If you do want a recommendation then feel free to reach out so I can help out

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𝙄 𝙖𝙢 𝙣𝙤𝙩 𝙖𝙛𝙛𝙞𝙡𝙞𝙖𝙩𝙚𝙙 𝙩𝙤 Tripowin 𝙣𝙤𝙧 𝙧𝙚𝙘𝙚𝙞𝙫𝙚 𝙢𝙤𝙣𝙚𝙩𝙖𝙧𝙮 𝙞𝙣𝙘𝙚𝙣𝙩𝙞𝙫𝙚𝙨 𝙖𝙣𝙙 𝙛𝙞𝙣𝙖𝙣𝙘𝙞𝙖𝙡 𝙜𝙖𝙞𝙣𝙨 𝙖𝙨 𝙩𝙝𝙚𝙮 𝙥𝙧𝙤𝙫𝙞𝙙𝙚 𝙢𝙚 𝙖 𝙧𝙚𝙫𝙞𝙚𝙬 𝙪𝙣𝙞𝙩 𝙛𝙤𝙧 𝙖𝙣 𝙚𝙭𝙘𝙝𝙖𝙣𝙜𝙚 𝙤𝙛 𝙛𝙖𝙘𝙩𝙪𝙖𝙡 𝙖𝙣𝙙 𝙨𝙞𝙣𝙘𝙚𝙧𝙚 𝙛𝙚𝙚𝙙𝙗𝙖𝙘𝙠 𝙛𝙧𝙤𝙢 𝙮𝙤𝙪𝙧𝙨 𝙩𝙧𝙪𝙡𝙮.
𝙊𝙣𝙘𝙚 𝙖𝙜𝙖𝙞𝙣, 𝙄 𝙬𝙤𝙪𝙡𝙙 𝙡𝙞𝙠𝙚 𝙩𝙤 𝙨𝙚𝙣𝙙 𝙢𝙮 𝙜𝙧𝙖𝙩𝙞𝙩𝙪𝙙𝙚 𝙩𝙤 Linsoul Audio 𝙚𝙨𝙥𝙚𝙘𝙞𝙖𝙡𝙡𝙮 𝙩𝙤 𝙈𝙨. 𝘾𝙖𝙧𝙞𝙣𝙖 𝘾𝙝𝙚𝙣 𝙛𝙤𝙧 𝙥𝙧𝙤𝙫𝙞𝙙𝙞𝙣𝙜 𝙩𝙝𝙞𝙨 𝙧𝙚𝙫𝙞𝙚𝙬 𝙪𝙣𝙞𝙩. 𝙄 𝙩𝙧𝙪𝙡𝙮 𝙖𝙥𝙥𝙧𝙚𝙘𝙞𝙖𝙩𝙚 𝙩𝙝𝙚𝙞𝙧 𝙜𝙚𝙣𝙚𝙧𝙤𝙨𝙞𝙩𝙮 𝙖𝙣𝙙 𝙩𝙧𝙪𝙨𝙩 𝙩𝙤𝙬𝙖𝙧𝙙𝙨 𝙢𝙚 𝙖𝙣𝙙 𝙤𝙩𝙝𝙚𝙧 𝙧𝙚𝙫𝙞𝙚𝙬𝙚𝙧𝙨.

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| 𝗣𝗮𝗰𝗸𝗮𝗴𝗶𝗻𝗴 |

The Kailua is packed in a small compact black box with a render of the earpiece itself in one of the three colorways along text and branding all over the box. The right side of the box contains the specifications of the item whilst the back contains information about the brand and the manufacturer.



| 𝗨𝗻𝗯𝗼𝘅𝗶𝗻𝗴 & 𝗔𝗰𝗰𝗲𝘀𝘀𝗼𝗿𝗶𝗲𝘀 |

Removing the initial cardboard cover is the top cover with text branding. Sliding the top cover off reveals the Kailua earpieces encased in foam topped with paper. Underneath that is the remaining items such as the stock cable, ear tips and some paperwork.



𝗜𝘁𝗲𝗺 𝗕𝗿𝗲𝗮𝗸𝗱𝗼𝘄𝗻:

Paperwork
Kailua earpieces
Stock high-purity OCC copper 3.5mm cable
A set of wide-bore ear tips (S/M/L)
A set of normal-bore ear tips (S/M/L)



I just want to say that the cable is quite a treat. It’s small, light, not sticky, and generally behaves well along with having a chin cinch. This reminds me of the old Moondrop SSR/SSP cable but without that chonky Y-split and lack of a chin cinch.

Overall accessories for the price are quite sparse considering the competition but the things they included are more than enough to use the Kailua.


| 𝗕𝘂𝗶𝗹𝗱 & 𝗗𝗿𝗶𝘃𝗲𝗿 𝗖𝗼𝗻𝗳𝗶𝗴𝘂𝗿𝗮𝘁𝗶𝗼𝗻 |
The Kailua is made out of some sort of aluminum that feels great in the hand. It has a nice balance of heft and lightness that gives off a premium feel. Tripowin offers the Kailua in three different colorways, that being a black body with a purple faceplate(Black), one with a black body and a blue faceplate(Titanium) and the color that we have today and is in my opinion the most interesting, one with a white body and a purple faceplate(White).



The design reminded a colleague of mine of a character named Frieza, from a popular anime namely Dragon Ball especially with the white variant of the Kailua which I very much see the resemblance. It’s nice to try a white version of the IEM after the Kinera Gimlet. I find the color very refreshing and unique in the sea of mostly black colored IEMs.



The shape of the Kailua also reminds me of the old BLON BL05, Kinera Seed, or Shure’s SE lineup of IEMs. They are quite small and lowkey that they can easily tuck in your ear no problem.



The Kailua has an angled 2-pin connection on the top. A three hole vent cluster at the bottom and another near the nozzle. Speaking of nozzles, the Kailua’s nozzles are protruded with a decent amount and have a lip to hold ear tips in place. The paint used on the Kailua is smooth and has no rough edges overall, but I am not confident if the paint used to coat this will withstand chipping after quite some time.

Tripowin packed two dynamic drivers on each ear piece of the Kailua allowing for a full, warm and natural sound presentation. A 10mm diamond-like-carbon(DLC) titanium-coated diaphragm driver is paired with a 6mm titanium-coated composite diaphragm driver to be exact.


| 𝗜𝘀𝗼𝗹𝗮𝘁𝗶𝗼𝗻 |

Due to the more universal design and shape, the Kailua’s isolation is pretty average. There are no special quirks like outwards facing vents or a totally closed-off design that affects the isolation. This can be used still when drowning outside noise but is still no match to actually ANC devices.


| 𝗖𝗼𝗺𝗳𝗼𝗿𝘁 |

Very comfortable especially with the small size and the ergonomic shape of the Kailua. I never found myself uncomfortable even with hours on end of usage. The pressure seems to be managed well and the occlusion effect isn’t that severe.




** 𝗞𝗕 𝗘𝗮𝗿 𝟬𝟳(𝗦𝗺𝗮𝗹𝗹) | 𝗭𝗶𝘀𝗵𝗮𝗻 𝗨𝟭(𝗘𝗦𝗦) | 𝗦𝗮𝗺𝘀𝘂𝗻𝗴 𝗡𝗼𝘁𝗲 𝟵(𝗦𝗻𝗮𝗽𝗱𝗿𝗮𝗴𝗼𝗻)**


|| 𝗦𝗼𝘂𝗻𝗱 ||

Very safe and relaxed sound. Never had issues with it being too harsh in the ear, considering you are in the safe volume. It sounds like a typical HBB collaboration IEM but with a few quirks that makes it quite distinct compared to other earlier collaborations.



| 𝗗𝗿𝗶𝘃𝗮𝗯𝗶𝗹𝗶𝘁𝘆 |

Easy to drive, the dual dynamic drivers are very efficient in requiring power but I did notice that I had to push my volume on my phone more to allow the Kailua to ‘sound right’.


| 𝗕𝗮𝘀𝘀 |

Midbass is a bit more present than the sub bass but not too far apart of a discrepancy
Hits and impact are tight and fast in both attack and decay whilst only a little amount of bleed. Sub bass has a decent rumble amount and it is very well textured. Can serve bassheads well.


| 𝗠𝗶𝗱𝘀 |

Vocals are thick and warm, sibilance is present but is minimal, They have a very distinct presence and don't get drowned out by other competing frequencies. Instruments are also full-sounding with good presence. The timbre sounds very natural and never once sounded off.


| 𝗛𝗶𝗴𝗵𝘀 |

Highs are relatively safe and were only a bit harsh from time to time especially on higher volumes. The Kailua isn’t particularly keen on the sparkle, extension and air but all of it results in a much more relaxed and safer presentation. Details are surprisingly competent but not the best.


| 𝗧𝗲𝗰𝗵𝗻𝗶𝗰𝗮𝗹𝗶𝘁𝗶𝗲𝘀 |

Technical abilities of the Kailua are average. Staging isn’t quite wide but also isn’t that intimate. Imaging, layering and separation are good but can sound congested during busier tasks.


|| 𝗖𝗼𝗻𝗰𝗹𝘂𝘀𝗶𝗼𝗻𝘀 ||

I really liked the midrange performance that this is presenting for some reason. The tuning is I think specifically made to be quite relaxing and safe, at the cost of not sounding the most technical.



Using the Kailua really reminds me of HBB’s type of sound that is almost consistently present in his collaborations but with little differences here and there. This one is my most favorite set out of all of his collaborations with different brands. I don’t recommend this for people with very bright and analytical taste buds, but can most definitely suggest this to people who are treble-sensitive or a basshead.

[| 𝗣𝘂𝗿𝗰𝗵𝗮𝘀𝗲 𝗟𝗶𝗻𝗸𝘀 |]

https://www.linsoul.com/products/tripowin-x-hbb-kailua...

(𝙏𝙝𝙚𝙨𝙚 𝙖𝙧𝙚 𝙣𝙤𝙩 𝙖𝙛𝙛𝙞𝙡𝙞𝙖𝙩𝙚 𝙡𝙞𝙣𝙠𝙨. 𝙄 𝙙𝙤 𝙣𝙤𝙩 𝙜𝙖𝙞𝙣 𝙖𝙣𝙮𝙩𝙝𝙞𝙣𝙜 𝙬𝙝𝙖𝙩𝙨𝙤𝙚𝙫𝙚𝙧 𝙪𝙥𝙤𝙣 𝙥𝙪𝙧𝙘𝙝𝙖𝙨𝙞𝙣𝙜 𝙨𝙤𝙢𝙚𝙩𝙝𝙞𝙣𝙜 𝙪𝙨𝙞𝙣𝙜 𝙩𝙝𝙚 𝙨𝙖𝙞𝙙 𝙡𝙞𝙣𝙠𝙨)

𝑯𝒊𝑩𝒚 𝑪𝒓𝒚𝒔𝒕𝒂𝒍6 𝑰𝑰 𝑹𝒆𝒗𝒊𝒆𝒘: 𝑺𝒉𝒊𝒏𝒚, 𝒃𝒖𝒕 𝒃𝒓𝒊𝒕𝒕𝒍𝒆


|| 𝗜𝗻𝘁𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 ||

HiBy Music is a brand most commonly known for the digital audio players(DAP) and their free android app that allows users to bypass the dreaded android resampling protocol. Unbeknownst to some, HiBy do make IEMs both over-the-ear and bullet type sets from various ranges that may have not been in the mainstream of this hobby of ours as of recently.



HiBy is here to present to you their Crystal6 II, a second iteration of their previous Crystal6 released before. Sporting a 6 BA setup, 2 for each pact of the frequency range and is priced at roughly $350.


|| 𝗗𝗶𝘀𝗰𝗹𝗮𝗶𝗺𝗲𝗿𝘀 ||

• I don’t fancy confusing lingo, therefore, the reviews will simple without too much confusing terminologies

• This set is sent in exchange for an honest review. There is no material or financial incentive for me to do this review and I guarantee no exchange has been done by both parties to influence or sway our opinions on this product.

• My thoughts and opinions are of my own. My experience will entirely differ from everybody else. The contents of this review should not be considered factual as this hobby heavily leans on subjectivity. YMMV.

----------------------------------------------------------------------------------------------

𝗛𝘂𝗴𝗲 𝘁𝗵𝗮𝗻𝗸𝘀 𝘁𝗼 𝗝𝗼𝘀𝗲𝗽𝗵 𝗬𝗲𝘂𝗻𝗴 𝗮𝗻𝗱 HiBy Music 𝗳𝗼𝗿 𝗮𝗹𝗹𝗼𝘄𝗶𝗻𝗴 𝗺𝗲 𝘁𝗼 𝗽𝗮𝗿𝘁𝗶𝗰𝗶𝗽𝗮𝘁𝗲 𝗶𝗻 𝘁𝗵𝗶𝘀 𝗿𝗲𝘃𝗶𝗲𝘄 𝘁𝗼𝘂𝗿.
𝗔𝘀 𝗮𝗹𝘄𝗮𝘆𝘀 𝗱𝗼 𝗰𝗵𝗲𝗰𝗸 𝗼𝘂𝘁 𝘁𝗵𝗲𝗶𝗿 𝗽𝗿𝗼𝗱𝘂𝗰𝘁𝘀 𝗶𝗻𝗰𝗹𝘂𝗱𝗶𝗻𝗴 𝘁𝗵𝗲 𝗼𝗻𝗲 𝗯𝗲𝗶𝗻𝗴 𝗿𝗲𝘃𝗶𝗲𝘄𝗲𝗱 𝗳𝗼𝗿 𝗺𝗼𝗿𝗲 𝗶𝗻𝗳𝗼𝗿𝗺𝗮𝘁𝗶𝗼𝗻 𝗶𝗳 𝘆𝗼𝘂’𝗿𝗲 𝗶𝗻𝘁𝗲𝗿𝗲𝘀𝘁𝗲𝗱.

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| 𝗣𝗮𝗰𝗸𝗮𝗴𝗶𝗻𝗴 |

The Crystal6 II comes in a nice compact box with galaxy-esque design and multiple branding and text all over. The rear of the box contains additional information regarding the manufacturer, HiBy. Other than that, there is nothing noteworthy about the packaging of the Crystal6 II.



| 𝗨𝗻𝗯𝗼𝘅𝗶𝗻𝗴 & 𝗔𝗰𝗰𝗲𝘀𝘀𝗼𝗿𝗶𝗲𝘀 |

Upon opening the box, the included case greets you upfront placed in some foam. Underneath is the included 3 sets of specialized eartips and 3.5mm(SE) termination jack along with some paperwork.



The inside of the case contains the provided cable with the 4.4mm(BAL) pre-installed, additional eartips, and the IEM earpieces wrapped in separate tiny ziplock bags.

𝗜𝘁𝗲𝗺 𝗕𝗿𝗲𝗮𝗸𝗱𝗼𝘄𝗻:

Paperwork
Spherical hardshell case.
Modular OCC 4-core 2-pin cable
3 sets of eartips (S/M/L)
3.5mm(SE) termination plug
4.4mm(BAL) termination plug

I was kind of confused at first as to why a set of eartips are separated from the bunch and are placed inside the case. Apparently that set is the medium size of the balanced tip they provide. The reasoning behind it is simply because there was no cutout for that size within the cluster of eartips for them to be put on to.
Quite generous inclusions overall coming from HiBy. Although not the most inclusive, what these come with are more than enough for you to get started.


| 𝗕𝘂𝗶𝗹𝗱, 𝗗𝗲𝘀𝗶𝗴𝗻, & 𝗗𝗿𝗶𝘃𝗲𝗿 𝗖𝗼𝗻𝗳𝗶𝗴𝘂𝗿𝗮𝘁𝗶𝗼𝗻 |

The Crystal6 II is made out of a high strength 3D printed resin that feels smooth and great to the touch. Heft is really good and really adds to the quality feeling of the product more. The shape of the Crystal6 II is akin to a faux-custom fit that has grooves all over which results in a protrusion or a wing. The whole earpiece is made out of the same material including the nozzle, besides the unique looking vent on the rear. The vent seems to be caused by a metallic material. I’ve never seen such a venting solution before, especially considering the driver configuration these are composed of.



Speaking of the driver configuration, the Crystal6 II is composed of 6 BA drivers, 2 of each are made to target bass, mids, and the treble. As far as I know sole BA sets aren't required to have vents unlike dynamic or hybrid sets.



It only comes in one color or design variation, and the overall design is in theme with the packaging of the box with its galaxy-looking faceplate. I have to admit that the design is too dark for its beauty and is only visible in certain angles, but still pretty nonetheless.


| 𝗜𝘀𝗼𝗹𝗮𝘁𝗶𝗼𝗻 |

Because of the shape being similar to a custom fit, It isolates noise well even with the big vent on the rear. You can definitely use these for commuting and dismiss the noise of the outside with the Crystal6 II


| 𝗖𝗼𝗺𝗳𝗼𝗿𝘁 |

I find these really comfortable. These can achieve the insertion depth that I want and I didn’t find the wing/protrusion to be painful after hours of usage. The occlusion effect seems to be lighter than average probably because of the vent once again.




**𝗨𝘀𝗲𝗱 𝘄𝗶𝘁𝗵 𝗞𝗕 𝗘𝗮𝗿 𝗔𝗘𝟬𝟳 𝘁𝗵𝗿𝗼𝘂𝗴𝗵 𝘁𝗵𝗲 𝗭𝗶𝘀𝗵𝗮𝗻 𝗨𝟭 𝗮𝗻𝗱 𝗛𝗶𝗕𝘆 𝗥𝟲 𝗣𝗿𝗼 𝗜𝗜**


|| 𝗦𝗼𝘂𝗻𝗱 ||

Overall sound signature seems to lean on the brighter-end. This is quite contradictory of what tuning I’m into these days but nevertheless appreciated my time with it. Seeing as it is solely composed of BA drivers, I did find that in some instances that BA timbre is audible though not often.



| 𝗗𝗿𝗶𝘃𝗮𝗯𝗶𝗹𝗶𝘁𝘆 |

Despite the Crystal6 II having 6 drivers on each ear piece, I never encountered an instance where they’re power hungry. Of course better sources are recommended but be weary of things like the noise floor


| 𝗕𝗮𝘀𝘀 |

The low-end side of things tends to lean more on midbass than subbass. Though the subbass is present, the quantity of it does seem to be lacking especially when the song demands the rumble. The midbass hits quite fast with a decent amount of impact as well as not sounding bloaty or bleedy but does not exhibit great texture.

The bass seems to be one of the areas where the Crystal6 II doesn’t particularly excel at either due to choice or shortcomings.


| 𝗠𝗶𝗱𝘀 |

Mids are quite recessed. Vocals sound capped and sibilance is quite rampant especially with female vocals. Male singers typically have more body on the Crystal6 II compared to their female counterparts. Instruments have a good sense of air and extend quite well further up.
This is also one of the areas Crystal6 II suffers from, whilst not inherently the worst, it’s definitely not the best either. What I can say is that the mids performance of the Crystal6 II is quite middling.


| 𝗛𝗶𝗴𝗵𝘀 |

This is where the Crystal6 II placed all its bets on. The highs are extended to the point of sounding peaky even to mid to high volumes. Though because of this emphasis, details are great and minor nuances of the sound are easy to pick up during playback. Transients are great as well without feeling cut-off preemptively. Overall the highs sound peaky and sound thin. It’s definitely a case of quantity over quality.

I’m not sure if things like impedance adapters would benefit this IEM as I don’t have one at the moment, but I’d definitely want to try applying things to tone down those highs and help other problems that this set had. I did find that this pairs well with HiBy’s R6 Pro II with Low Gain mode and with MSEB enabled.

| 𝗧𝗲𝗰𝗵𝗻𝗶𝗰𝗮𝗹𝗶𝘁𝗶𝗲𝘀 |

Due to the emphasis that the Crystal6 II has, things like layering, imaging and separation are great. I can easily pin-point sources and distinctly know their position even despite other sources playing at the same time. Staging is quite average though but nevertheless easy to distinguish stereo channels while using these and would recommend them if your use case does require it to do so like gaming.


|| 𝗖𝗼𝗻𝗰𝗹𝘂𝘀𝗶𝗼𝗻𝘀 ||

I’m not so sure about the asking price that these are going for with the performance it displayed. It could be due to my inclination of liking more warm sets and general sensitivity to treble but I do feel like this set isn’t for me but it can be for you. Despite the seemingly negative review, I did find these to be good in some tracks but they are a few and far between on my playlist.



With an asking price of over $300, I suggest thinking of other options first or re-affirm that what these deliver are what you are looking for.

[| 𝐏𝐮𝐫𝐜𝐡𝐚𝐬𝐞 𝐋𝐢𝐧𝐤𝐬 |]

https://store.hiby.com/products/hiby-crystal-6-ii

(These are not affiliate links. I do not gain anything whatsoever upon purchasing something using the said links)

𝑲𝒊𝒘𝒊 𝑬𝒂𝒓𝒔 𝑫𝒐𝒍𝒄𝒆: 𝑼𝒏𝒆𝒗𝒆𝒏𝒕𝒇𝒖𝒍 𝑷𝒍𝒆𝒂𝒔𝒂𝒏𝒕𝒓𝒊𝒆𝒔


|| 𝗜𝗻𝘁𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 ||

Kiwi Ears has established itself as one of the most prolific brands recently with release after release of new IEMs on various price points. Prior to this offering, the cheapest Kiwi Ears IEM you can get is the Cadenza for around $35, but Kiwi Ears just released a new and cheaper entry with the Dolce starting at around $25.



Equipped with a variation of an liquid-crystal polymer driver(LCP) that is tinkered with with a low-density polyethylene film(LDPE) which they refer to as an LDP driver, Kiwi Ears aims to take the common LCP approach with a different twist.

|| 𝗗𝗶𝘀𝗰𝗹𝗮𝗶𝗺𝗲𝗿𝘀 ||

• I am in no way, shape, or form affiliated with the brands I review and do not give out preview privileges.

• This set is sent in exchange for an honest review. There is no material or financial incentive for me to do this review and I guarantee no exchange has been done by both
  parties to influence or sway our opinions on this product.

• My thoughts and opinions are of my own. My experience will entirely differ from everybody else. The contents of this review should not be considered factual as this hobby heavily leans on subjectivity. YMMV.

• I don’t do rankings or tier lists as they can get outdated immediately as a reviewer can change their thoughts of a product to a certain extent. If you do want a recommendation then feel free to reach out so I can help out

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𝗜 𝗮𝗺 𝗻𝗼𝘁 𝗮𝗳𝗳𝗶𝗹𝗶𝗮𝘁𝗲𝗱 𝘁𝗼 𝗞𝗜𝗪𝗜 𝗘𝗔𝗥𝗦 𝗻𝗼𝗿 𝗿𝗲𝗰𝗲𝗶𝘃𝗲 𝗺𝗼𝗻𝗲𝘁𝗮𝗿𝘆 𝗶𝗻𝗰𝗲𝗻𝘁𝗶𝘃𝗲𝘀 𝗮𝗻𝗱 𝗳𝗶𝗻𝗮𝗻𝗰𝗶𝗮𝗹 𝗴𝗮𝗶𝗻𝘀 𝗮𝘀 𝘁𝗵𝗲𝘆 𝗽𝗿𝗼𝘃𝗶𝗱𝗲 𝗺𝗲 𝗮 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁 𝗳𝗼𝗿 𝗮𝗻 𝗲𝘅𝗰𝗵𝗮𝗻𝗴𝗲 𝗼𝗳 𝗳𝗮𝗰𝘁𝘂𝗮𝗹 𝗮𝗻𝗱 𝘀𝗶𝗻𝗰𝗲𝗿𝗲 𝗳𝗲𝗲𝗱𝗯𝗮𝗰𝗸 𝗳𝗿𝗼𝗺 𝘆𝗼𝘂𝗿𝘀 𝘁𝗿𝘂𝗹𝘆.
𝗢𝗻𝗰𝗲 𝗮𝗴𝗮𝗶𝗻, 𝗜 𝘄𝗼𝘂𝗹𝗱 𝗹𝗶𝗸𝗲 𝘁𝗼 𝘀𝗲𝗻𝗱 𝗺𝘆 𝗴𝗿𝗮𝘁𝗶𝘁𝘂𝗱𝗲 𝘁𝗼 𝗟𝗜𝗡𝗦𝗢𝗨𝗟 𝗲𝘀𝗽𝗲𝗰𝗶𝗮𝗹𝗹𝘆 𝘁𝗼 𝗠𝗦. 𝗖𝗮𝗿𝗶𝗻𝗮 𝗖𝗵𝗲𝗻 𝗳𝗼𝗿 𝗽𝗿𝗼𝘃𝗶𝗱𝗶𝗻𝗴 𝘁𝗵𝗶𝘀 𝗿𝗲𝘃𝗶𝗲𝘄 𝘂𝗻𝗶𝘁. 𝗜 𝘁𝗿𝘂𝗹𝘆 𝗮𝗽𝗽𝗿𝗲𝗰𝗶𝗮𝘁𝗲 𝘁𝗵𝗲𝗶𝗿 𝗴𝗲𝗻𝗲𝗿𝗼𝘀𝗶𝘁𝘆 𝗮𝗻𝗱 𝘁𝗿𝘂𝘀𝘁 𝘁𝗼𝘄𝗮𝗿𝗱𝘀 𝗺𝗲 𝗮𝗻𝗱 𝗼𝘁𝗵𝗲𝗿 𝗿𝗲𝘃𝗶𝗲𝘄𝗲𝗿𝘀.

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| 𝗣𝗮𝗰𝗸𝗮𝗴𝗶𝗻𝗴 |

Keeping with the packaging design philosophy of Kiwi Ears, it comes in a compact box that is designed very much like every other Kiwi Ears product albeit with cheaper materials because of the cheaper price tag.

| 𝗨𝗻𝗯𝗼𝘅𝗶𝗻𝗴 & 𝗔𝗰𝗰𝗲𝘀𝘀𝗼𝗿𝗶𝗲𝘀 |

After sliding off the cardboard cover and the top cover, the Dolce earpieces immediately greet you as being encased in a thin plastic mold with a felt texture. Below it is box that has the accessories included in the package such as the cable and ear tip.

𝗜𝘁𝗲𝗺 𝗕𝗿𝗲𝗮𝗸𝗱𝗼𝘄𝗻:

QC pass stamp card
Dolce ear pieces
Stock high-purity OCC 3.5mm L-type QDC cable
A set of normal-bore ear tips(S/M/L)
Nothing much included considering the cheaper price tag.

I would like to add that the ear tips are color coordinated with the Dolce ear pieces themselves which is a nice touch but otherwise not necessary. All of the accessories are nothing exceptional but it is more than enough to get you started.


| 𝗕𝘂𝗶𝗹𝗱 & 𝗗𝗿𝗶𝘃𝗲𝗿 𝗖𝗼𝗻𝗳𝗶𝗴𝘂𝗿𝗮𝘁𝗶𝗼𝗻 |

The Dolce is built with medical-grade transparent resin with a mild black tint for the majority of the IEM and has this plastic faceplate with a cool blue to black gradient. The nozzle is also made with the same material of the body and has a ridge to help the ear tip stay in place. They do protrude a decent bit to help with insertion and a vent is located near it.

The rear of the IEM has L and R indicators and Kiwi Ears branding. Unlike all the previous releases, the Dolce seems to be the first and only Kiwi Ears release that doesn’t have a 2-pin connection, which was instead replaced by QDC. The shape of the Dolce is quite universal in that there is no grooves or protrusion that others may find uncomfortable.

I honestly prefer 2-pin over QDC for the sake of continuity between my cables but 2-pin cables do work but the connection may become a weak point in my opinion.
The overall design is good. The faceplate design is very minimal and subdued, though it may not look flashy, it does look bland with only the gradient coloring adding to the visual look. The build quality is also good with no rough edges and seems to have higher tolerances for imperfections.

Kiwi Ears packed the Dolce with a variant of the traditional LCP dynamic driver by placing a low-density polyethylene film on the driver to “help produce less low-harmonic distortions” according to Kiwi Ears themselves.

Dynamic drivers are one of the most used driver types either on a budget or even to those higher-end models. It’s nice to see Kiwi Ears trying out variations of the adored driver with some tweaks. All of that talk however, don’t hold up if it doesn’t sound good nor different from the competition.

I for one don’t really have a lot of knowledge of driver-related things besides those common ones and am keen on seeing if there is something special with this attempt Kiwi Ears made.


| 𝗜𝘀𝗼𝗹𝗮𝘁𝗶𝗼𝗻 |

The isolation is quite average, it’s neither good nor bad. This is still usable in times where you need to drown out the sounds of the outside world in a pinch but there are definitely others that can serve you well.


| 𝗖𝗼𝗺𝗳𝗼𝗿𝘁 |

Being a universal fit, I find the Dolce quite comfortable even after using it for hours. It fits snug in my ear and doesn’t fall off with the slightest of movements. Occlusion
effect is also average in the Dolce

** 𝗨𝘀𝗲𝗱 𝘄𝗶𝘁𝗵 𝗞𝗕 𝗘𝗮𝗿 𝟬𝟳(𝗦𝗺𝗮𝗹𝗹) | 𝗭𝗶𝘀𝗵𝗮𝗻 𝗨𝟭 | 𝗩𝗲𝗻𝘁𝘂𝗿𝗲 𝗘𝗹𝗲𝗰𝘁𝗿𝗼𝗻𝗶𝗰𝘀 𝗔𝘃𝗮𝗻𝗶 𝗗𝗼𝗻𝗴𝗹𝗲𝗗𝗔𝗖 **


| 𝗗𝗿𝗶𝘃𝗮𝗯𝗶𝗹𝗶𝘁𝘆 |

These can be run very easily due to how efficient dynamic drivers can be. I see no problem running these off a phone and noise floor isn’t much of an issue.


|| 𝗦𝗼𝘂𝗻𝗱 ||

Using these at first made me wonder about its strengths and weaknesses. I don't come outright at first listen. I find these basically a jack of all trades and master of none. It doesn’t have any glaring issues but also doesn’t have anything of note. What I can say that it sounds a bit like a V-shape that is very common and is liked by a decent amount of people.

| 𝗕𝗮𝘀𝘀 |

Dolce is more skewed to more mid bass than sub bass. Despite leaning more on the hits and punch, rumble is still present though quite minimal. Mid bass hits have
impact and body though it is quite soft. There is only little bleeding on the Dolce during my testing but is very much kept at bay.


| 𝗠𝗶𝗱𝘀 |

With the bass kept in check, Vocals and instruments are quite clear and present. Both female and male vocals are decent but can sometimes sound lean, and sibilance can be a problem to really sibilant voices. Though male vocals doesn’t sound dry, they do lack warmth or weight


| 𝗛𝗶𝗴𝗵𝘀 |

Highs of the Dolce isn’t harsh, though execution isn’t the most clean. It tends to sound coarse and tinny at times. This has more forward treble than its closest sibling the Cadenza which is more warm. It is more detailed and less cloudy-sounding as the Cadenza though the treble execution could benefit from some polishing.


| 𝗧𝗲𝗰𝗵𝗻𝗶𝗰𝗮𝗹𝗶𝘁𝗶𝗲𝘀 |

Staging is average, it doesn’t necessarily feel especially wide nor tall. Separation, imaging and layering are all above average as well making it great for competitive gaming and analytical use in a pinch. I would recommend the Cadenza over this if you were ought to use it for more immersive genres like RPG games or movies.


|| 𝗖𝗼𝗻𝗰𝗹𝘂𝘀𝗶𝗼𝗻𝘀 ||

I tried really hard trying to fault Dolce. Whilst it does have its downsides, it does it in a way that you aren’t particularly bothered by the negatives. I won’t recommend this for people who have a particular characteristic that they’re looking for in an IEM, like bassheads, and trebleheads among others, but the Dolce is quite versatile in itself that you won’t find anything especially lacking but as well as not especially excelling in a category.

[| 𝐏𝐮𝐫𝐜𝐡𝐚𝐬𝐞 𝐋𝐢𝐧𝐤𝐬 |]

https://www.linsoul.com/products/kiwi-ears-dolce

(These are not affiliate links. I do not gain anything whatsoever upon purchasing something using the said links)

𝐇𝐢𝐁𝐲 𝐑𝟔 𝐏𝐫𝐨 𝐈𝐈 𝐑𝐞𝐯𝐢𝐞𝐰: 𝐍𝐢𝐜𝐞 𝐧𝐢𝐜𝐡𝐞


|| 𝗜𝗻𝘁𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 ||

HiBy is well-known for their audio players android or not as well as their free music player app that allows Android users to bypass the detested resampling protocol that is used by default.



Now they’re back with a new mid range Android audio player offering coming in around $750 or $999 with a bundled HiBy Crystal6 II. Equipped with a mid-range Snapdragon chip and composed of AKM componentry. The R6 Pro II aims to deliver smooth performance and optimal audio experience on-the-go.


|| 𝗗𝗶𝘀𝗰𝗹𝗮𝗶𝗺𝗲𝗿𝘀 ||

• This set is sent in exchange for an honest review. There is no material or financial incentive for me to do this review and I guarantee no exchange has been done by both parties to influence or sway our opinions on this product.

• My thoughts and opinions are of my own. My experience will entirely differ from everybody else. The contents of this review should not be considered factual as this hobby heavily leans on subjectivity. YMMV.

• This is my first review of a digital audio player but I had one prior to this that I personally own, therefore things I say on here can be quite all over the place. Please bear with me.

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𝗛𝘂𝗴𝗲 𝘁𝗵𝗮𝗻𝗸𝘀 𝘁𝗼 𝗝𝗼𝘀𝗲𝗽𝗵 𝗬𝗲𝘂𝗻𝗴 𝗮𝗻𝗱 HiBy Music 𝗳𝗼𝗿 𝗮𝗹𝗹𝗼𝘄𝗶𝗻𝗴 𝗺𝗲 𝘁𝗼 𝗽𝗮𝗿𝘁𝗶𝗰𝗶𝗽𝗮𝘁𝗲 𝗶𝗻 𝘁𝗵𝗶𝘀 𝗿𝗲𝘃𝗶𝗲𝘄 𝘁𝗼𝘂𝗿. 𝗬𝗼𝘂𝗿 𝘀𝘂𝗽𝗽𝗼𝗿𝘁 𝗶𝘀 𝗴𝗿𝗲𝗮𝘁𝗹𝘆 𝗮𝗽𝗽𝗿𝗲𝗰𝗶𝗮𝘁𝗲𝗱!
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| 𝗣𝗮𝗰𝗸𝗮𝗴𝗶𝗻𝗴 |

Considering the size of the product itself, the R6 Pro II is packed in an adequately sized box with an illustration of the audio player in the front along with branding and text.


Behind is a list of additional information about the manufacturing details like addresses and the like. The overall packaging feels premium. HiBy definitely didn’t skimp on the packaging materials.


| 𝗨𝗻𝗯𝗼𝘅𝗶𝗻𝗴 & 𝗔𝗰𝗰𝗲𝘀𝘀𝗼𝗿𝗶𝗲𝘀 |

Unboxing this was very straightforward. The highlight of the show immediately greets you upon opening the box. The R6 Pro II is encased and displayed in foam for shock protection. Underneath is the included faux leather gray case as well as the provided type-c to type-c cable along with your standard paperwork.



𝗜𝘁𝗲𝗺 𝗕𝗿𝗲𝗮𝗸𝗱𝗼𝘄𝗻:

Paperwork
Faux leather gray case
Type-c to type-c cable
R6 Pro II Android player


| 𝗕𝘂𝗶𝗹𝗱 & 𝗦𝗽𝗲𝗰𝗶𝗳𝗶𝗰𝗮𝘁𝗶𝗼𝗻𝘀 |

The R6 Pro II is made out of an aluminum chassis with a toughened glass portion in the back of the player with subtle branding and a sharp 5.9” 1080p IPS screen. The screen however was a bit too dark for it to combat direct sunlight. Using it outside with max brightness is definitely and issue as I had to squint real hard or go find some shade to discern what is on the screen.



The remaining back of the R6 Pro II has this streaks in the back that reminds me of computer heatsinks, the rest of the body like the sides are polished out with corners that are quite sharp.



Holding this on the hand feels nice and hefty but the polishing is still quite rough in my opinion. The sides are quite chunky as well and they definitely bulge out of your jean pocket if you ever decide to stash them there.

The top side is empty, while the bottom side houses the type-c port, line out and power out which has both 3.5mm(SE) and 4.4mm(BAL). The left side houses the media playback buttons with the microSD card slot, whilst the right side is where the power button and volume rockers are placed as well as a little slit where lights shine through to indicate the codec that is used.





The placement of the media playback buttons is odd, the next track button is seemingly the one isolated whilst the previous track and play/pause are combined. One can assume that the play/pause would be the one solely housing the smaller button of the two, but this isn’t the case for the R6 Pro II for some reason.

Both the right and the left side buttons appear to be more or less on the same height in the chassis. This can be an issue as having them occupy the same area will make it hard to grip the player without miss clicking one side or the other which was definitely the case here. Making them offset like how some modem smartphones have the buttons of both sides slightly offset from each other to avoid this issue. This button placement issue is by far the biggest hassle of this product.

The R6 Pro II has a Snapdragon 665 chipset combined with 4gb of ram and 64gb of internal storage to boot, makes the experience quite smooth with no hiccups and hang-ups. The storage is expandable up to 2tb with a microSD card and has Android 12 for the operating system.


Having this quite recently albeit not the latest Android version, is still very impressive considering some Android players are stuck in Android 7 still.

It is also equipped with Bluetooth 5.0 with support for UAT, LDAC, aptX, aptX HD, AAC and SBC. 2.4ghz and 5.0ghz WiFi connections are also supported by the R6 Pro II.

As for audio-related specifications, the R6 Pro II carry an AK419EQ + dual AK4499EX combo in octa-DAC output architecture with support for audio formats such as DSD1024, PCM1536Khz/32bit and MQA16X.

Powering all of this a whopping 5000mah lithium battery that supports PD 2.0 18w fast charging.

Overall great feeling device because of the weight but a few fixing a few things about it here and there like the finish of the aluminum, that dreaded button layout r and the dim screen would definitely make the experience better . Codecs and formats commonly used today are accommodated by the R6 Pro II with enough battery power and performance to plow through your needs for this player.


| 𝗨𝘀𝗲𝗿 𝗜𝗻𝘁𝗲𝗿𝗳𝗮𝗰𝗲 & 𝗦𝗼𝗳𝘁𝘄𝗮𝗿𝗲 |

With an almost stock Android UI, navigating through the R6 Pro II gives off the sense of familiarity with few additions here and there. The drop down menu has quick access for the amp class mode which you can toggle to Class A or Class AB. A button for the gain mode with 3 levels that are low, middle and high.



It comes with a pre-installed Google Play Store app therefore eliminating the need for side-loading it or any app if you so choose. Other pre-installed apps are HiBY’s own music player, proprietary browser, HiByCast, and other utility apps.


Opening the settings greets you with two new option tabs namely “USB” and “Audio Settings”.
The “USB” tab is primarily used to set what kind of connection you want to R6 Pro II to do. It can charge through USB as well as use it as a source for your computer albeit with a very annoying delay.



The “Audio Settings” tab contains the filter setting, amplifier class, gain mode, downloadable plugins, MSEB, DSD gain compensation, channel imbalance, max volume limit, and a toggleable MQA decoder setting.


The R6 Pro II allows users to save, import and export settings to share with others using plug-ins whilst the MSEB acts similarly to an EQ.

Quite a lot of features present on the R6 Pro II to enhance one’s audio experience. The addition of quick gain and amp class toggles in the drop down menu is a great quality of life implementation.


NOTE: There is a new feature released by HiBy on HeadFi about a plugin that further enhances control and adjustability of any connected audio devices. The named of this plugin is DRX10K Dynamics, that allows the used of any R series players to adjust the Bass, Mids, Highs, as well as gain. I haven't tested this during my time with the R6 Pro II, but it is very akin to the MSEB that I've talked about extensively.

Plugin post on HeadFi:

https://www.head-fi.org/threads/introducing-the-all-new-hiby-drx10k.968627/


| 𝗕𝗮𝘁𝘁𝗲𝗿𝘆 𝗟𝗶𝗳𝗲 |

I have not tested the battery consumption of the R6 Pro II in depth but during my testing, it was able to go for multiple days on Class AB mode before needing to plug it in. I was able to charge the R6 Pro II from 10% to 40% in 40 mins and completed it’s charging in well over 2 hours.

There seems to be a protocol similar to smartphones where the charging is slowed down tremendously after hitting a certain percentage like 80% to prolong the battery health and avoid trickling down on battery cycles.


| 𝗣𝗼𝘄𝗲𝗿 |

It was able to handle all of the IEMs in my possession. The R6 Pro II was powerful enough to feed my planar IEMs such as the TRN Rosefinch and KZ PR2 on High Gain Mode.

My current catalog of gears aren’t diverse enough to test the limits of this player like headphones and the like but it was able to power everything nonetheless.


|| 𝗦𝗼𝘂𝗻𝗱 ||

I found that at default, the R6 Pro II seems to smooth out the peaky treble of an IEM without adding much warmth or changing its overall tuning. This observation can be easily missed and is so miniscule that it might as well be negligible.



I found that the sound of the Class A was more open and air than of the Class AB. I would still prefer the Class AB though as that is a great mix of both battery life and audio performance.

MSEB is one the highlights in my opinion of this device which is also present in some of the most recent HiBy players. It allows for the user to tweak the sound in small increments that would fix things like lacking note weight or sibilance without changing the sound signature of the IEM. I do believe this feature gives you the ability to fix an IEM that would otherwise be uncomfortable or unsatisfactory to you.

The sound of the R6 Pro II is great by default but things such as the MSEB and the ability to toggle an amp mode easily is what makes this a great device. Having such functions easily accessible even on the drop down menu greatly increases the ease of use in regard to audio with the R6 Pro II.



| 𝗨𝘀𝗲𝗿 𝗘𝘅𝗽𝗲𝗿𝗶𝗲𝗻𝗰𝗲 |

Using the R6 Pro II is quite an experience, the sheer capabilities of these portable devices ensure an optimal audio experience while mobile. Despite the praises, it does fall down in some areas that affected the overall user experience of this device.

As stated earlier, the button layout is really annoying at first because of all the miss clicks. One’s muscle memory will adapt to this odd layout in due time but it would be preferable if it already had great button layouts right from the get go. Even with me testing this for quite a while now, my muscle memory for the layout got better but there are still accidental inputs that occur.

Lugging this around was quite a chore as it was really chonky. I’m not the type of person to give up convenience for this sort of power so a slimmer design would be very much welcome. Pocketing this device makes bulges out like a sore thumb with how thick the chassis is but that is all due to the big battery and beefy internals

Using the R6 Pro II in prolonged sessions will eventually heat up the device. With it being a metal build, holding this can get really warm to the touch without the case.

The volume buttons of the R6 Pro II bring up this neat slider that spans across the whole screen if it’s on to allow you to swipe up or down to change the volume using one hand with great precision. This is a great quality of life addition but this doesn’t work with the screen turned off or locked.



| 𝗖𝗼𝗻𝗰𝗹𝘂𝘀𝗶𝗼𝗻 |

I had a great time with the R6 Pro II. It has a number of issues but all of which aren’t audio related and instead focus more on the user experience which one can definitely neglect if they chose to do so. For the longest time I haven’t fancied the idea of dedicated audio players as I really factor convenience big time.

Lugging around another device like this on top of my smartphone isn’t worth it for the extra sound quality that I'll be getting in my personal use case. In certain scenarios, I find the benefit of the R6 Pro II to be great and I definitely see the appeal, but for the majority of the time it seems too extra in my opinion. Probably a smaller device like the HiBy R2 Pro would fit my needs but then again that is a non-Android player.

This isn’t a knock on the R6 Pro II, it’s a great device yes but simply put, audio players aren’t for me, at least at the moment, but I do know a handful of people that have use cases that synergize well with what audio players can deliver.

Overall, for an Android audio player, the R6 Pro II is its own hell of a device. It has great battery, sound, features and build quality that all combines into a great audio experience.



[| 𝗣𝘂𝗿𝗰𝗵𝗮𝘀𝗲 𝗟𝗶𝗻𝗸𝘀 |]

https://store.hiby.com/products/r6-pro-ii-gen-2

(These are not affiliate links. I do not gain anything whatsoever upon purchasing something using the said links)

𝐊𝐢𝐰𝐢𝐄𝐚𝐫𝐬 𝐐𝐮𝐢𝐧𝐭𝐞𝐭 𝐑𝐞𝐯𝐢𝐞𝐰: 𝐀𝐦𝐚𝐥𝐠𝐚𝐦 𝐀𝐦𝐚𝐳𝐞𝐦𝐞𝐧𝐭

|| 𝗜𝗻𝘁𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 ||

Kiwi Ears had been on a streak with their releases recently with the Dolce, Orchestra Lite, and the Quartet which we recently reviewed. Immediately after the release of that product, the rumors and teases of another set in the same product line circulated the hobby.



The Quintet is released not that long after the Quartet. This time boasting more driver types, the Quintet is equipped with a Piezoelectric Bone Conductor driver(PZT), a 10mm DLC

Dynamic driver(DD), Kiwi Ear’s own Micro Planar Transducer(MPT), and a pair of custom Balanced Armature drivers(BA). This driver configuration is one of the most diverse in the hobby that I am aware of.

Priced at roughly $219 dollars, which is double the previous entry, the Kiwi Ears Quintet aims to deliver amazing sound with its diverse driver arsenal.


|| 𝗗𝗶𝘀𝗰𝗹𝗮𝗶𝗺𝗲𝗿𝘀 ||

• I don’t fancy confusing lingo, therefore, the reviews will be simple without too much confusing terminology.

• I am in no way, shape, or form affiliated with the brands I review, and do not give out preview privileges.

• This set is sent in exchange for an honest review. There is no material or financial incentive for me to do this review and I guarantee no exchange has been done by both parties to influence or sway our opinions on this product.

• My thoughts and opinions are my own. My experience will entirely differ from everybody else. The contents of this review should not be considered factual as this hobby heavily leans on subjectivity. YMMV.

• I don’t do rankings or tier lists as they can get outdated immediately as a reviewer can change their thoughts of a product to a certain extent. If you do want a recommendation then feel free to reach out so I can help out.

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𝙄 𝙖𝙢 𝙣𝙤𝙩 𝙖𝙛𝙛𝙞𝙡𝙞𝙖𝙩𝙚𝙙 𝙩𝙤 Kiwi Ears 𝙣𝙤𝙧 𝙧𝙚𝙘𝙚𝙞𝙫𝙚 𝙢𝙤𝙣𝙚𝙩𝙖𝙧𝙮 𝙞𝙣𝙘𝙚𝙣𝙩𝙞𝙫𝙚𝙨 𝙖𝙣𝙙 𝙛𝙞𝙣𝙖𝙣𝙘𝙞𝙖𝙡 𝙜𝙖𝙞𝙣𝙨 𝙖𝙨 𝙩𝙝𝙚𝙮 𝙥𝙧𝙤𝙫𝙞𝙙𝙚 𝙢𝙚 𝙖 𝙧𝙚𝙫𝙞𝙚𝙬 𝙪𝙣𝙞𝙩 𝙛𝙤𝙧 𝙖𝙣 𝙚𝙭𝙘𝙝𝙖𝙣𝙜𝙚 𝙤𝙛 𝙛𝙖𝙘𝙩𝙪𝙖𝙡 𝙖𝙣𝙙 𝙨𝙞𝙣𝙘𝙚𝙧𝙚 𝙛𝙚𝙚𝙙𝙗𝙖𝙘𝙠 𝙛𝙧𝙤𝙢 𝙮𝙤𝙪𝙧𝙨 𝙩𝙧𝙪𝙡𝙮.

𝙊𝙣𝙘𝙚 𝙖𝙜𝙖𝙞𝙣, 𝙄 𝙬𝙤𝙪𝙡𝙙 𝙡𝙞𝙠𝙚 𝙩𝙤 𝙨𝙚𝙣𝙙 𝙢𝙮 𝙜𝙧𝙖𝙩𝙞𝙩𝙪𝙙𝙚 𝙩𝙤 Linsoul Audio 𝙚𝙨𝙥𝙚𝙘𝙞𝙖𝙡𝙡𝙮 𝙩𝙤 𝙈𝙨. 𝘾𝙖𝙧𝙞𝙣𝙖 𝘾𝙝𝙚𝙣 𝙛𝙤𝙧 𝙥𝙧𝙤𝙫𝙞𝙙𝙞𝙣𝙜 𝙩𝙝𝙞𝙨 𝙧𝙚𝙫𝙞𝙚𝙬 𝙪𝙣𝙞𝙩. 𝙄 𝙩𝙧𝙪𝙡𝙮 𝙖𝙥𝙥𝙧𝙚𝙘𝙞𝙖𝙩𝙚 𝙩𝙝𝙚𝙞𝙧 𝙜𝙚𝙣𝙚𝙧𝙤𝙨𝙞𝙩𝙮 𝙖𝙣𝙙 𝙩𝙧𝙪𝙨𝙩 𝙩𝙤𝙬𝙖𝙧𝙙𝙨 𝙢𝙚 𝙖𝙣𝙙 𝙤𝙩𝙝𝙚𝙧 𝙧𝙚𝙫𝙞𝙚𝙬𝙚𝙧𝙨. 𝙋𝙡𝙚𝙖𝙨𝙚 𝙘𝙝𝙚𝙘𝙠 𝙤𝙪𝙩 𝙩𝙝𝙚𝙞𝙧 𝙤𝙛𝙛𝙚𝙧𝙨 𝙨𝙪𝙘𝙝 𝙖𝙨 𝙩𝙝𝙞𝙨 𝙞𝙩𝙚𝙢 𝙖𝙣𝙙 𝙢𝙤𝙧𝙚 𝙖𝙪𝙙𝙞𝙤 𝙧𝙚𝙡𝙖𝙩𝙚𝙙 𝙥𝙧𝙤𝙙𝙪𝙘𝙩𝙨 𝙤𝙫𝙚𝙧 𝙖𝙩 𝙩𝙝𝙚𝙞𝙧 𝙬𝙚𝙗𝙨𝙞𝙩𝙚.
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| 𝗣𝗮𝗰𝗸𝗮𝗴𝗶𝗻𝗴 |

It comes in a compact box that is very reminiscent of the Quartet in scale but is different in design. I’ve been loving how Kiwi Ears designs they’re boxes and is consistent in their design character from all of their offers from budget to the more expensive stuff.



This time the box comes in a gradient gray box with an image of the IEM earpieces in the front and is riddled with additional information and branding.


| 𝗨𝗻𝗯𝗼𝘅𝗶𝗻𝗴 & 𝗔𝗰𝗰𝗲𝘀𝘀𝗼𝗿𝗶𝗲𝘀 |

It opens with ease, and you are immediately greeted by the IEM earpieces themselves encased in foam for shock protection. Underneath is some paperwork and the included case which houses the other accessories.



𝗜𝘁𝗲𝗺 𝗕𝗿𝗲𝗮𝗸𝗱𝗼𝘄𝗻:

Paperwork
Kiwi Ears Quintet Earpieces
Stock 3.5mm 4-core oxygen-free SPC cable
3 pairs of normal-bore ear tips (S/M/L)
3 pairs of wide-bore ear tips (S/M/L)
Stock hard-shell carrying case

The cable feels really nice with it being quite light, not prone to memory, and not stiff, but all in all, the included things for $200 are quite sparse considering the competition, would like to see a modular cable for added value or a better feeling and looking case but the accessories are more than enough to get you started.


| 𝗕𝘂𝗶𝗹𝗱 & 𝗗𝗿𝗶𝘃𝗲𝗿 𝗖𝗼𝗻𝗳𝗶𝗴𝘂𝗿𝗮𝘁𝗶𝗼𝗻 |

The Quintet is built with resin for the body and what seems to be opaque plastic for the faceplate. The design is really understated and subdued but it is still quite attractive looking. It doesn’t attract much attention and isn’t very flashy which is great for outside use.


It has a nice amount of heft and feels good in the hands. The faceplate is sanded down and has a smooth finish with a nice-looking shine. The left earpiece has “Quintet” engraved on it whilst the right side has the Kiwi Ears logo.

It uses a 2-pin connector which is found at the top where it's supposed to be with 2 vents poking upward beside it. The nozzle is made out of the same material as the rest of the body, that being resin and has ridges to help the ear tip stay in place,

The overall shape of the Quintet is similar to other resin-based IEMs where there are grooves and protrusions that you might find comfortable or not.



The Quintet has 5 total drivers. All of the drivers are classified into 4 types, that being a Piezoelectric Bone Conductor(PZT) a 10mm DLC Dynamic driver(DD), Kiwi Ear's own brand new Micro Planar Transducers(MPT), and a pair of custom Balanced Armature drivers(BA), making the total number of 5 drivers in one earpiece.



Kiwi Ears want to put emphasis on its new driver technology which they are calliing a Micro Planar Transducer(MPT) that basically aims to deliver the best characteristics and benefits of the common Balanced Armature(BA) and Electrostatic(EST) drivers into one solution by providing really high extension while still having a lot of volume without the downside of it being metallic in the timbre.


| 𝗜𝘀𝗼𝗹𝗮𝘁𝗶𝗼𝗻 |

The isolation on these is just bog average. Usable in daily commutes but still pales in comparison to actual noise-canceling devices.


| 𝗖𝗼𝗺𝗳𝗼𝗿𝘁 |

These fit quite well because of the overall shape of it. They fit quite snugly and stay in place even in the heaviest of head-bang moments. I still have to take a breather here and there after hours of usage to rest my ears but it is otherwise comfortable. The occlusion effect doesn’t seem to be quite as bad as your average IEM which is also nice to see.



**𝗨𝘀𝗲𝗱 𝘄𝗶𝘁𝗵 𝗞𝗕 𝗘𝗔𝗥 𝟬𝟳(𝗦𝗺𝗮𝗹𝗹) | 𝗭𝗶𝘀𝗵𝗮𝗻 𝗨𝟭 | 𝗩𝗲𝗻𝘁𝘂𝗿𝗲 𝗘𝗹𝗲𝗰𝘁𝗿𝗼𝗻𝗶𝗰𝘀 𝗔𝘃𝗮𝗻𝗶 𝗗𝗼𝗻𝗴𝗹𝗲𝗗𝗔𝗖 **


| 𝗗𝗿𝗶𝘃𝗮𝗯𝗶𝗹𝗶𝘁𝘆 |

Despite the insane driver configuration that this carries, I did find them to be weirdly efficient. Setting my Zishan U1 to the same amount of gain that I typically used with normal IEMs and finding them to have good enough volume to sound good. I was quite shocked that this amount can run really efficiently will all those drivers stashed inside the Quintet.


|| 𝗦𝗼𝘂𝗻𝗱 ||

The overall sound of the Quintet is quite unique. It strikes the right balance between engaging at the right places whilst still being able to dissect each source with far-reaching extension.



| 𝗕𝗮𝘀𝘀 |

The Quintet offers more sub-bass than mid-bass. The sub-bass is good with ample amounts, really rumbly and it has grit. They aren’t blown out of proportion but still have a great presence. Mid-bass despite being less, has a good impact and is decently fast. These don't hit as hard as the Quartet nor as thick sounding as that but what it offers is a lot more open and cleaner presentation.


| 𝗠𝗶𝗱𝘀 |

The mids surprisingly can catch up with the other competing frequencies. They sound as if they have their own space that they occupy to avoid being overshadowed or covered up by other frequencies. Vocals sound nice and airy especially female vocals but still has its fair share of sibilance of both types. Instruments sound great with the Quintet with good thickness and reproduction.


| 𝗛𝗶𝗴𝗵𝘀 |

After showcasing what the new driver implementation Kiwi Ears did with their new Micro Planar Transducer driver(MPT) on the Quintet, I can definitely say that they achieved what they sought to do with their new technology of theirs. The Quintet has an exceptional extension. It really extends well and far off. I was shocked at how trailing ends of sound can reach that long when I first tried the Quintet.

These don't sound harsh given you are proper volumes but can definitely be fatiguing in higher volumes which can be achieved easily because of how easily they can be driven. Details are great macro or micro but it can sound a bit “sizzle” at times or sound quite unnatural


| 𝗧𝗲𝗰𝗵𝗻𝗶𝗰𝗮𝗹𝗶𝘁𝗶𝗲𝘀 |

Both layering and imaging are great. There is a clear distinction on where you can perceive the sound coming from with ease and even in busier passages. There isn’t a time where I find these to be congested during my experience. Staging is wider than taller and has enough space that it doesn’t feel too intimate or something that is too detached or far away.



I find these to be great with things like gaming both competitively or for immersion and for analytical use cases. You can definitely use these for movies as that sub-bass can definitely add to that immersion.


|| 𝗖𝗼𝗻𝗰𝗹𝘂𝘀𝗶𝗼𝗻𝘀 ||

It’s nice to see companies do bold experiments and inventions like this one. All of the drivers in this definitely helped in producing quite a unique sound that balances all the scales between engagement, and note weight whilst being quite adept in its technicalities.



I find these really great and offer a sound that no other release can replicate. These are great for those who need a good balance of what I said earlier. The only complaints about this are the weird “sizzling” sensation, sibilance, and from time to time unnatural timbre of the music. As a low-volume listener though I can attest that most of these can be easily avoided just by toning it down a little.

[| 𝐏𝐮𝐫𝐜𝐡𝐚𝐬𝐞 𝐋𝐢𝐧𝐤𝐬 |]

https://www.linsoul.com/products/kiwi-ears-quintet?variant=43965912711385

(𝙏𝙝𝙚𝙨𝙚 𝙖𝙧𝙚 𝙣𝙤𝙩 𝙖𝙛𝙛𝙞𝙡𝙞𝙖𝙩𝙚 𝙡𝙞𝙣𝙠𝙨. 𝙄 𝙙𝙤 𝙣𝙤𝙩 𝙜𝙖𝙞𝙣 𝙖𝙣𝙮𝙩𝙝𝙞𝙣𝙜 𝙬𝙝𝙖𝙩𝙨𝙤𝙚𝙫𝙚𝙧 𝙪𝙥𝙤𝙣 𝙥𝙪𝙧𝙘𝙝𝙖𝙨𝙞𝙣𝙜 𝙨𝙤𝙢𝙚𝙩𝙝𝙞𝙣𝙜 𝙪𝙨𝙞𝙣𝙜 𝙩𝙝𝙚 𝙨𝙖𝙞𝙙 𝙡𝙞𝙣𝙠𝙨)